TheWrap Magazine
-
Rashida Jones Thought About Her Own Death While Making ‘Black Mirror’: ‘I Know That Sounds Heavy’
TheWrap magazine: Jones earned her first acting Emmy nod for playing a terminally ill woman with a dubious brain implant
-
Noah Wyle Isn’t Happy That the Healthcare Crisis Has Given ‘The Pitt’ Such Rich Material for Drama
TheWrap magazine: “This isn’t a red or blue thing, this is a human thing,” the Emmy-nominated actor and producer says
-
How the ‘Severance’ Choreographer Put Together That Marching Band Number
TheWrap magazine: Andrew Turtletaub explains how Tramell Tillman led 50-plus musicians in a surreal celebration scene
-
How ‘The Pitt’ Makeup Team Crafted a ‘Beautiful Patchwork Quilt’ to Capture Mass Tragedy
TheWrap magazine: Myriam Arougheti and Merry Lee Traum walk through depicting the HBO Max show’s most gruesome injuries
-
Late Night Comedy Discovers the Dangers of Resistance Under Trump 2.0
TheWrap magazine: Colbert, Stewart, Kimmel, Oliver and Meyers have chosen to fight back as their actual jobs are on the line
-
‘Somebody Somewhere’ Star Jeff Hiller Is Still Getting Used to Being an Emmy Nominee: ‘I Mean, It’s Bonkers’
TheWrap magazine: Hiller almost gave up acting before landing the job on the HBO series that would change his life. “I was afraid that it would be pitiful if I was middle-aged and still following my dream,” he says
-
‘RuPaul’s Drag Race’ Production Design Team Does Just as Much Improv Behind the Scenes as the Queens Do on Camera
TheWrap magazine: “Sometimes they’re like, ‘How much turnover time do you need? Thirty minutes? Can you do it in five?’” Jen Chu says
-
‘The Amazing Race’ DP Reveals How They Keep the Game Fair With Rotating Camera Ops
TheWrap magazine: “It’s hard to actually portray how complicated it is on television,” director of photography Josh Gitersonke says
-
Uzo Aduba’s Wild Year: Goodbye, ‘The Residence’ Hello, 6th Emmy Nomination
TheWrap magazine: The three-time Emmy winner would have loved to keep playing Cordelia Cupp in the comedy whodunnit that Netflix canceled. But, she says, “The truth of the matter is, I always feel like my characters go on anyway”
-
How ‘The Pitt’ Editor Helped Create the Series’ Real-Time Tension
TheWrap magazine: Actors’ movements were key, Mark Strand says: “When you travel with people, certainly when the stories are continuing, that travel time added to the tension”
-
Hulu’s ‘The Handmaid’s Tale’ Became a Mirror for the Trump Era — By Accident
TheWrap magazine: Bruce Miller, the creator of the series based on Margaret Atwood’s novel, credits the writer for putting “her finger on the eternal conflicts between society and gender and misogyny and male power”
-
How Tony Gilroy Brought ‘Andor’ to an Elegant End
TheWrap magazine: “I paid rigorous attention to the canon that I’m supposed to pay attention to. I’ve ignored the canon that I’m allowed to ignore,” Gilroy says
-
With ‘1923’ and ‘MobLand,’ Helen Mirren Is Having the Time of Her Life
TheWrap magazine: “I love that sense of jumping into the unknown,” says the Oscar and four-time Emmy winner who holds down two prestige dramas this season
-
Why Julianne Nicholson’s ‘Paradise’ Villain Is a ‘Character You Love to Hate’
TheWrap magazine: “I don’t want her to be a traditional bad guy, but a more layered person — one who has put one foot in front of the other and gotten to this place,” the actress says
-
‘Severance’ Star John Turturro on His Character’s Search for the ‘Essential and Eternal Thing’
TheWrap magazine: The veteran actor talks about Irving’s longing for “deep human connection” — and the near murder of Britt Lower’s Helly
