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Report From Toronto

  • TIFF 2023: Willem Dafoe, Viggo Mortensen and Camila Morrone Shine on the Carpet (Photos)

    See the stars come out to help launch film awards season at this year’s mid-strike Toronto Film Festival

    By

    Kristen Lopez
    September 9, 2023 @ 2:07 PM
    Photos
    2:07 PM
    TIFF 2023: Willem Dafoe, Viggo Mortensen and Camila Morrone Shine on the Carpet (Photos)
  • ‘Dumb Money’ Review: Paul Dano Stands Out in Definitive Portrait of COVID Era

    Toronto Film Festival: Craig Gillespie’s look at the GameStop saga captures the chaotic and irreverent online culture

    By

    Martin Aubert Tsai
    September 9, 2023 @ 4:54 AM
    Report From Toronto
    4:54 AM
    ‘Dumb Money’ Review: Paul Dano Stands Out in Definitive Portrait of COVID Era
  • ‘American Fiction’ Review: Jeffrey Wright Shines in Beautiful, Jazzy Comedy

    Toronto Film Festival: Cord Jefferson’s directorial debut makes serious points about Black representation but does so with a wonderfully light touch

    By

    Steve Pond
    September 8, 2023 @ 11:12 PM
    Report From Toronto
    11:12 PM
    ‘American Fiction’ Review: Jeffrey Wright Shines in Beautiful, Jazzy Comedy
  • ‘Reptile’ Review: Not Even Benicio del Toro Can Save Showy, Tiresome Thriller

    Toronto Film Festival: Grant Singer’s feature directorial debut spends two hours teasing the audience, but its overheated density just gets annoying

    By

    Steve Pond
    September 8, 2023 @ 9:19 PM
    Report From Toronto
    9:19 PM
    ‘Reptile’ Review: Not Even Benicio del Toro Can Save Showy, Tiresome Thriller
  • ‘The Dead Don’t Hurt’ Review: Viggo Mortensen Puts a Subversive Spin on the Western Genre

    Toronto Film Festival: Mortensen and Vicky Krieps star in a Western peopled with principled immigrants and powerful bad guys

    By

    Steve Pond
    September 8, 2023 @ 8:00 PM
    Movies
    8:00 PM
    ‘The Dead Don’t Hurt’ Review: Viggo Mortensen Puts a Subversive Spin on the Western Genre
  • ‘Silver Dollar Road’ Review: Raoul Peck Gives Racial Injustice a Face and Heart in Latest Doc

    Toronto Film Festival: The director of “I Am Not Your Negro” turns his cameras to the case of a North Carolina family that lost their land and their freedom

    By

    Steve Pond
    September 8, 2023 @ 4:47 PM
    Movies
    4:47 PM
    ‘Silver Dollar Road’ Review: Raoul Peck Gives Racial Injustice a Face and Heart in Latest Doc
  • ‘Woman of the Hour’ Review: Anna Kendrick Puts Humor and Horror Side by Side

    Toronto 2023: The actress makes her directorial debut with the strange true story of a serial killer who appeared on “The Dating Game”

    By

    Steve Pond
    September 8, 2023 @ 4:23 PM
    Report From Toronto
    4:23 PM
    ‘Woman of the Hour’ Review: Anna Kendrick Puts Humor and Horror Side by Side
  • ‘Les Indésirables’ Review: Ladj Ly Unleashes Another Scorching Drama About French Corruption and Brutality

    Toronto Film Festival: The director of the Oscar-nominated French thriller “Les Misérables” returns with a charged look at systemic injustice

    By

    Steve Pond
    September 8, 2023 @ 4:15 PM
    Movies
    4:15 PM
    ‘Les Indésirables’ Review: Ladj Ly Unleashes Another Scorching Drama About French Corruption and Brutality
  • ‘The Contestant’ Review: 1998 Japanese Reality Show Makes for Absurd Entertainment

    Toronto Film Festival: The wild story in Clair Titley’s documentary about “A Life in Prizes” is also infuriating and baffling

    By

    Steve Pond
    September 8, 2023 @ 2:45 PM
    Movies
    2:45 PM
    ‘The Contestant’ Review: 1998 Japanese Reality Show Makes for Absurd Entertainment
  • Film Festival Audiences Get Up for Anything These Days. Maybe they Shouldn’t | Commentary

    This article will take you 10 minutes to read — about as long as Yorgos Lanthimos’ standing ovation last week in Venice

    By

    Benjamin Svetkey
    September 8, 2023 @ 2:32 PM

    Pro Available to WrapPRO members

    Benjamin Svetkey
    2:32 PM
    Film Festival Audiences Get Up for Anything These Days. Maybe they Shouldn’t | Commentary

    Pro Available to WrapPRO members

  • ‘Unicorns’ Review: Queer Romance Meets Culture Clash in Quiet Drama

    Toronto Film Festival: The relationship between an auto mechanic and an Asian drag queen could be played for melodrama, but the film finds its tone in gentler moments

    By

    Steve Pond
    September 8, 2023 @ 2:00 PM
    Movies
    2:00 PM
    ‘Unicorns’ Review: Queer Romance Meets Culture Clash in Quiet Drama
  • Tension at the Berlinale: Artistic Director’s Exit Reflects Trouble at Major Festivals

    The departure of Carlo Chatrian from the Berlin Film Festival has deepened tensions over whether film festivals can serve both local and international needs

    By

    Kristen Lopez
    September 8, 2023 @ 6:00 AM

    Pro Available to WrapPRO members

    Movies
    6:00 AM
    Tension at the Berlinale: Artistic Director’s Exit Reflects Trouble at Major Festivals

    Pro Available to WrapPRO members

  • ‘Gonzo Girl’ Review: Patricia Arquette Finds Fear and Loving in Fictionalized Hunter S. Thompson Story

    Toronto Film Festival: The actress makes her directorial debut with a wild tale starring Willem Dafoe and Camila Morrone

    By

    Steve Pond
    September 7, 2023 @ 11:02 PM
    Movies
    11:02 PM
    ‘Gonzo Girl’ Review: Patricia Arquette Finds Fear and Loving in Fictionalized Hunter S. Thompson Story
  • 24 Years of the Toronto Film Festival in 19 Unforgettable Photos

    From Oprah and Clooney to Denzel, TheWrap’s Jeff Vespa has photographed them all

    By

    Missy Schwartz and Jeff Vespa
    September 7, 2023 @ 6:39 PM
    Photos
    6:39 PM
    24 Years of the Toronto Film Festival in 19 Unforgettable Photos
  • ‘The Boy and The Heron’ Review: Hayao Miyazaki’s Final Animated Film Is Among His Deepest and Darkest

    Toronto Film Festival 2023: Timeless and artful, the Japanese master’s farewell to cinema is an enigmatic rumination on death and creation

    By

    Tomris Laffly
    September 7, 2023 @ 5:15 PM
    Movies
    5:15 PM
    ‘The Boy and The Heron’ Review: Hayao Miyazaki’s Final Animated Film Is Among His Deepest and Darkest
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