Cannes Report
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Hitman Drama ‘Salvo’ Wins Critics’ Week Prize at Cannes
Fabio Grassadonia and Antonio Piazza film is chosen tops in a field of seven features from first- and second-time directors
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Cannes Review: In ‘Nebraska,’ Alexander Payne Paints an American Life
Bruce Dern delivers a sweet rendering of old age in Payne's most personal film, and one of his best
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Good Morning, Cannes: Robert Redford’s All Wet, and So Is the Fest
As the rain starts up again, Redford gets a lengthy ovation for J.C. Chandor's wordless lost-at-sea drama
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Cannes Review: Robert Redford’s Actions Speak Much Louder Than Words in ‘All Is Lost’
Redford gives a moving performance as a man lost at sea in J.C. Chandor's almost dialogue-free follow-up to "Margin Call"
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Cannes: Top French Filmmaker Olivier Assayas to Make First U.S. Film
Sundance Selects has acquired a lesbian romance
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Ryan Gosling’s ‘Only God Forgives’: Critics Really, Really Hate the Crime Drama
Jeffrey Wells accuses director Nicolas Winding Refn of cinematic "defecation"
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Cannes Review: Soulless, Despicable ‘Only God Forgives’ Shuts Up and Slices Limbs
"Drive" director Nicolas Winding Refn indulges in one bloody killing after another, and practically licks the knife afterwards
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Cannes: Lionsgate Nabs U.S. Rights to Clive Owen Crime Drama
Mila Kunis, Zoé Saldana, and Marion Cottilard co-star
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Good Morning, Cannes: Liberace Lights Up the Homestretch
As the festival moves into its final five days, Steven Soderbergh's HBO movie joins the Coen brothers and Asghar Farhadi as the best in show
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Barry Levinson to Direct Untitled Love Story Set in Shanghai
Ronald Harwood ("The Pianist") is writing the script for producer Mike Medavoy
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Cannes: The Weinstein Co. Nearing Deal for ‘The Young and Prodigious Spivet’
Jean-Pierre Jeunet's first 3D movie co-stars Helena Bonham Carter and Kathy Bates
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Keanu Reeves, Reese Witherspoon Sci-Fi Romance ‘Passengers’ Acquired by the Weinstein Co.
"Passengers" will be in theaters next year
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‘Behind the Candelabra’ Review: Sex, Lies & the Closet at Cannes
In competition at the festival, Soderbergh's honest, authentic rendering of the passionate, sometimes silly love affair between Liberace and Scott Thorson is his best film in years
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Good Morning, Cannes: The Festival Has Female Troubles, Again
There's only one film directed by a woman in the main competition – and the critics weren’t kind to that film, “A Castle in Italy”
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Cannes Review: Without the Blood Lust, Takashi Miike’s ‘Shield of Straw’ Draws Boos
The Japanese cult director refuses to sell out his premise for the sake of audience satisfaction
