Emmys
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The January Emmys: A Guide to Just How Confusing They’ll Be
Some Emmy nominees won’t be eligible for awards like the Critics Choice and Golden Globes, while others will be up for different seasons
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How ‘Top Chef’ Cast the Best of the Best for Its ‘World All-Stars’ Season
TheWrap magazine: Some cheftestants took convincing while others were an easy yes, casting director Ron Mare says
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John Oliver’s in a New Category — But Strikes Keep His Former Emmy Talk Show Competitors From Taking Advantage
The guy who always won has moved, but the nominees can’t campaign for the empty throne
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What Lena Waithe Learned From Mary Tyler Moore: ‘I Was Inspired to Write Timeless Television’
TheWrap magazine: The “Master of None” star served as one of the producers on the Emmy-nominated documentary “Being Mary Tyler Moore”
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‘Moonage Daydream’: What Quadruple Emmy Nominee Brett Morgen Borrowed From David Bowie
TheWrap magazine: “We were trying to use Bowie’s methods for creation to construct a movie about David Bowie,” the director says
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Jeff Probst Tries to Explain Why ‘Survivor’ Got an Emmy Nomination After a 17-Year Shutout
TheWrap magazine: The show is finally back in the Outstanding Reality Competition Program category for the first time since 2006
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How ‘George & Tammy’ Made Things Personal With Live Performances From Michael Shannon and Jessica Chastain (Exclusive Video)
“We wanted to find a visual language that would represent their struggles,” Emmy-nominated cinematographer Igor Martinovic says
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How ‘Top Chef’ Pulled Out All the Stops for Its Milestone 20th Season
TheWrap magazine: The Bravo culinary competition went international for its anniversary season, and that complicated things
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How Joni Mitchell’s PBS Special Captures the New Voice of a Musical Icon
TheWrap magazine: “It’s nothing short of a miracle that she’s back to where she is,” Emmy-nominated musical director Greg Philinganes says
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Why ‘Untucked’ Is Integral to Each ‘RuPaul’s Drag Race’ Queen’s Story – and the Queer Community
“They’re going through every emotion as a human being, not as a character, ” executive producer Kenneth Leslie says
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Giant Cabbage and Raining Raisins: Behind the Scenes at ‘Last Week Tonight With John Oliver’
TheWrap magazine: “It’s almost hard not to get nominated with the infrastructure they set up for you,” says director Paul Pennolino
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How Phil Dunster Finally Caught Up With His ‘Ted Lasso’ Castmates at the Emmys
TheWrap magazine: “If we suddenly made (the character) emotionally intelligent, the audience wouldn’t appreciate that,” says the first-time Emmy nominee
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‘Still’ Director Davis Guggenheim Explains Why ‘Spin City’ Footage Became Key to Michael J. Fox Documentary
TheWrap magazine: The filmmaker says he felt sorry for himself, not Fox, after an intense period of documenting the actor’s life
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How John Mulaney’s Tales of Drugs and Rehab Became Intimate Netflix Special ‘Baby J’
TheWrap magazine: “We wanted to chart a journey almost as if it’s a one-man show instead of a standup set,” director Alex Timbers says
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From Ed Sheeran to ‘Weird Al’ Yankovic, a Guide to the Emmy-Nominated Songs
Even the serious ones play with comedic elements
