(Warning: This post contains spoilers for “Return to Murder House,” Wednesday’s episode of “American Horror Story: Apocalypse.”)
She’s baaaaaaack!!!
Jessica Lange made her long-awaited return to “American Horror Story” tonight — and she brought the whole “Murder House” along for the ride.
The installment (directed by series star Sarah Paulson and aptly titled “Return to Murder House”) saw the comebacks of Season 1 stars Connie Britton, Dylan McDermott and Taissa Farmiga (again, as the actress has already reprised her role as “Coven” witch Zoe this season), who reprised their roles as the Harmons, and Frances Conroy and Evan Peters (two other “AHS” leads who are taking on multiple roles this season) as Moira and Tate Langdon, the devilish Michael Langdon’s (Cody Fern) ghost father, respectively.
And then there was Lange, returning as Constance Langdon, Michael’s grandmother — marking her first “AHS” appearance since she exited the Ryan Murphy-created franchise after Season 4 aka “Freak House.” Paulson explained to TheWrap how Murphy persuaded the fan favorite star to come back — and apparently it really didn’t take much persuasion.
“I mean, I think the truth is Jessica has played four extraordinary characters on this show, and Constance was the beginning, and it was a character that was close to her heart,” Paulson said. “So I don’t think it took much convincing to get her back here for that. I think it was her love of the character, the connection to that character that drew her back. And hopefully it didn’t hurt when he said to her, ‘Sarah is gonna direct it.’ You know, it didn’t make her say no or anything. She still did it. (laughs).”
Lange was a prominent fixture during the first four seasons of “AHS,” playing a leading role in each installment, including the parts of creepy next door neighbor Constance in “Murder House” and (former) Supreme witch Fiona Goode in “Coven.” But she hasn’t returned for even a cameo since leaving, and Paulson felt honored to have her back for the episode in which she made her directorial debut.
“I mean, I credit her and every single person in the cast, all of whom I’ve worked with a long time, for making it such an easy transition for me,” Paulson said. “You know, Jessica hasn’t been on the set of ‘American Horror Story’ in four years. So this was, for her, a new world in a way, because she hasn’t been here in so long. So she was completely open, willing, ready and hungry for my ideas, thoughts, and notions about how to play a scene. And it was humbling, really, because, you know, this is an actor I admire probably more than almost any actor on the planet, and not only is she my friend of almost 15 years, but she is the person I’ve acted opposite most in my working life. So there’s a lot of dynamics at play there, and it could have gone any which way, because when you shift the playing field you never know what happens to people.”
“But she was so extraordinary and incredibly generous and just on my side,” Paulson continued. “And it made it really easy. And she’s such an extraordinarily gifted actor that every time we did a take she gave me so much rich material and also many ideas of different things she could try. Jessica will give you five different things going on in four words. And it’s a really extraordinary thing, it was a real embarrassment, I actually had nine and a half hours of dailies for my editor to go through the day we shot her stuff sitting at that kitchen table.”
“And it was like 11 pages of dialogue and I had three cameras on her,” Paulson said. “But he said that I beat his daily record, he’d never had more than seven and a half hours of dailies and I gave him two and a half hours more than that with all of the Jessica Lange stuff. So I felt pretty proud of that, even though it did create a pretty tremendous amount of work for him to have to go through every frame of everything and try to pilfer the best takes from everything.”
Read more from Paulson’s interview with TheWrap about her directorial debut here.
“American Horror Story: Apocalypse” airs Wednesday at 10/9c on FX.
'American Horror Story' Seasons Ranked, From Campy to Creepy (Photos)
The countdown to the end of the world has begun -- so naturally the TheWrap is going to spend our final few hours ranking the first seven seasons of "American Horror Story" from the most outlandish to the truly stomach- churning. And because the next installment in Ryan Murphy's FX anthology series, titled "Apocalypse," is a mashup between "Murder House" and "Coven," these listings should give you an idea of where Season 8 will fall when it debuts Wednesday. Click through the gallery to see our definitive rankings.
Murphy brought Lady Gaga in to lead the fifth season, set at a hotel in California that is truly inhospitable to its living -- and dead -- guests, after franchise alum Jessica Lange exited the series at the end of "Freak Show." So, yeah, "Hotel" is -- and probably always will be -- the campiest of all the seasons, given the over-the-top headliner brought in to carry the narrative.
The third installment, a story of past and present witches in New Orleans, was Jessica Lange at her Jessica Lange-iest. The queen of Murphyland played the "Supreme" aka the head of the titular coven, who is fighting to remain in control as her body deteriorates. And she went toe to toe with newcomer Emma Roberts -- a cocky young witch looking to dethrone her elder -- which brought all the camp up to 11.
A season that centered around the 2016 presidential election was bound to be a little melodramatic, given the real-life events it had as a jumping-off point. Things get real dark -- but then Evan Peters (bumped up to lead alongside Sarah Paulson for the first time) rubs Cheetos all over his face and Billy Eichner makes his debut. So it oscillates wildly between horrifying and hilarious.
"Roanoke" was a unique season, a story-within-a-story that does the job of linking all the previous years together, therefore officially declaring a shared "AHS" universe. But because of the way the season was broken up, it jumped between horrific events in the past and more mundane incidents in the present. So "Roanoke" goes right here in the middle.
The camp of "Coven" disappeared come the fourth season, when Murphy brought things back to reality with his cast of freaks. It was a season filled with more internal fears, centered around characters with external features that set them apart from the rest of society. But it was also Lange's farewell installment, so she got to chew the scenery -- and sing more than one song -- as Elsa Mars, the flamboyantly costumed leader of the outcasts.
"Asylum" was, as the on-the-nose title suggests, set in an insane asylum -- in the '60s, meaning out-of-date treatments and mindsets about the mentally ill. The season also pulled in a religious motif that would send shivers down the most lapsed Catholic's spine.
The one that started it all ends this list as the creepiest of the creeps. The episodes follow the Harmon family as they move into the titular dwelling, completely unaware of all the bloodshed it's seen before them. "Murder House" ends with the whole clan dead, stuck inside their forever home -- with Michael Langdon aka the Antichrist (whom Connie Britton's character Vivien died giving birth to) alive and well, growing up right next door. Oh and...
... come "Apocalypse," Michael is an adult, played by Cody Fern, and rocking a seriously extra 'do. And it's literally the. end. of. the world. So, yeah, at the moment we'd say the mashup of Season 1 and Season 3 is going to be a real coin-flip between camp and creep.
As Ryan Murphy’s ”Apocalypse“ approaches, TheWrap looks back at FX anthology series’ seven previous installments
The countdown to the end of the world has begun -- so naturally the TheWrap is going to spend our final few hours ranking the first seven seasons of "American Horror Story" from the most outlandish to the truly stomach- churning. And because the next installment in Ryan Murphy's FX anthology series, titled "Apocalypse," is a mashup between "Murder House" and "Coven," these listings should give you an idea of where Season 8 will fall when it debuts Wednesday. Click through the gallery to see our definitive rankings.