Reviews
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‘Left on Tenth’ Broadway Review: Julianna Margulies Explores Love and Leukemia
Delia Ephron’s memoir is now a play that captures perfectly the tedium of life in a hospital bed
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‘Venom: The Last Dance’ Review: Tom Hardy Can’t Save Plot-Heavy Sequel
Sony’s third “Venom” movie largely abandons the weirdness that made the first two films enjoyable
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‘Conclave’ Review: A Fantastic Ralph Fiennes Leads a Pulpy, Hit-and-Miss Papal Mystery
John Lithgow, Stanley Tucci and Isabella Rossellini are also immaculate, but Edward Berger’s lofty ambitions falter
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‘Drag: The Musical’ Off Broadway Review: When Boys Just Want to Have Fun
There’s nothing here that couldn’t be fixed with a little open-heart surgery
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‘What We Do in the Shadows’ Season 6 Review: FX’s Hilarious Vampire Saga Sets the Stage for Monster Finale
Jemaine Clement and Taika Waititi keep us guessing on how the mockumentary comedy will wrap up with its final 10 episodes
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‘That Christmas’ Review: Netflix and Richard Curtis Sure Have Made Some Content
The new animated holiday film from the writer of “Love Actually” is, actually, just OK
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‘Brothers’ Review: Peter Dinklage and Josh Brolin Elevate a Crime Comedy With an Identity Crisis
Glenn Close and Brendan Fraser co-star in a half inspired, half hackneyed buddy flick
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‘Fanatical: The Catfishing of Tegan and Sara’ Review: Fascinating Doc Unpacks the Dangers of Internet Fandom
Musician sisters Tegan and Sara Quin find community in old wounds while searching for their online impersonator
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‘Exhibiting Forgiveness’ Review: André Holland Brings Passion to This Raw Family Drama
Titus Kaphar’s first feature is special and refined in its storytelling
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‘Hold on to Me Darling’ Off Broadway Review: Adam Driver Grabs the Best Role of His Career
The actor’s fake tears deliver real laughs in Kenneth Lonergan’s great comedy
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‘Smile 2’ Review: Horror Sequel Gleefully Finds New Ways to Terrify
Is the sequel to Parker Finn’s horror blockbuster as good as the original? Abso-smirking-lutely
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‘Anatomy of Lies’ Review: Peacock Docuseries Paints a Compelling Portrait of a ‘Grey’s Anatomy’ Supervillain
The scandal surrounding TV writer Elisabeth Finch takes the spotlight in the three-episode examination of those impacted by her deceit
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‘Shrinking’ Season 2 Review: Apple’s Therapy Comedy Loses Its Edge
The Jason Segel-led cast remains lovable as the show leans toward typical sitcom trappings
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‘NCIS: Origins’ Review: Young Gibbs Prequel Series Doesn’t Stray From the Franchise Mold
Austin Stowell and Mariel Molino star in the ’90s-set spinoff of the CBS crown jewel
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‘American Idiot’ LA Theater Review: 20 Years Later, Green Day’s Music Is More Than Just a Millennial Howl
The Deaf West Theatre-Center Theatre Group co-production opened Wednesday at the Mark Taper Forum and plays through Nov. 16
