As MoviePass faces an uphill battle to stay afloat, the subscription moviegoing service on Tuesday announced that it would raise its monthly price to $14.95 from $9.95 and limit the access to virtually all wide-release movies during their first two weeks in theaters.
MoviePass parent company, Helios & Matheson Analytics, whose stock has declined 98 percent in the last month, said the changes should help reduce costs and cut the company’s monthly burn by roughly 60 percent.
The company said these are the beginnings a long-term growth plan to protect existing subscribers and set the business up for future sustainable growth.
“These changes are meant to protect the longevity of our company and prevent abuse of the service. While no one likes change, these are essential steps to continue providing the most attractive subscription service in the industry,” MoviePass CEO Mitch Lowe said in a statement. “Our community has shown an immense amount of enthusiasm over the past year, and we trust that they will continue to share our vision to reinvigorate the movie industry.”
Of the major changes MoviePass is making, outside of hiking its price, subscribers will now have limited access to first run movies opening on 1,000 or more screens during their first two weeks in theaters, unless the movies are made available on a promotional basis.
MoviePass users complained on Twitter over the weekend when they learned they couldn’t see “Mission: Impossible — Fallout” at most major theater chains. In Los Angeles, the movie was showing at Landmark theaters, which has an exhibition partnership with MoviePass.
MoviePass said that studios would still be able to partner with the service to promote and make available their major new releases. MoviePass hopes that partnering with studios, exhibitors, brands and other companies, as well as integrating its film finance arm MoviePass Ventures and its production arm MoviePass Films, will help increase its revenue streams.
Seeing as MoviePass pays the full amount for a movie ticket each time a subscriber goes to the theater — and in some major cities the cost of a ticket can balloon to more than $20 — despite only pulling in, now $15 a month per subscriber, the company made its latest changes to stop the bleeding.
Shares of Helios & Matheson, which owns 92 percent of MoviePass, have plummeted roughly 100 percent in the year to date as the company has done everything in it’s power to try to bolster the stock and avoid being delisted on Wall Street.
“Over the past year, we challenged an entrenched industry while maintaining the financially transparent records of a publicly traded company,” Helios & Matheson CEO Ted Farnsworth said in a statement. “We believe that the measures we began rolling out last week will immediately reduce cash burn by 60 percent and will continue to generate lower funding needs in the future.”
Helios & Matheson has poured tens of millions of dollars into the subscription moviegoing service, fueling its booming growth to three million-plus users.
But that subscriber growth has proven costly: The company reported $40 million in MoviePass losses in May, and anticipated that to grow to $45 million in June — with just $18.5 million cash on hand as of May 31.
In an April filing with the Securities and Exchange Commission, Helios & Matheson reported losses of $150 million in 2017, thanks to MoviePass and the lower subscription price launched last August — up from just $7 million in losses the year before.
The 12 Best Trash Movies of 2018 So Far, from 'Den of Thieves' to 'Skyscraper'
From me, the "trash" moniker is high praise. These are movies that are not appreciated by the greater culture -- none have earned a Fresh rating on Rotten Tomatoes -- but which instead are B-style flicks that are more concerned with delivering feels, thrills and titillation than with "respectability." For me, this is the good stuff -- the very best of Hollywood's delightful blue collar flicks.
12. "Proud Mary" -- This is the story of a depressed assassin (Taraji P. Henson) who wants to get out of the dangerous life but is just too damn tired to take the initiative. It's a weird story for a movie, but one that is probably the most relatable movie about a hitman ever.
Sony
11. "The Hurricane Heist" -- This one is surprisingly topical. It's got climate change, economic anxiety, corrupt trigger-happy cops, and a situation too dire for anyone not in the immediate area to be able to help.
Entertainment Studios
10. "Skyscraper" -- I really appreciate any movie that can give me vertigo without making me watch in 3D. I also appreciate any movie that makes The Rock into a shy, nervous guy. And, lastly, I appreciate Hanna Quinlivan being such a badass -- she needs to become a movie star like yesterday.
9. "Pacific Rim: Uprising" -- I'm not much of a fan of the new "Star Wars" movies, and I dislike them a little bit more every time I see John Boyega totally own every other movie he's in. Anyway, Boyega is a delight, as is Charlie Day as the manic villain. The ridiculous scale of the robot-on-monster carnage is still wonderful, and it's made even better by "Uprising" actually being a real movie, unlike its predecessor.
Universal
8. "Breaking In" -- An excellent example of the underrated home invasion thriller subgenre. Also a reminder of how criminal it is that Hollywood has spent the last two decades not giving Gabrielle Union piles of leading roles.
Universal
7. "Tyler Perry's Acrimony" -- Sometimes I enjoy a movie just for its sheer audacity, and this is definitely one of those instances. Tyler Perry's dramas have always been pretty wild, but "Acrimony" is on a whole other level of madness. This thing makes "Temptation" look like a bog-standard romantic drama by comparison.
Lionsgate
6. "Red Sparrow" -- Folks were preoccupied with complaining about its overly long running time, dour tone and Jennifer Lawrence's stone face, but I think all of those things are what make it good. Plus, it's got a few moments that make me physically ill whenever I watch it.
20th Century Fox
5. "Fifty Shades Freed" -- I could convincingly argue that these movies are making fun of the books they're based on. "Freed" especially, because the entire movie is about how rich people should use the considerable resources at their disposal to take care of orphans -- except Ana and Christian brazenly ignore that message because that's the joke. Anyway, "Freed" stuck the landing for our generation's greatest trash trilogy.
Universal
4. "Rampage" -- Is Dwayne Johnson the patron saint of trash movies? He seems to aspire only to participate in the most fun and awesome projects, and "Rampage" is as fun as any other movie that's come out in 2018.
3. "Gringo" -- This dark comedy is extremely relatable, with a message about how awful rich people and capitalism are. "Gringo" feels extremely right in 2018. And also David Oyelowo is hilarious.
Amazon Studios
2. "The Commuter" -- Jaume Collet-Serra and Liam Neeson team up for yet another trash masterpiece, this time to deliver a screed about how corporations and cops suck. All of that is good.
Lionsgate
1. "Den of Thieves" -- A movie that will leave you thoroughly dirty by the end, while also being a major crowd-pleaser. That's a rare and wonderful combination.
STXFilms
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These are the best movies of the year that got no respect
From me, the "trash" moniker is high praise. These are movies that are not appreciated by the greater culture -- none have earned a Fresh rating on Rotten Tomatoes -- but which instead are B-style flicks that are more concerned with delivering feels, thrills and titillation than with "respectability." For me, this is the good stuff -- the very best of Hollywood's delightful blue collar flicks.