‘9/11’ Review: Charlie Sheen Drama Avoids Exploitation If Not Familiarity
Gina Gershon and Jacqueline Bisset’s genuinely powerful performances lift up this otherwise routine film
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‘Home Again’ Review: Reese Witherspoon Plays Goldilocks to Three Bores
Actress is wasted in a midlife crisis comedy that marks a negligible debut from writer-director Hallie Meyers-Shyer
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‘Our Souls at Night’ Review: Jane Fonda and Robert Redford Play Nice People in a Nice Romance
Venice: This Netflix drama plays it safe, but the leading players have as much chemistry as ever
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‘The Devil and Father Amorth’ Review: William Friedkin Tackles Satan Again, This Time Awkwardly
Venice: The “real-life exorcism” in this hand-held doc plays as phony and/or exploitative
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The French Were Right About Jerry Lewis – He Was a Genius
On both sides of the camera, Lewis was an innovator — as well as hilarious
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‘The Hitman’s Bodyguard’ Review: Ryan Reynolds, Samuel L Jackson Liven Up Routine Shoot-Em-Up
Two charming stars and one canal boat chase aren’t enough to distinguish this Euro-set action-comedy
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‘Crown Heights’ Review: True Story of Injustice Lacks Dramatic Power
Sundance 2017: There’s a powerful tale to be told about an innocent man’s 20-plus years of incarceration, but this isn’t it
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‘The Only Living Boy in New York’ Review: Kate Beckinsale Bewitches a Manhattan Millennial
Yet another insufferable saga from screenwriter Allan Loeb (“Collateral Beauty,” “The Space Between Us”)
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‘Kidnap’ Review: Halle Berry Is One Tough Mother in Cheesy, Breathtaking Thriller
You’ll spend the first half of this B-movie yelling at her character and the second half cheering her on
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Sam Shepard: Playwright at Center Stage (Appreciation)
Shepard’s writing expressed strong feelings with few words
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‘Atomic Blonde’ Review: Charlize Theron Overcomes Bad Guys and the Script in Uneven Spy Thriller
If her brutal agent spawns a franchise, we’ll look back on this entry as a notable first try
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‘The Emoji Movie’ Review: There Are No Words
OMG, this animated feature is a POS with no LOLs
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‘Valerian and the City of a Thousand Planets’ Review: Luc Besson’s Loony Space Saga Is Gorgeous Nonsense
Dane DeHaan and Cara Delevigne flirt and blast their way through an exquisite universe of silliness
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‘Dunkirk’ Review: Christopher Nolan’s WWII Saga Spins a Sensational Story of Struggle and Survival
The director hits both heart and head (via the nervous system) as he captures one of the global conflict’s most harrowing chapters
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‘War for the Planet of the Apes’ Review: Simian Saga Sewn Up Satisfactorily
This climax to the trilogy of new “Apes” movies earns its quotations of John Ford and the Old Testament
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‘The Big Sick’ Review: Kumail Nanjiani Mostly Hits the Mark in Auto-Bio-Rom-Com
Telling his real-life love story, Nanjiani nails the comedy while Holly Hunter and Ray Romano tackle the dramatic heavy lifting
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‘The Confessions’ Review: Tedious Thriller Has Nothing New to Say About Banking and Greed
Toni Servillo (“The Great Beauty”) stars as an anti-materialist monk who does nothing but sermonize and receive exposition dumps
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‘The House’ Review: Will Ferrell and Amy Poehler Win a Few Laughs But Go Home Empty-Handed
This suburbanite casino comedy flirts with relevance and wit but mostly spins its (roulette) wheels
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‘Despicable Me 3’ Review: This Time, Not Enough Minions and Too Many Subplots
Moments of visual flair and absurd comedy get lost amid characters and story points that go nowhere
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‘Transformers: The Last Knight’ Review: Michael Bay’s Latest Hot Mess Is Only Slightly Less Messy
Fifth installment allows Mark Wahlberg to play yet another character who’s both the Chosen One and always right about everything
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’47 Meters Down’ Review: Mandy Moore Battles Sharks, Asphyxiation on the Ocean Floor
This no-frills B-movie effectively nudges any and all sea-based phobias
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‘Rough Night’ Review: Scarlett Johansson and Friends Have a Funny, Bumpy Ride
Hilarious gags and situations rescue this sloppy comedy from its total lack of structure
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‘Cars 3’ Review: Lightning McQueen Has Mid-Life Crisis as Series Spins Its Wheels
Little kids are the main audience for Pixar’s hit franchise — do they care about aging and obsolescence?
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‘Beatriz at Dinner’ Review: Salma Hayek Political Satire Oversells Its Message
This immigrant vs. real-estate mogul comedy couldn’t be timelier, but the sparks never fly
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‘My Cousin Rachel’ Review: Rachel Weisz Bewitches Sam Claflin in So-So Period Piece
This Daphne du Maurier adaptation falls somewhere between trashy and classy — but either way, it should be more fun
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‘Band Aid’ Review: Zoe Lister-Jones and Adam Pally Channel Marital Discord with Three Chords
Charming indie comedy explores an unhappily married couple that forms a band to express their dissatisfaction
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‘Dean’ Review: Demetri Martin Sulks Through Insufferable Comedy-Drama
Stop me if you’ve heard this one: adult man-baby is sad over loss of a parent, and only a really pretty lady can help
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‘Captain Underpants’ Review: Why Front? This Animated Comedy Is Fun for Kids and Silly Adults Alike
Cartoon adaptation of the popular children’s books piles on the giggles for those willing to surrender to its absurdity
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‘Wonder Woman’ Review: Gal Gadot’s Amazon Warrior Conquers Superhero Doldrums
Balancing sentiment and spectacle, director Patty Jenkins’ fresh take gets us out from under the dreary DC/Warner house style
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‘Baywatch’ Review: Dwayne Johnson and Zac Efron Sink in the Shallows
Torn between being a hard-R comedy, a coming-of-age story or a straight-up reboot, this film fails at all three
