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Reviews

  • ‘The Most Precious of Cargoes’ Review: Michel Hazanavicius’ Animated Holocaust Drama Struggles With Restraint

    Cannes 2024: This flawed yet fascinating film is best when it’s poetically delicate

    By

    Chase Hutchinson
    May 24, 2024 @ 12:00 PM
    Movies
    12:00 PM
    ‘The Most Precious of Cargoes’ Review: Michel Hazanavicius’ Animated Holocaust Drama Struggles With Restraint
  • ‘The Seed of the Sacred Fig’ Review: Profoundly Brave Film Captures the Struggle of Iran’s People

    Cannes 2024: Blazing with sober force and white-hot rage, it leaves little room for subtlety in unsubtle times

    By

    Ben Croll
    May 24, 2024 @ 11:21 AM
    Cannes Report
    11:21 AM
    ‘The Seed of the Sacred Fig’ Review: Profoundly Brave Film Captures the Struggle of Iran’s People
  • ‘Atlas’ Review: Jennifer Lopez Stars in Artificial, Unintelligent Sci-Fi Thriller

    Brad Peyton’s middling mech suit-‘em-up for Netflix costars Sterling K. Brown and Simu Liu

    By

    William Bibbiani
    May 23, 2024 @ 6:00 PM
    Movies
    6:00 PM
    ‘Atlas’ Review: Jennifer Lopez Stars in Artificial, Unintelligent Sci-Fi Thriller
  • ‘All We Imagine as Light’ Review: An Intimate Peek Into the Grind of Big-City Mumbai Life

    Cannes 2024: The film marks the first from an Indian filmmaker to compete for the Palme d’Or in three decades

    By

    Ben Croll
    May 23, 2024 @ 3:38 PM
    Cannes Report
    3:38 PM
    ‘All We Imagine as Light’ Review: An Intimate Peek Into the Grind of Big-City Mumbai Life
  • ‘Beating Hearts’ Review: Gilles Lellouche’s Melodramatic Romance Epic Loses the Magic

    Cannes 2024: Adèle Exarchopoulos stars in a film that starts strong before going off a cliff

    By

    Chase Hutchinson
    May 23, 2024 @ 1:23 PM
    Cannes Report
    1:23 PM
    ‘Beating Hearts’ Review: Gilles Lellouche’s Melodramatic Romance Epic Loses the Magic
  • ‘Santosh’ Review: Shahana Goswami Commands the Screen in Story About Indian Policing

    Cannes 2024: Sandhya Suri’s feature debut subverts the standard police procedural

    By

    Chase Hutchinson
    May 23, 2024 @ 7:53 AM
    Movies
    7:53 AM
    ‘Santosh’ Review: Shahana Goswami Commands the Screen in Story About Indian Policing
  • ‘Motel Destino’ Review: Karim Aïnouz’s Erotically Charged Thriller Has Plenty of Visual Spark But Fizzles Out

    Cannes 2024: Though its colors often pop off the screen, its direction, writing and performances remain disappointingly flat

    By

    Chase Hutchinson
    May 22, 2024 @ 2:25 PM
    Cannes Report
    2:25 PM
    ‘Motel Destino’ Review: Karim Aïnouz’s Erotically Charged Thriller Has Plenty of Visual Spark But Fizzles Out
  • ‘Armand’ Review: Renate Reinsve Is Riveting in Fearsome Chamber Drama

    Cannes 2024: Though she won Best Actress at the festival for her performance in 2021’s ‘The Worst Person in the World,’ Reinsve’s latest is her best work to date

    By

    Chase Hutchinson
    May 22, 2024 @ 7:22 AM
    Movies
    7:22 AM
    ‘Armand’ Review: Renate Reinsve Is Riveting in Fearsome Chamber Drama
  • ‘Parthenope’ Review: Paolo Sorrentino Whips Up More Great Beauty in Melancholic Tale

    Cannes 2024: Gary Oldman has a small but essential role in another languorous romance from the Italian director

    By

    Steve Pond
    May 21, 2024 @ 3:50 PM
    Cannes Report
    3:50 PM
    ‘Parthenope’ Review: Paolo Sorrentino Whips Up More Great Beauty in Melancholic Tale
  • ‘Marcello Mio’ Review: Christophe Honoré’s Charming Comedy Boasts a Terrific Chiara Mastroianni

    Cannes 2024: With a delightful cast playing versions of themselves, this film is a funny look at acting, performance, and familial legacy

    By

    Chase Hutchinson
    May 21, 2024 @ 12:27 PM
    Cannes Report
    12:27 PM
    ‘Marcello Mio’ Review: Christophe Honoré’s Charming Comedy Boasts a Terrific Chiara Mastroianni
  • ‘Anora’ Review: Sean Baker Whips Up a Wild Stripper Romance Thriller Comedy, or Something Like That

    Cannes 2024: The film swings wildly back and forth while also hanging onto its heart, and it’s just too much fun to worry about how much Baker is cramming in

    By

    Steve Pond
    May 21, 2024 @ 8:18 AM
    Cannes Report
    8:18 AM
    ‘Anora’ Review: Sean Baker Whips Up a Wild Stripper Romance Thriller Comedy, or Something Like That
  • ‘The Shrouds’ Review: David Cronenberg’s Exploration of Grief Is as Sad as It Is Creepy

    Cannes 2024: Vincent Cassel and Diane Kruger star in a movie inspired by the 2017 death of the director’s wife

    By

    Steve Pond
    May 20, 2024 @ 2:45 PM
    Cannes Report
    2:45 PM
    ‘The Shrouds’ Review: David Cronenberg’s Exploration of Grief Is as Sad as It Is Creepy
  • ‘The Kingdom’ Review: A Confident Debut Worthy of History’s Great Mob Films

    Cannes 2024: Filmmaker Julien Colonna and breakout newcomer Ghjuvanna Benedetti have a bright future in Hollywood

    By

    Nicholas Barber
    May 20, 2024 @ 10:41 AM
    Cannes Report
    10:41 AM
    ‘The Kingdom’ Review: A Confident Debut Worthy of History’s Great Mob Films
  • ‘The Apprentice’ Review: Donald Trump Movie Starring Sebastian Stan Plays Like a Tragic Frankenstein Tale

    Cannes 2024: With Stan as a young Trump and Jeremy Strong as lawyer Roy Cohn, the film is amusing at times and disturbing at others

    By

    Steve Pond
    May 20, 2024 @ 10:05 AM
    Cannes Report
    10:05 AM
    ‘The Apprentice’ Review: Donald Trump Movie Starring Sebastian Stan Plays Like a Tragic Frankenstein Tale
  • ‘Garfield: The Movie’ Review: An Animated Adventure With More Heart (and Lasagna) Than Laughs

    Chris Pratt and Samuel L. Jackson star in the first halfway decent movie based on the classic comic strip

    By

    William Bibbiani
    May 19, 2024 @ 6:21 PM
    Movies
    6:21 PM
    ‘Garfield: The Movie’ Review: An Animated Adventure With More Heart (and Lasagna) Than Laughs
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