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Cannes Report

  • ‘Drive My Car’ Film Review: Ryusuke Hamaguchi’s Trip Starts Strong But Then Sputters

    Japanese director’s drama is bursting with interesting flourishes and winsome tangents, but also with heavy-handed melodrama

    By

    Ben Croll
    November 24, 2021 @ 8:55 AM
    Movies
    8:55 AM
    ‘Drive My Car’ Film Review: Ryusuke Hamaguchi’s Trip Starts Strong But Then Sputters
  • ‘The French Dispatch’ Film Review: Wes Anderson Creates a Stylish, Exhausting Sampler Pack

    The film may be the ultimate Anderson movie, whipping everything he does into five jewel-box episodes without the need to make anything serve a larger story

    By

    Steve Pond
    October 21, 2021 @ 2:30 PM
    Movies
    2:30 PM
    ‘The French Dispatch’ Film Review: Wes Anderson Creates a Stylish, Exhausting Sampler Pack
  • ‘Bergman Island’ Film Review: Tim Roth and Vicky Krieps Star in Light and Airy Ingmar Bergman Riff

    Mia Hansen-Løve has created a Russian nesting doll of a movie, commenting on itself while throwing manna to the cinephile masses

    By

    Ben Croll
    October 14, 2021 @ 1:30 PM
    Movies
    1:30 PM
    ‘Bergman Island’ Film Review: Tim Roth and Vicky Krieps Star in Light and Airy Ingmar Bergman Riff
  • ‘The Velvet Underground’ Film Review: Todd Haynes Makes an Immersive and Essential Rock Doc

    He may not have a lot of concert footage to draw from, but Haynes turns his first documentary into a performance

    By

    Steve Pond
    October 14, 2021 @ 12:15 PM
    Movies
    12:15 PM
    ‘The Velvet Underground’ Film Review: Todd Haynes Makes an Immersive and Essential Rock Doc
  • ‘Titane’ Review: ‘Raw’ Director Returns With Graphic, Gender-Exploring Body Horror Film

    Julia Ducournau’s sophomore effort isn’t for the faint of heart

    By

    Ben Croll
    September 30, 2021 @ 12:30 PM
    Movies
    12:30 PM
    ‘Titane’ Review: ‘Raw’ Director Returns With Graphic, Gender-Exploring Body Horror Film
  • ‘Blue Bayou’ Film Review: Justin Chon’s Timely Immigration Story Slips From Lyrical to Overwrought

    The family drama tackles important U.S. policy issues but gets undercut by the melodrama

    By

    Steve Pond
    September 16, 2021 @ 7:15 AM
    Cannes Report
    7:15 AM
    ‘Blue Bayou’ Film Review: Justin Chon’s Timely Immigration Story Slips From Lyrical to Overwrought
  • ‘The Year of the Everlasting Storm’ Film Review: Bold Anthology Examines Life in the Pandemic

    Seven directors offer wildly different perspectives in this disquieting snapshot of our time

    By

    Steve Pond
    September 9, 2021 @ 7:45 AM
    Cannes Report
    7:45 AM
    ‘The Year of the Everlasting Storm’ Film Review: Bold Anthology Examines Life in the Pandemic
  • ‘Annette’ Film Review: Adam Driver and Marion Cotillard Lead Dark and Loony Showbiz Musical

    Cannes’ opening night is the latest provocation from director Leos Carax

    By

    Steve Pond
    August 19, 2021 @ 9:05 AM
    Cannes Report
    9:05 AM
    ‘Annette’ Film Review: Adam Driver and Marion Cotillard Lead Dark and Loony Showbiz Musical
  • ‘Flag Day’ Film Review: Sean Penn Directs His Daughter in Rocky Family Drama

    While the true-life film sometimes struggles with disparate tones, it’s a solid, subtle drama that opts in most cases for restraint over excess

    By

    Steve Pond
    August 18, 2021 @ 1:45 PM
    Cannes Report
    1:45 PM
    ‘Flag Day’ Film Review: Sean Penn Directs His Daughter in Rocky Family Drama
  • ‘Val’ Film Review: Val Kilmer’s Old Home Movies Are Only Part of This Story

    The documentary from directors Leo Scott and Ting Poo makes abundant use of vintage footage, but it’s really about coming to terms with the present

    By

    Steve Pond
    August 5, 2021 @ 1:40 PM
    Cannes Report
    1:40 PM
    ‘Val’ Film Review: Val Kilmer’s Old Home Movies Are Only Part of This Story
  • ‘Stillwater’ Film Review: Matt Damon Plays a Roughneck in a Languid Thriller

    “Spotlight” director Tom McCarthy’s new film follows a well-trodden path while taking plenty of detours along the way

    By

    Ben Croll
    July 29, 2021 @ 7:35 AM
    Movies
    7:35 AM
    ‘Stillwater’ Film Review: Matt Damon Plays a  Roughneck in a Languid Thriller
  • Andrea Arnold’s ‘Cow’ Picked Up by IFC Films

    Cannes 2021: Distributor previously worked together with filmmaker on “Fish Tank”

    By

    Beatrice Verhoeven
    July 28, 2021 @ 2:58 PM
    Movies
    2:58 PM
    Andrea Arnold’s ‘Cow’ Picked Up by IFC Films
  • ‘Titane’ Wins Palme d’Or in Chaotic Cannes Film Festival Ceremony

    Cannes 2021: There were bold choices and a big blunder from jury president Spike Lee – complete list of winners

    By

    Steve Pond
    July 17, 2021 @ 10:49 AM
    Cannes Report
    10:49 AM
    ‘Titane’ Wins Palme d’Or in Chaotic Cannes Film Festival Ceremony
  • Cannes Report Day 12: The COVID Tally Is 70 as Screenings End and Jury Duty Begins

    Cannes 2021: Plus, the awards parade begins while Maria Bakalova hits the red carpet and Sharon Stone calls charity auction bidders “cheap”

    By

    Steve Pond
    July 17, 2021 @ 8:26 AM
    Cannes Report
    8:26 AM
    Cannes Report Day 12: The COVID Tally Is 70 as Screenings End and Jury Duty Begins
  • ‘Vortex’ Film Review: Cannes Winds Down With Thoughtful, Heartbreaking Look at Aging

    Cannes 2021: Director Gaspar Noe usually tries to shock his audience, but this time he settles into an entirely different but also gripping register

    By

    Jason Solomons
    July 17, 2021 @ 7:50 AM
    Cannes Report
    7:50 AM
    ‘Vortex’ Film Review: Cannes Winds Down With Thoughtful, Heartbreaking Look at Aging
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