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Reviews

  • ‘The Cut’ Review: It’s Not the Punching That Hurts Orlando Bloom, It’s the Dieting

    TIFF 2024: Bloom and Caitriona Balfe help ground a boxing drama that abandons the usual fight scenes to focus on action out of the ring

    By

    Steve Pond
    September 7, 2024 @ 9:30 AM
    Report From Toronto
    9:30 AM
    ‘The Cut’ Review: It’s Not the Punching That Hurts Orlando Bloom, It’s the Dieting
  • ‘Went Up the Hill’ Review: Vicky Krieps and Dacre Montgomery Are Chilling in Shadowy, Creepy Ghost Story

    TIFF 2024: Director Samuel Van Grinsven’s movie is spooky but steers clear of any horror movie tropes

    By

    Steve Pond
    September 7, 2024 @ 8:55 AM
    Report From Toronto
    8:55 AM
    ‘Went Up the Hill’ Review: Vicky Krieps and Dacre Montgomery Are Chilling in Shadowy, Creepy Ghost Story
  • ‘Horizon 2’ Review: Kevin Costner’s Slow and Flat Sequel Unlikely to Win New Fans

    Venice Film Festival: The second part of the filmmaker’s planned four-part American Saga is more soap opera than spectacle

    By

    Ben Croll
    September 7, 2024 @ 8:29 AM
    Report From Venice
    8:29 AM
    ‘Horizon 2’ Review: Kevin Costner’s Slow and Flat Sequel Unlikely to Win New Fans
  • ‘We Live in Time’ Review: Florence Pugh and Andrew Garfield Make a Perfect Movie Couple

    TIFF 2024: John Crowley’s bittersweet romance is a truly charming and surprisingly rich film

    By

    Steve Pond
    September 6, 2024 @ 10:04 PM
    Report From Toronto
    10:04 PM
    ‘We Live in Time’ Review: Florence Pugh and Andrew Garfield Make a Perfect Movie Couple
  • ‘Elton John: Never Too Late’ Review: Celebratory Doc Doesn’t Whitewash Its Troubled Rock Star

    TIFF 2024: R.J. Cutler and David Furnish’s film focuses on the first six and the last six years of John’s five-decade year career

    By

    Steve Pond
    September 6, 2024 @ 9:00 PM
    Movies
    9:00 PM
    ‘Elton John: Never Too Late’ Review: Celebratory Doc Doesn’t Whitewash Its Troubled Rock Star
  • ‘40 Acres’ Review: Danielle Deadwyler and Michael Greyeyes Make a Post-Apocalyptic Power Couple

    TIFF 2024: This flawed yet fascinating look at life after collapse has more on its mind

    By

    Chase Hutchinson
    September 6, 2024 @ 8:03 PM
    Movies
    8:03 PM
    ‘40 Acres’ Review: Danielle Deadwyler and Michael Greyeyes Make a Post-Apocalyptic Power Couple
  • ‘Hard Truths’ Review: Mike Leigh and Marianne Jean-Baptiste Reunite for Quiet Gem

    TIFF 2024: Leigh’s first film in six years is an almost unbearably subtle and intimate story of Black working class families

    By

    Steve Pond
    September 6, 2024 @ 7:37 PM
    Movies
    7:37 PM
    ‘Hard Truths’ Review: Mike Leigh and Marianne Jean-Baptiste Reunite for Quiet Gem
  • ‘The Life of Chuck’ Review: Mike Flanagan’s Stephen King Adaptation Is His Best Film Yet

    TIFF 2024: Based on the author’s novella, the Tom Hiddleston-starring film is a triumph of beauty and melancholy

    By

    Chase Hutchinson
    September 6, 2024 @ 6:39 PM
    Movies
    6:39 PM
    ‘The Life of Chuck’ Review: Mike Flanagan’s Stephen King Adaptation Is His Best Film Yet
  • ‘The Last Showgirl’ Review: Pamela Anderson Soars in Gia Coppola’s Las Vegas-Set Drama

    TIFF 2024: The familiar story of an aging dancer is elevated by the former “Baywatch” star’s grit and screen presence

    By

    Matthew Creith
    September 6, 2024 @ 6:20 PM
    Movies
    6:20 PM
    ‘The Last Showgirl’ Review: Pamela Anderson Soars in Gia Coppola’s Las Vegas-Set Drama
  • ‘Sharp Corner’ Review: Ben Foster Is Magnetic in Jason Buxton’s Isolated Thriller

    TIFF 2024: The underrated actor is reliably excellent as a man unraveling while obsessing over car crashes outside his home

    By

    Chase Hutchinson
    September 6, 2024 @ 5:30 PM
    Report From Toronto
    5:30 PM
    ‘Sharp Corner’ Review: Ben Foster Is Magnetic in Jason Buxton’s Isolated Thriller
  • ‘Daniela Forever’ Review: Henry Golding Is Stranded in a Hollow Sci-Fi ‘Inception’ Riff

    TIFF 2024: Despite glimpses of potential, Nacho Vigalondo’s latest needed to dream much bigger

    By

    Chase Hutchinson
    September 6, 2024 @ 4:28 PM
    Movies
    4:28 PM
    ‘Daniela Forever’ Review: Henry Golding Is Stranded in a Hollow Sci-Fi ‘Inception’ Riff
  • ‘The Quiet Ones’ Review: Something Rotten in a Bank of Denmark

    TIFF 2024: Frederik Louis Hviid’s Nordic heist movie is inspired by true events but lacks life

    By

    Elizabeth Weitzman
    September 6, 2024 @ 4:20 PM
    Movies
    4:20 PM
    ‘The Quiet Ones’ Review: Something Rotten in a Bank of Denmark
  • ‘The Thicket’ Review: Tubi or Not Tubi, This Is a Great, Gloomy Western

    Peter Dinklage and Juliette Lewis headline an intriguing chase film from the eclectic streaming service

    By

    William Bibbiani
    September 6, 2024 @ 3:20 PM
    Movies
    3:20 PM
    ‘The Thicket’ Review: Tubi or Not Tubi, This Is a Great, Gloomy Western
  • ‘Table 17’ Off Broadway Review: A Case Study in How to Steal a Show From the Leads

    The featured actor Michael Rishawn makes a new rom-com by Douglas Lyons worth seeing

    By

    Robert Hofler
    September 6, 2024 @ 3:00 PM
    Theater
    3:00 PM
    ‘Table 17’ Off Broadway Review: A Case Study in How to Steal a Show From the Leads
  • ‘Space Cowboy’ Review: A Life-Affirming Skydiving Doc About Cheating Death

    TIFF 2024: This portrait of skydiving cinematographer Joe Jennings is often breathtaking

    By

    Chase Hutchinson
    September 6, 2024 @ 1:25 PM
    Movies
    1:25 PM
    ‘Space Cowboy’ Review: A Life-Affirming Skydiving Doc About Cheating Death
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