Disney

Disney has once again kicked the box office into high gear with the release of “Frozen II,” which earned an estimated $127 million opening from 4,440 screens. But even with that long-awaited revenue boost for movie theaters, the industry is still behind the record pace set last year.

This weekend’s other two releases, Sony/TriStar’s “A Beautiful Day in the Neighborhood” and STX’s “21 Bridges,” both did solid openings against their mid-level budgets, but “Frozen II” accounted for roughly 65% of all box office revenue generated this weekend. Total weekend grosses are set at $200 million — the highest they’ve been in a month — but that is still behind the $211 million total earned by this same weekend last year, meaning that annual domestic totals will remain roughly 6.4% behind last year’s pace, as the trend of Disney being the only studio to replicate its 2018 success continues.

Also Read: How 'Frozen II' Songwriters Stopped Thinking About 'Let It Go' to Write Songs for the Sequel

While “Frozen II” hasn’t had quite as strong reception as the first “Frozen,” reaction to it is still positive with a 75% Rotten Tomatoes score and 4.5/5 on Postrak. It should be well on its way to a $400 million domestic run, especially with many families waiting to see the film during Thanksgiving weekend. The film stands among the top 5 opening weekends for both animated and November releases and has the largest opening of any animated film released outside the summer.

Overseas, “Frozen II” opened No.1 in all 37 markets it was released in and grossed $223 million, including $53 million in China and $31.5 million in Korea. That gives the film a new global animated record opening of $350 million, putting it well on pace to become Disney’s 24th $1 billion release.

Thanks to the acquisition of 20th Century Fox, Disney also has a 1-2 finish on the charts this weekend, as “Ford v Ferrari” took the No. 2 spot with $15.5 million in its second weekend. The Chernin-produced racing biopic now has a total of $57.4 million domestic after 10 days in theaters.

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In third is “A Beautiful Day in the Neighborhood,” which is meeting box office projections with a $13.5 million opening from 3,235 screens. Reception has been overwhelmingly strong with a 96% Rotten Tomatoes score and an A from CinemaScore audience polls. Combine that with a likely Oscar nomination for Tom Hanks, and the pieces are in place for a long, steady theatrical run for this Mister Rogers biopic.

“21 Bridges” is fourth with a $9.2 million opening from 2,665 screens. The film, which had a $33 million budget co-financed by MVM Studios and Huayi Brothers with STX, had a B+ on CinemaScore and a 45% Rotten Tomatoes score. Lionsgate’s “Midway” and Paramount’s “Playing With Fire” are in a near-tie for fifth, each grossing an estimated $4.7 million in their third weekend.

Down in eighth is Sony’s “Charlie’s Angels,” which bombed last weekend with an $8.35 million opening and fell to $3.1 million in its second weekend for a 10-day total of just $14 million against a $48 million opening.

Finally, Lionsgate held early screenings for Rian Johnson’s murder mystery film “Knives Out,” grossing $2 million from 936 screens. The film opens this Wednesday and is projected to earn a $25 million 5-day opening against a $40 million budget. Universal’s “Queen & Slim” will also open during the holiday weekend, with trackers projecting a $12 million 5-day launch against a reported $20 million budget.

10 Films Directed by Women to Check Out This Fall, From 'Frozen 2' to 'Little Women' (Photos)

After years of criticism over the lack of gender diversity among directors in Hollywood, studios are finally starting to hire more women. 2019 is the first year that all major studios are releasing at least one film directed by a woman, and this fall's slate has plenty of women contributing movies, from animated blockbusters to potential Oscar contenders. Here are 10 to look out for.
Lorene Scafaria - “Hustlers” (Sept. 13)

The writer of “Nick and Norah’s Infinite Playlist” will direct this crime dramedy for STX based on Jessica Pressler’s New York Magazine article “The Hustlers at Scores.” The film features a cast led by Constance Wu and Jennifer Lopez in a true story about a team of strippers who seduced and stole from Wall Street’s elite after the 2008 recession.
STX
Jill Culton - “Abominable” (Sept. 27)

September usually has an animated feature on the release slate, and this year’s offering comes from DreamWorks Animation and Pearl Studio with Jill Culton’s tale about a Shanghai girl who goes on an adventure to help a Yeti return to Everest. Culton, who directed “Open Season” for Sony, left and returned to “Abominable” during its development.
DreamWorks Animation
Kasi Lemmons - “Harriet” (Nov. 1)

Every weekend in November will have a film made by a woman hitting theaters, starting with Focus Features’ biopic starring Cynthia Erivo as the famed abolitionist Harriet Tubman. Kasi Lemmons, who directed Samuel L. Jackson in “Eve’s Bayou,” is working here with a cast that includes Janelle Monae and “Hamilton” star Leslie Odom Jr.
Focus Features
Alma Har’el - “Honey Boy” (Nov. 8)

Next is a film that left Sundance utterly speechless. Alma Har’el, a longtime commercial director who has fought bias in the ad industry, directs longtime collaborator Shia LaBoeuf in “Honey Boy,” a film written by LaBoeuf as an unflinching examination of his life as a child actor. LaBoeuf stars as a character based on his abusive father.
Amazon Studios
Elizabeth Banks - “Charlie’s Angels” (Nov. 15)

Having previously directed “Pitch Perfect 2,” Elizabeth Banks is bringing “Charlie’s Angels” back to the big screen, and also starring as this incarnation's Bosley to a new team of Angels (Kristen Stewart, Naomi Scott and Ella Balinska) in a Townsend Agency that has expanded worldwide.
Sony
Marielle Heller - “A Beautiful Day in the Neighborhood” (Nov. 22)

November 22 will be the big weekend. Marielle Heller, who last year directed Melissa McCarthy to an Oscar nomination in “Can You Ever Forgive Me?”, helms this biopic based on the friendship between writer Tom Junod and Mister Rogers, played by Tom Hanks.
Sony
Jennifer Lee - “Frozen II” (Nov. 22)

On the same weekend, Jennifer Lee will team up once again with Chris Buck to bring Anna and Elsa back to the big screen. “Frozen” catapulted Jennifer Lee into the top tier of animators, and last year she was named the new creative head of Walt Disney Animation Studios.
Disney
Melina Matsoukas - “Queen & Slim” (Nov. 29)

But while “Frozen II” will be a family delight, Melina Matsoukas will be bringing something much darker. Written by Lena Waithe, “Queen & Slim” stars Daniel Kaluuya and Jodie Turner-Smith as a couple who must go on the run after they shoot a police officer during a traffic stop gone wrong.
Universal
Chinonye Chukwu - “Clemency” (Dec. 27)

Alfre Woodard stars in this year’s Sundance U.S. Dramatic Jury Award winner that also looks like a strong awards season contender. Director Chukwu became the first black woman to win that prize with this tale about a prison warden who oversees inmates on death row. .
NEON
Greta Gerwig - “Little Women” (Dec. 25)

Another likely awards season contender from Gerwig, still riding high from her “Lady Bird” Best Director nomination, this is the eighth feature adaption of the Alcott literary classic. The murderer’s row of a cast includes: Saoirse Ronan, Emma Watson, Meryl Streep and Timothée Chalamet. Get ready for this one to be talked about for months.
Sony

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From Heller to Gerwig and beyond, the opportunities for female filmmakers to shine are growing

After years of criticism over the lack of gender diversity among directors in Hollywood, studios are finally starting to hire more women. 2019 is the first year that all major studios are releasing at least one film directed by a woman, and this fall's slate has plenty of women contributing movies, from animated blockbusters to potential Oscar contenders. Here are 10 to look out for.

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