Reviews
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‘One to One: John & Yoko’ Review: Odd, Chaotic Documentary Explores a Dizzying Time for John Lennon
Venice 2024: The filmmakers have made a bracing, scattered and somewhat revelatory look at a period that’ll go down as a misstep for the Smart Beatle
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‘Slingshot’ Review: In Space, No One Can Hear You Yawn
Just because this Casey Affleck-led thriller sticks the landing doesn’t mean the journey is worth your time
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‘Reagan’ Review: Embarrassing Presidential Biopic Treats Dennis Quaid’s POTUS as the Second Coming
Jon Voight costars in what may be the most tedious presidential biopic in 80 years
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‘September 5’ Review: Can Journalists Be the Heroes in a Story of Deadly Terrorism?
Venice Film Festival: Tim Fehlbaum’s drama about the massacre at the 1972 Munich Olympics finds strength in dark rooms, unlikely protagonists and moral dilemmas
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‘Maria’ Review: Angelina Jolie Embraces the Crazy in Dreamlike Maria Callas Drama
Venice Film Festival: Pablo Larraín follows his films about Jackie Kennedy and Princess Diana with another dark fantasia about an iconic woman
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‘Separated’ Review: Errol Morris Pumps Up the Drama in His Story of Trump’s Border Policies
Venice Film Festival: The documentary filmmaker creates a curious hybrid by mixing nonfiction techniques with a fictional storyline
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‘1992’ Review: Tyrese Gibson and Ray Liotta Star in a Gutsy, Unexpected Heist Drama
Ray Liotta gives a frightening final performance as a thief pulling a high-stakes job during the Los Angeles Uprising
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‘Beetlejuice Beetlejuice’ Review: Sequel Is a Tim Burton Buffet, For Better and Worse
Venice Film Festival: Jenna Ortega and Winona Ryder star in the long-awaited follow-up
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‘The Lord of the Rings: The Rings of Power’ Season 2 Review: TV’s Most Expensive Series Remains Stunningly Boring
Prime Video’s big-budget prequel has yet to develop characters we care about or put them in situations that make their fates moving
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‘Only Murders in the Building’ Season 4 Review: Hulu Series Goes Hollywood Without Missing a Beat
The continuous caper starring Steve Martin, Martin Short and Selena Gomez surprises in delightfully sleuth fashion
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‘The Killer’ Review: John Woo Remakes His Own Masterpiece, Sans Mastery
Nathalie Emmanuel is an assassin, Omar Sy is a cop and John Woo is on autopilot
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‘The Crow’ Review: This Daffy Remake Is for the Birds
Bill Skarsgård and FKA Twigs co-star in a nonsensical, ineffectual new take on the cult classic
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‘Chimp Crazy’ Review: ‘Tiger King’ Makers Learn From Past Mistakes With HBO Docuseries
Director Eric Goode lets many of the icky factors of the hit Netflix series go in this new story about owning and dealing wild animals
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‘The Deliverance’ Review: Andra Day Soars but the Devil Disappoints in Lee Daniels’ Exorcism Thriller
The Netflix original haunted house film would do well to scrap the horror trappings altogether
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‘The Union’ Review: Mark Wahlberg and Halle Berry Are Working Class Heroes in a 2nd Class Comedy
Wahlberg gets recruited into a blue collar spy ring in a film that doesn’t seem to know what that means
