Reviews
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‘Manifest’ Season 4 Part 1 Review: Twisty Mystery May Stick the Landing on Netflix
The canceled NBC series kicks off its supersized conclusion on the streamer
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‘One Piece Film Red’ Review: Fifteenth Entry in Anime Series is More Sampler Platter Than Full Meal
There’s at least an effort to introduce this world and its many characters to newbies, and the J-Pop score adds some dazzle
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‘The Estate’ Review: Money Makes Everything Worse in This All-Star Black Comedy
Tale of voracious would-be heirs lacks the courage to commit to its own nastiness
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‘Almost Famous’ Review: Cameron Crowe Comes to Broadway With a Mixed Bag of Rock Music and Groupies
In his new treatment of his semiautobiographical film, why is he recycling himself as Evan Hansen?
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‘Soft & Quiet’ Review: Shocking Debut Feature Reveals the Hate Lurking Within Seemingly Ordinary People
What seems like a blandly cheerful get-together for white church ladies devolves into racist violence in Beth de Araújo’s stunning debut
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‘Dear Zoe’ Review: Sadie Sink Stars in Overwrought Teen Drama
Filmed before the actress’ breakout roles in “Stranger Things” and “The Whale,” this YA tale is strictly for fans of the 2005 source material
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‘Holy Spider’ Review: Iranian Serial-Killer Thriller Misses the Mark
Denmark’s Oscar entry feels torn between making a point about fundamentalist misogyny and indulging in lurid exploitation
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‘Utama’ Review: Bolivia’s Oscar Entry Examines the End of a Way of Life
Disappearing water supply may force an elderly couple to abandon their home and move to the city in this Sundance award-winner
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‘Causeway’ Review: A Subdued Jennifer Lawrence Shines in Intimate Drama
The actress joins Brian Tyree Henry for a gentle Lila Neugebauer film that moves with the languid rhythms of New Orleans
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‘You Resemble Me’ Review: Fractured Life of a Radicalized Frenchwoman Becomes a Kaleidoscopic Biopic
Dina Amer’s psychological portrait of “Europe’s first female suicide bomber” is uneven but memorable
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‘I’m Totally Fine’ Review: Indie Sci-Fi Comedy’s Actually a Stealth Tearjerker
Natalie Morales brilliantly portrays an alien inhabiting the body and memories of Jillian Bell’s recently-deceased best friend
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‘Blockbuster’ Review: Netflix’s Mediocre Sitcom Can’t Shake Its Manufactured Attempt at Feel-Good Comedy
Randall Park and Melissa Fumero star in the workplace sitcom about the last remaining Blockbuster
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‘Selena Gomez: My Mind & Me’ Review: Behind-the-Fame Doc Offers a Certain Level of Insight
AFI Fest 2022: Working with the director of “Truth or Dare,” Gomez purports to let it all hang out, although she’s still clearly in charge of what we do and don’t see
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‘Where the Mountain Meets the Sea’ Review: 2 Haitian American Men Seek Their Roots Through Music
Jeff Augustin’s new Off-Broadway play, with music by the Bergsons, sends mixed messages
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‘The Independent’ Review: Political Drama Plays More Like a Failed Pilot Than a Feature Film
It may give Brian Cox the chance to roar, but this Black Listed script features the kind of overripe dialogue better suited to guilty-pleasure TV
