‘Prisoners of the Ghostland’ Film Review: Nicolas Cage Grimaces and Bears It Through Baffling Genre Mishmash
Sundance 2021: Working in English for the first time, Japanese auteur Sion Sono’s greatness gets lost in the translation
Sundance 2021: Working in English for the first time, Japanese auteur Sion Sono’s greatness gets lost in the translation
Sundance 2021: The “Shrill” co-star and Ed Helms make a perfect platonic pair in witty relationship tale
Sundance 2021: The ensemble cast packs a wallop, but first-time writer-director Fran Kranz’s drama becomes overly contrived
Sundance 2021: “My Entire High School Sinking Into the Sea” director makes genre tales personal and visually extravagant
Sundance 2021: The comedian gets to the heart of troubled characters while always finding the uncomfortable laughs
Writer-director Harry Macqueen summons big issues around death and love but never digs too deeply
From “Kiss Me Deadly” to “The Croods,” Phyllis Lindstrom to Frau Blücher, her paintbox ranneth over
Cold weather and/or the pandemic have you staying in? Alonso Duralde’s monthly column spotlights the best new releases on DVD and Blu-ray
John Lee Hancock’s latest flirts with big thematic and character ideas but never closes the deal