No one ever need organize a tribute concert for Beyoncé, since she’s done such a good job staging her own self-homage with “Beyoncé: Live at Roseland,” a concert DVD that also doubles as a self-directed episode of “This is Your Life.”
The second half of the program, shot during a four-night stand in August, is a nearly complete run-through of her most recent album, the possibly underrated “4.” Fan reaction to the record hasn’t been as enthusiastic as it was for Beyoncé’s earlier albums, which doesn’t stop her from introducing it (without any real elaboration) as “my most defining moment.”
Preceding this is a 30-minute medley/monologue billed as “The Journey B 4,” in which the pre-2011 greatest hits of Beyoncé and Destiny's Child are excerpted mostly in half-minute snippets, interrupted by a self-serving stream of fact- and figure-filled historical commentary. It’s sort of like the inevitable middle act in a Diana Ross show dedicated to paying lip service to the Supremes.
It’s all highly impressive, and almost all a little annoying, if solipsism isn’t your thing. Say this for Beyoncé, though: Even at her most egotistical, she’s strangely never less than utterly likeable. She might actually be the world’s most good-natured megalomaniac.
Part 1 was probably more fun to experience at Manhattan's Roseland ballroom than it is to watch on home video -- especially if you already own a copy of “I Am… Yours – An Intimate Performance in the Encore Theater,” a 2009 DVD filmed in Vegas that included a scripted Destiny’s Child mega-medley almost identical to this disc’s.
In the intervening two years, apparently no one told her she needed a script doctor to reshape a life story that goes a little like this:
“And the hits just kept on coming! But the success just wasn’t enough to keep Destiny’s Child together… With a lot of success comes a lot of negativity… Now it’s 2002, and I just finished co-starring in my first No. 1 movie, ‘Austin Powers’… They told me I didn’t have one hit single (on ‘Dangerously in Love’). I guess they were right. I had five!... All the hard work (portraying Etta James) paid off, since it got me my second Golden Globe nomination… " And then this: "What do you do after 16 Grammys and millions of records sold? Whatever makes you happy!”
Repeated triumphs over show-biz adversity aside, no one will be mistaking this for an Elaine Stritch one-woman show.
Part 2 proves far more satisfying, even though Beyoncé may be overestimating “4” as the culmination of her career to date, if only because the tunes all last more than a minute each and there is no further boasting about the accolades she has earned from the Hollywood Foreign Press Association. Liberated from the lousy patter to pay tribute to songs instead of herself, she is… fairly glorious. Naturally.
Almost across the board, the live versions of the “4” material are more invigorating than the studio equivalents, with Beyoncé’s eight-piece all-female band making everything sound like the great cross-pollination of contemporary urban and ‘70s soul you’d hope for.
