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TheWrap Magazine

  • Elizabeth Debicki Says Portraying Diana’s Final Days on ‘The Crown’ Meant Creating ‘Room for Surprise’

    TheWrap magazine: The audience knows how the story ends, so Debicki’s challenge was: “How do I create something that’s perhaps less expected?”

    By

    Philiana Ng
    June 20, 2024 @ 10:15 AM
    Awards
    10:15 AM
    Elizabeth Debicki Says Portraying Diana’s Final Days on ‘The Crown’ Meant Creating ‘Room for Surprise’
  • How ‘Morning Show’ Newcomer Nicole Beharie Elevates the Drama and Brings ‘New Energy’ to Season 3

    TheWrap magazine: The award-winning actress walks through her character’s star-making moments

    By

    Benjamin Lindsay
    June 20, 2024 @ 10:00 AM
    Awards
    10:00 AM
    How ‘Morning Show’ Newcomer Nicole Beharie Elevates the Drama and Brings ‘New Energy’ to Season 3
  • Maya Erskine Talks Fight Scenes, Couples Therapy and Not Taking It Personally on ‘Mr. & Mrs. Smith’

    TheWrap magazine: As for a second season, “All I will say is I’m excited about where the story goes,” she says

    By

    Missy Schwartz
    June 20, 2024 @ 8:00 AM
    Awards
    8:00 AM
    Maya Erskine Talks Fight Scenes, Couples Therapy and Not Taking It Personally on ‘Mr. & Mrs. Smith’
  • ‘Ahsoka’ Star Rosario Dawson Knows Her Jedi So Well That Her Backstory Began Feeling Like Real Memories

    TheWrap Magazine spoke to the actress about inhabiting the iconic “Star Wars” character

    By

    Drew Taylor
    June 19, 2024 @ 2:12 PM
    Awards
    2:12 PM
    ‘Ahsoka’ Star Rosario Dawson Knows Her Jedi So Well That Her Backstory Began Feeling Like Real Memories
  • 20 Years Ago, ABC’s ‘Lost’ Premiered and Changed TV

    TheWrap magazine: As a milestone birthday approaches, we look back on the landmark series set on a spooky island and exec-produced by J.J. Abrams 

    By

    Zaki Hasan
    June 19, 2024 @ 11:38 AM
    Awards
    11:38 AM
    20 Years Ago, ABC’s ‘Lost’ Premiered and Changed TV
  • Inside the Sumptuous ‘Shōgun’ Costumes That Tell a Rich Story All Their Own

    TheWrap magazine: “It was really about understanding the language of the clothing of that period,” says costume designer Carlos Rosario

    By

    Missy Schwartz
    June 19, 2024 @ 8:00 AM
    Awards
    8:00 AM
    Inside the Sumptuous ‘Shōgun’ Costumes That Tell a Rich Story All Their Own
  • How the ‘Mr. & Mrs. Smith’ Cinematographer Captured a Sense of Moody Noir

    TheWrap magazine: Emmy-winning DP Christian Sprenger achieved the series’ tactile feel by referencing classics like “The French Connection” while shooting mostly on location

    By

    Jason Clark
    June 18, 2024 @ 1:00 PM
    Awards
    1:00 PM
    How the ‘Mr. & Mrs. Smith’  Cinematographer Captured a Sense of Moody Noir
  • How the ‘Abbott Elementary’ Sets Expanded Beyond the School Walls in Season 3

    TheWrap magazine: “You don’t want your show to be claustrophobic,” production designer Michael Whetstone says of introducing new scenery

    By

    Philiana Ng
    June 18, 2024 @ 12:00 PM
    Awards
    12:00 PM
    How the ‘Abbott Elementary’ Sets Expanded Beyond the School Walls in Season 3
  • ‘Avatar: The Last Airbender’ VFX Team Used Story as Their North Star

    TheWrap magazine: With action sequences designed to function like dialogue, the VFX crew were guided by the idea that “story is king,” EP Albert Kim says

    By

    Kayla Cobb
    June 18, 2024 @ 11:00 AM
    Awards
    11:00 AM
    ‘Avatar: The Last Airbender’ VFX Team Used Story as Their North Star
  • How the ‘Monarch: Legacy of Monsters’ Editor Juggled Multiple Timelines

    TheWrap magazine: For Nona Khodai, the series had to make sense to everyone, not just die hards of the MonsterVerse

    By

    Drew Taylor
    June 18, 2024 @ 9:26 AM
    Awards
    9:26 AM
    How the ‘Monarch: Legacy of Monsters’ Editor Juggled Multiple Timelines
  • How the ‘I’m a Virgo’ VFX Team Made Jharrel Jerome a Giant

    TheWrap magazine: Series creator Boots Riley “wanted to make it feel like it was made in the ’80s, maybe the ’70s,” says visual effects supervisor Todd Perry

    By

    Jason Clark
    June 18, 2024 @ 8:00 AM
    Awards
    8:00 AM
    How the ‘I’m a Virgo’ VFX Team Made Jharrel Jerome a Giant
  • Alex Edelman’s ‘Just For Us’ Takes Viewers on a Bizarre, Enlightening Journey to a Neo-Nazi Meeting

    TheWrap magazine: The comedian says he was “encouraged to go in pursuit of deeper truths,” for his Max special 

    By

    Natalie Korach
    June 17, 2024 @ 2:00 PM
    Awards
    2:00 PM
    Alex Edelman’s ‘Just For Us’ Takes Viewers on a Bizarre, Enlightening  Journey to a Neo-Nazi Meeting
  • ‘Girls5Eva’ Star Paula Pell Thinks the World ‘Desperately Needs White-Hot Comedy’

    TheWrap magazine: The “SNL” alum explains what it’s like to revisit and mock the 2000s in her Netflix series

    By

    Kayla Cobb
    June 17, 2024 @ 12:00 PM
    Awards
    12:00 PM
    ‘Girls5Eva’ Star Paula Pell Thinks the World ‘Desperately Needs White-Hot Comedy’
  • How ‘Only Murders in the Building’ Pulled Off a Musical in Season 3

    TheWrap magazine: “Why not populate the writer squad with the best of Broadway?” says Justin Paul, who worked with Benj Pasek, Marc Sharman and Scott Wittman on “Death Rattle Dazzle”

    By

    Jason Clark
    June 17, 2024 @ 8:00 AM
    Awards
    8:00 AM
    How ‘Only Murders in the Building’ Pulled Off a Musical in Season 3
  • ‘The Bear’ Star Lionel Boyce Uses Marcus’ ‘Path of Creativity’ to Guide Him

    TheWrap magazine: The actor also digs in on the response to his Copenhagen episode in Season 2 of the FX series

    By

    Andi Ortiz
    June 14, 2024 @ 2:00 PM
    Awards
    2:00 PM
    ‘The Bear’ Star Lionel Boyce Uses Marcus’ ‘Path of Creativity’ to Guide Him
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