Reviews
-
‘Deathstalker’ Review: Cheesy B-Movie Reboot Has More Imagination Than Most Blockbusters
The forgotten sword and sorcery franchise returns with a wild, low-budget epic with memorable monsters and mayhem
-
‘Vicious’ Review: A Raw-Nerved Dakota Fanning Sells the Heck Out of This Ghoulish Horror
The director of “The Strangers” is back with another scary cautionary tale about keeping your door locked
-
‘The Woman in Cabin 10’ Review: Eating the Rich Has Never Tasted So Bland
Netflix’s new Keira Knightley thriller feels like “Glass Onion” and “Triangle of Sadness” with the edges sanded off
-
‘The Chair Company’ Review: Tim Robinson’s HBO Conspiracy Comedy Is His Best, Most Bonkers Show Yet
‘I Think You Should Leave’ and ‘Friendship’ fans will love the chaotic comedian’s latest project
-
‘Boots’ Review: Netflix Military Dramedy Is an Entertaining but Sexless Binge
Don’t expect a smutty love story in this Miles Heizer-led coming of age series
-
‘Stiller & Meara: Nothing Is Lost’ Review: Ben Stiller Unpacks His Parents’ Lives – and His Own – in Apple Doc
The documentary finds parallels between the filmmaker’s parents’ success (and shortcomings) and Stiller’s own life
-
‘Tron: Ares’ Review: Skip This Hack Sequel, Just Download the Soundtrack
Greta Lee and Jared Leto headline Disney’s pathetic, generic, idea-free brand exploitation — but Nine Inch Nails is blameless
-
‘Red Alert’ and ‘One Day in October’ Reviews: Paramount+ and HBO Max Offer 2 Gripping Accounts of Oct. 7 Attacks
Israeli actors bring the tragedy to life in two scripted dramas premiering two years later
-
‘Mr. Scorsese’ Review: Apple Docuseries Is a Useful — if Not Overly Insightful — Chronicle of a Cinematic Titan
Fans of Martin Scorsese should find plenty to enjoy, but Rebecca Miller’s five-episode doc struggles to see the filmmaker beyond his features
-
‘Monster: The Ed Gein Story’ Review: Charlie Hunnam Impresses, but Serial Killer Story Gets Bogged Down in Shock Value
The third installment of Ryan Murphy and Ian Brennan’s Netflix series goes heavy on “Psycho” and “Texas Chain Saw Massacre”
-
‘Anemone’ Review: The Only Thing Daniel Day-Lewis Can’t Do Is Retire
The reclusive Oscar-winning actor returns — again — with another bravura performance, playing a recluse who refuses to return
-
‘Caroline’ Off Broadway Review: Chloë Grace Moretz Delivers as a Single Mom in Crisis
The one-time child star graduates splendidly to troubled parenthood in a surprise hit play by Preston Max Allen
-
‘Good Boy’ Review: This Doggone Creepy Canine Horror Deserves a Little Treat
The dog star Indy is a great horror protagonist, even if the film is often barking up the wrong tree
-
‘Play Dirty’ Review: Mark Wahlberg Misses the Mark in Prime Video’s Otherwise Solid ‘Parker’ Flick
Shane Black adapts Donald E. Westlake’s classic antihero into a slick, enjoyable caper — with a miscast lead actor
-
‘Punch’ Broadway Review: A True Story of Manslaughter Makes a Mawkish Transfer to the Stage
The grizzly facts are there from Jacob Dunne’s bestseller “Right From Wrong,” but James Graham’s play turns those details into theatrical mush














