Reviews
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‘EPiC’ Review: Baz Luhrmann Doesn’t Need Austin Butler to Make Another Rockin’ Elvis Movie
TIFF 2025: The director’s new film, which stands for “Elvis Presley in Concert,” mixes live footage with rehearsals, backstage moments and Elvis’ own voiceovers
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‘Fuze’ Review: David Mackenzie’s ’90s Throwback Actioner Is All Killer, No Filler
TIFF 2025: Aaron Taylor-Johnson stars as a bomb disposal expert called to save London from an unexploded World War II bomb
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‘The Lost Bus’ Review: Paul Greengrass Turns Up the Heat in Visceral Wildfire Story
Toronto Film Festival: Matthew McConaughey and America Ferrera star in a headlong piece of terrifying real-life action
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‘The Man in My Basement’ Review: Willem Dafoe and Corey Hawkins Play Mind Games in a Scattered Horror Film
TIFF 2025: This genre exercise introduces whole ideas but ultimately does little with them
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‘Steve’ Review: Cillian Murphy’s Netflix Drama Is a Difficult Watch With Strong Performances
TIFF 2025: Director Tim Mielants exposes the pitfalls of a reform school system in 1990s Britain
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‘Christy’ Review: A Spectacular Sydney Sweeney Will Break Your Jaw — and Your Heart
TIFF 2025: David Michôd’s boxing biopic has great performances, but the film doesn’t do them or its subject justice
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‘The Eyes of Ghana’ Review: Ben Proudfoot’s Documentary Charts Forgotten Legacy of African Cinema
TIFF 2025: The documentary from “The Last Repair Shop” team has a new subject, Chris Hesse, who proves that nothing can stay hidden forever
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‘Orphan’ Review: László Nemes’ Period Epic Is Slow as Molasses
Venice Film Festival: The 1957-set film from the “Son of Saul” filmmaker takes place in the wake of Budapest’s uprising against the Communist regime
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‘Good Boy’ Review: Stephen Graham Teaches Anson Boon a Lesson in Strange Captivity Thriller
TIFF 2025: The latest genre-bender from director Jan Komasa gives “A Clockwork Orange” a modern twist
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‘Maddie’s Secret’ Review: John Early’s Excellent Directorial Debut Is a Comedy for Our Moment
TIFF 2025: Early writes, directs and stars in this sincere skewering of TV movies of old
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‘Saipan’ Review: Steve Coogan and Éanna Hardwicke Trade Barbs During a Sports-Themed Power Trip
TIFF 2025: The real-life Saipan incident that upended Ireland’s chance at glory at the 2002 World Cup is examined by co-directors Glenn Leyburn and Lisa Barros D’Sa
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‘Mile End Kicks’ Review: Barbie Ferreira and Chandler Levack Make Movie Magic Together
TIFF: Levack’s fantastic second feature cements her status as an essential voice
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‘John Candy: I Like Me’ Review: Colin Hanks’ Affectionate Documentary Opens Toronto Film Festival
Toronto Film Festival: A crowd-pleasing festival kicks off with a generous and goodhearted doc about a crowd-pleasing Canadian icon
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‘The Lowdown’ Review: Sterlin Harjo’s Gripping Mystery Thriller Brings ‘Twin Peaks’ Vibes to Tulsa
The FX drama starring Ethan Hawke is a compelling search for the truth of the “Breaking Bad” and “Game of Thrones” caliber
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‘Charlie Harper’ Review: Boy Meets Girl, Boy Loses Girl, Audience Feels His Pain
TIFF: Debut directors Mac Eldrige and Tom Dean make a gently appealing romance that isn’t exactly unexpected
