Oscars
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Creating Emilia Pérez: How the Makeup and Costume Teams Transformed Karla Sofía Gascón
TheWrap magazine: “They allowed me to go deeper into the character and make it feel real,” the actress says, speaking alongside Julia Floch-Carbonel and Virginie Montel. “It did not feel like a disguise”
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Inside the Filming of Norway’s Oscar Entry ‘Armand’: ‘Going More and More Crazy Together’
TheWrap magazine: “It made sense to turn it into a nightmare,” director Halfdan Ullmann Tøndel says
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‘Universal Language’ Is the Only Oscar Entry Where a Turkey Was Arrested on the Set
TheWrap magazine: “(The turkey) gives a very good, soulful performance, even if he doesn’t always take direction,” director Matthew Rankin says
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Mati Diop Gives Stolen African Artifacts a Voice in Her ‘Fantasy Documentary’ ‘Dahomey’
TheWrap magazine: “I wanted to give them back their power. It was important to de-folklorize them, decolonize them,” the director says
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‘I’m Still Here’ Director Walter Salles Says Quiet Inner Strength Can Knock Down Dictatorships
TheWrap magazine: The Brazilian director explains the power and persistence of Eunice Paiva, who fought against a murderous regime in the 1970s
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June Squibb Gets Her First Lead Role at 95 — and She’s Ready for More
TheWrap magazine: After starring in “Thelma” and shooting “Eleanor the Great,” she has a new rule for her agent: “Only leads, and only if the film has my name in it”
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R.J. Cutler’s Wild 2024: From Elton John to Martha Stewart to Dodgers v. Yankees
TheWrap magazine: “These are real movies — these are narratives with characters and themes and cinema,” the director says
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Talking With Oscars Song Contenders: Pharrell Williams, Kristen Wiig, Robbie Williams … and Yep, Diane Warren Too
TheWrap magazine: We also get the scoop from the songwriters for “Emilia Pérez,” “The Wild Robot” and “Blitz”
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How ‘Vermiglio’ Explores Its Director’s Family History as an Immersive Wartime Saga
TheWrap magazine: Maura Delpero’s snowy mountain drama is the official Italian submission for the Oscars’ International Feature category
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Jeff Nichols’ Favorite Part of Making ‘The Bikeriders’: Watching Tom Hardy and Jodie Comer Go Head-to-Head
TheWrap magazine: “It was our version of the scene from ‘Heat,’” the director says, nodding to the Al Pacino-Robert De Niro classic
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How ‘Will & Harper’ Took on a ‘Whole New Meaning’ After Trump’s Election
TheWrap magazine: “The only way to push back against this hate and division is with love and empathy,” director Josh Greenbaum says
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Academy Screening Room Nears 150 Films for Voters to Watch – but It’s Missing Some Major Contenders
“Anora” and “The Brutalist” are two of the top movies that have yet to be added to the screening platform for Oscar voters
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Composer Harry Gregson-Williams’ Job on ‘Gladiator II’: 100 Minutes of New Music, and a Little Bit of Hans Zimmer
TheWrap magazine: The exchange came with the composer’s plans to incorporate a bit of Hans Zimmer’s theme from the first “Gladiator”
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Volker Bertelmann’s Key to Writing the Score for ‘Conclave’: Religious Music, But Nasty
TheWrap magazine: The German composer turned to a rare French instrument from the 1950s that can sound religious but also distorted
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Kirsten Dunst on Working With Husband Jesse Plemons in ‘Civil War’: ‘We Didn’t Talk Until We Were Done’
TheWrap magazine: “I gave him his space, and I think it was so disturbing for him to play that role,” she says of Plemons’ terrifying performance
