This year’s summer version of AFI Docs certainly lived up to its slogan, “You cannot make this stuff up,” with the selection of 92 features and shorts. Audiences witnessed poignant, contemporary and historical tales in the restored AFI Theatre in Silver Spring, Md., as well as downtown Washington, D.C., theaters from the Newseum to the National Archives.
The 2018 Audience Award for Best Feature was awarded to Melissa Haizlip and Sam Pollard’s engaging “Mr. Soul!” Capturing the hotbed issues of the late 1960s, the film focuses on the Ellis Haizlip, who hosted a groundbreaking PBS show that focused African American issues and leaders in politics and the arts. The engaging panel included the filmmakers, Chaz Ebert and poet Nikki Giovanni. This year’s Audience Award for Best Short went to “EARTHRISE,” directed by Emmanuel Vaughan-Lee.
The opening night film, the inspiring “Personal Statement,” by directors Julianne Dressner and co-director Edwin Martinez, captured the need for more guidance counselors in today’s public schools and how lower-income high school students aiming for colleges can fill the gap by helping their fellow students.
World War II is depicted in two compelling documentaries. Erik Nelson’s inspiring “The Cold Blue,” featuring the footage William Wyler took of B-17 pilots and their lives, celebrates the bravery of the young American flyers.
“The Silence of Others” by Almudena Carracedo and Robert Bahar, explores the unresolved issues of justice for those who were victims of torture or lost family members in General Franco’s fascist Spain.
Nathaniel Kahn provides an insightful questioning of the value of art today, especially in the high-end market, in “The Price of Everything.” Interviewing a wide spectrum of artists and gallery owners, Kahn shows how collecting art has become an investment game.
Taking advantage of being in the nation’s capital, lawmakers like House Democratic Whip Steny Hoyer (D-Md.), and Rep. Donald Beyer (D-Va.) spoke at screenings. This year’s annual Charles Guggenheim Symposium honoree was Steve James, who discussed his approaches and showed an episode from a series, “America to Me,” about a racially and economically diverse Chicago high school.
Rory Kennedy’s “Above and Beyond: Nasa’s Journey” and Barbara Kopple’s “A Murder in Mansfield” were the standouts of works by accomplished female filmmakers. Lisa D’Apolito’s “Love, Gilda” entertains with delightful “Saturday Night Live” clips of the talented comedian’s career intercut with her personal writings. The film’s mood changes with the heart-wrenching story of her life threatning illness.
Since the movies were scheduled at theaters miles apart, it’s just impossible to see them all. Luckily, most of these gems will be opening up in commercial movie theaters or airing on television.
10 Best Documentaries of 2017, From 'Faces Places' to 'Kiki' (Photos)
From the intimate and personal to the vast and far-reaching, spanning life and death and hope and anger and artistry, 2017's best documentaries captured struggle and triumph and the creative drive. Nonfiction storytelling pushed boundaries and buttons, asking the important questions and inspiring us to seek justice and to broaden our horizons.
10. "Bones of Contention"
Director Andrea Weiss used the search for the remains of legendary Spanish author Federico Garcia-Lorca as a way to ask a bigger question that haunts the nation: Where are the mass graves of Franco's victims in the Spanish Civil War? And is the country ready to heal its figurative and literal wounds from that conflict, nearly a century later?
Icarus Films
9. "Kiki"
A quarter of a century after "Paris Is Burning" explored the New York drag ball subculture, this vibrant, dazzling documentary shows us that the balls are still alive and kicking, with a new generation of talented young people strutting their stuff and building on the houses and the chosen families that came before them.
Sundance Selects
8. "Dina"
As autistic adults Dina and Scott prepare for their upcoming wedding day, filmmakers Antonio Santini and Dan Sickles give us the opportunity to get to know Dina, a brassy, complicated woman navigating her way through whatever life sends her way. There's nothing condescending about this fascinating portrait of a couple working through their issues on the way to the altar.
The Orchard
7. "Obit."
This look at the writers at The New York Times who chronicle the dead becomes a celebration of life and its fascinating twists and turns, even as the impending death of the print medium lingers in the background. What it takes for a writer to capture someone's life -- and what an obituary says about how that life was lived -- makes for a riveting yarn.
Kino Lorber
6. "Strong Island"
Filmmaker Yance Ford compellingly mashes up the first-person and true-crime documentary genres in his investigation into his brother's murder. Part family history, part exploration of race and gender in America, this haunting tale keeps coming back to Ford's expressive face, reliving personal horrors and driven to seek justice.
Netflix
5. "Chavela"
The life and career of legendary Mexican ranchera singer Chavela Vargas makes for fascinating viewing even if you aren't familiar with her famous pipes or heartbreaking songs. Boldly flouting convention in her choice of clothing (she favored men's suits) and partners (Frida Kahlo was one of her many female lovers), Vargas became an female icon and role model in a conservative and patriarchal time.
Maj Lindström/Music Box Films
4. "The Death and Life of Marsha P. Johnson"
Both a celebration of the life of the larger-than-life LGBT activist and an examination of the ongoing investigation into the circumstances behind her passing -- the NYPD called it suicide, many are convinced it was murder -- this latest work from David France ("How to Survive a Plague") is a stirring call to action.
Netflix
3. "Whose Streets?"
The smartphone is revolutionizing citizen journalism and documentary filmmaking; this look into the protests in Ferguson, Missouri, following the murder of Michael Brown has a fly-on-the-wall immediacy that's breathtaking and heartbreaking. A searing portrait of race relations and the power of community in the face of official indifference.
Magnolia
2. "Ex Libris: The New York Public Library"
Legendary director Frederick Wiseman takes his camera everywhere from the gala fund-raisers and high-profile author appearances in Manhattan to after-school programs and job fairs in the Bronx for this portrait of this era's most valuable currency, information, and an examination of who wields it and who can access it.
1. "Faces Places"
One of the last surviving filmmakers of the French New Wave, Agnès Varda turns her camera on herself and installation artist J.R. (her co-director here) as they travel around France plastering the faces of farmers on barns and factory workers on brick walls. Varda and J.R. celebrate people and their stories, the places we take for granted, and the spirit of creation and community. For me, no other film in 2017 called up as much emotion and delight.
Cohen Media Group
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TheWrap’s Best & Worst 2017: Critic Alonso Duralde picks the nonfiction films that made the world came alive this year
From the intimate and personal to the vast and far-reaching, spanning life and death and hope and anger and artistry, 2017's best documentaries captured struggle and triumph and the creative drive. Nonfiction storytelling pushed boundaries and buttons, asking the important questions and inspiring us to seek justice and to broaden our horizons.
Aviva Kempner is a writer and documentary filmmaker whose features include 1998's award-winning “The Life and Times of Hank Greenberg,” about the first Jewish baseball star in the major leagues; 2015's "Rosenwald," about Jewish-American philanthropist Julius Rosenwald; and "The Spy Behind Home Plate," about OSS spy and pro baseball catcher Moe Berg. She is now working on a film about screenwriter Ben Hecht.
Icarus Films
