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Reviews

  • ‘A House of Dynamite’ Review: Kathryn Bigelow’s Riveting Thriller Is a Nuclear Nightmare

    Venice Film Festival: The director’s story of a potential missile launch aimed at the U.S. delineates the inner workings of the national security apparatus with a muscularity that is all her own

    By

    Steve Pond
    September 2, 2025 @ 10:00 AM
    Report From Venice
    10:00 AM
    ‘A House of Dynamite’ Review: Kathryn Bigelow’s Riveting Thriller Is a Nuclear Nightmare
  • ‘The Smashing Machine’ Review: A Calm Dwayne Johnson Anchors Raw Martial Arts Drama

    Venice Film Festival: Benny Safdie’s debut as a solo director has plenty of bloody fights, but it’s more interested in what comes after

    By

    Steve Pond
    September 1, 2025 @ 10:48 AM
    Report From Venice
    10:48 AM
    ‘The Smashing Machine’ Review: A Calm Dwayne Johnson Anchors Raw Martial Arts Drama
  • ‘Late Fame’ Review: Willem Dafoe Shines as a New York Poet Grappling With Delayed Renown

    Venice Film Festival: Kent Jones’ Soho farce is based on Arthur Schnitzler’s posthumous novella of the same name

    By

    Ben Croll
    September 1, 2025 @ 8:29 AM
    Movies
    8:29 AM
    ‘Late Fame’ Review: Willem Dafoe Shines as a New York Poet Grappling With Delayed Renown
  • ‘The Testament of Ann Lee’ Review: Amanda Seyfried Is a Charismatic Prophet in Shaker Musical

    Venice Film Festival: Mona Fastvold’s zealous historical music chronicles the rise of a religious leader in 18th century Manchester

    By

    Ben Croll
    September 1, 2025 @ 8:06 AM
    Report From Venice
    8:06 AM
    ‘The Testament of Ann Lee’ Review: Amanda Seyfried Is a Charismatic Prophet in Shaker Musical
  • ‘Father Mother Sister Brother’ Review: Jim Jarmusch Pays Tribute to Messy Families in Amusing Triptych

    Venice Film Festival: Adam Driver, Mayim Bialik, Tom Waits and Charlotte Rampling are among the actors who riff through an anthology of awkwardness

    By

    Ben Croll
    August 31, 2025 @ 10:30 AM
    Report From Venice
    10:30 AM
    ‘Father Mother Sister Brother’ Review: Jim Jarmusch Pays Tribute to Messy Families in Amusing Triptych
  • ‘The Wizard of the Kremlin’ Review: Paul Dano Is the Only Quiet Thing in This Big Satire About Putin’s Rise

    Venice Film Festival: Jude Law plays the Russian president in Olivier Assayas’ film, but Dano holds things together as a mysterious mastermind

    By

    Steve Pond
    August 31, 2025 @ 7:30 AM
    Report From Venice
    7:30 AM
    ‘The Wizard of the Kremlin’ Review: Paul Dano Is the Only Quiet Thing in This Big Satire About Putin’s Rise
  • ‘Calle Malaga’ Review: Spanish Legend Carmen Maura Charms Her Way Through Moroccan Crowd-Pleaser

    Venice Film Festival: Writer-director Maryam Touzani takes a situation that could be milked for drama and outrage and treats it with lightness and charm

    By

    Steve Pond
    August 30, 2025 @ 3:39 PM
    Awards
    3:39 PM
    ‘Calle Malaga’ Review: Spanish Legend Carmen Maura Charms Her Way Through Moroccan Crowd-Pleaser
  • ‘Motor City’ Review: Shut Up, We’ve Got an Action Flick Goin’ On Here

    Venice Film Festival: Director Potsy Ponciroli has set out to tell a bloody revenge story with (almost) no dialogue at all

    By

    Steve Pond
    August 30, 2025 @ 3:07 PM
    Report From Venice
    3:07 PM
    ‘Motor City’ Review: Shut Up, We’ve Got an Action Flick Goin’ On Here
  • ‘Hamlet’ Review: Riz Ahmed Is a Not-Very-Melancholy Dane in Revved-Up Adaptation

    Telluride Film Festival: Director Aneil Karia’s adaptation is a visceral, streamlined and furious journey through the text, leaving a lot out and speeding up what’s left

    By

    Steve Pond
    August 30, 2025 @ 10:09 AM
    Report From Telluride
    10:09 AM
    ‘Hamlet’ Review: Riz Ahmed Is a Not-Very-Melancholy Dane in Revved-Up Adaptation
  • ‘Frankenstein’ Review: Guillermo del Toro’s Passion Project Is Monstrously Moving

    Venice Film Festival: The director hijacks the flagship story of the horror genre and turns it into a stunning tale of forgiveness

    By

    Steve Pond
    August 30, 2025 @ 9:45 AM
    Report From Venice
    9:45 AM
    ‘Frankenstein’ Review: Guillermo del Toro’s Passion Project Is Monstrously Moving
  • ‘Below the Clouds’ Review: Italian Documentary Explores Gorgeous, Haunted City of Naples

    Venice Film Festival: Gianfranco’s doc is a tone poem paying tribute to a region that is suffused with beauty in the shadow of enormous loss

    By

    Steve Pond
    August 30, 2025 @ 7:15 AM
    Report From Venice
    7:15 AM
    ‘Below the Clouds’ Review: Italian Documentary Explores Gorgeous, Haunted City of Naples
  • ‘Broken English’ Review: Marianne Faithfull Gets a Dark, Complicated Documentary

    Venice Film Festival: The film from Jane Pollard and Iain Forsyth s part documentary, part art project, part philosophical treatise, part celebration and part provocation

    By

    Steve Pond
    August 30, 2025 @ 5:00 AM
    Report From Venice
    5:00 AM
    ‘Broken English’ Review: Marianne Faithfull Gets a Dark, Complicated Documentary
  • ‘Springsteen: Deliver Me From Nowhere’ Review: Is This the Anti-‘Bohemian Rhapsody?’

    Telluride Film Festival: Scott Cooper’s film, starring Jeremy Allen White, is a bracing and moving antidote to beefed-up, heavily fictionalized rock biopics

    By

    Steve Pond
    August 29, 2025 @ 8:00 PM
    Report From Telluride
    8:00 PM
    ‘Springsteen: Deliver Me From Nowhere’ Review: Is This the Anti-‘Bohemian Rhapsody?’
  • ‘Highway 99 a double album’ Review: Ethan Hawke Throws a Long Party for Merle Haggard

    Telluride Film Festival: Hawke’s three-hour documentary features more than two dozen performances of Haggard’s songs by Dwight Yoakam, Lucinda Williams, Rosanne Cash and more

    By

    Steve Pond
    August 29, 2025 @ 3:15 PM
    Report From Telluride
    3:15 PM
    ‘Highway 99 a double album’ Review: Ethan Hawke Throws a Long Party for Merle Haggard
  • ‘No Other Choice’ Review: Park Chan-wook’s Black Comedy Is Really Black and Really Comic

    Venice Film Festival: The Korean director’s take on unemployment turns downright homicidal

    By

    Steve Pond
    August 29, 2025 @ 12:50 PM
    Report From Venice
    12:50 PM
    ‘No Other Choice’ Review: Park Chan-wook’s Black Comedy Is Really Black and Really Comic
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