Courtney Hadwin’s got a brand new song in her bag of tricks. The 13-year-old “America’s Got Talent” standout slayed James Brown’s “Papa’s Got a Brand New Bag” Tuesday night on NBC.
While her talents are no longer a surprise to viewers, they’re still more than enough to bring the “AGT” audience and judges to their feet.
Watch Hadwin’s first go-around here, when she earned Howie Mandel’s golden buzzer.
Also Read: 'AGT' Trapeze Act Goes Horribly Wrong When Husband Can't Hold on to Wife (Video)
Hit the horns, and watch her new performance via the video above — it ain’t no drag.
Cool area rugs.
10 Stars Who Just Need an Emmy to EGOT, From Elton John to Stephen Sondheim (Photos)
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The EGOT -- an acronym for Emmy, Grammy, Oscar, Tony -- is among the greatest and most elusive honors in entertainment. These stars are (or were) close to achieving it.
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Elton John, composer and musician (1947-)
Grammy: Best Pop Performance by a Duo or Group, "That's What Friends Are For" (1986); Best Instrumental Composition, "Basque" (1991); Best Male Pop Vocal Performance, "Can You Feel the Love Tonight" (1994); Best Male Pop Vocal Performance, "Candle in the Wind" (1997); Best Show Album, "Aida" (2000)
Oscar: Best Original Son, "Can You Feel the Love Tonight" from "The Lion King" (1994)
Tony: Best Score, "Aida" (2000) -
Stephen Sondheim, composer and lyricist (1930-)
Grammy: Best Show Album, "Company" (1970); Best Show Album, "A Little Night Music" (1973); Song of the Year, "Send in the Clowns" (1975); Best Show Album, "Sweeney Todd" (1979); Best Show Album, "Sunday in the Park With George" (1984); Best Cast Show Album, "Into the Woods" (1988); Best Show Album, "Passion" (1994);
Oscar: Best Original Song, "Sooner Or Later (I Always Get My Man)" from "Dick Tracy" (1990)
Tony: Best Musical, "A Funny Thing Happened on the Way to the Forum," (1963); Best Score and Best Lyrics, "Company" (1971); Best Score, "Follies" (1972); Best Score, "A Little Night Music" (1973); Best Score, "Sweeney Todd" (1979); Best Score, "Into the Woods" (1988); Best Score, "Passion" (1994) -
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Joel Grey, actor (1932 - )
Grammy (2): Best Musical Theater Album, "Cabaret" (1968) and "Chicago" (1998)
Oscar: Supporting Actor, "Cabaret" (1972)
Tony: Featured Actor in a Musical, "Cabaret" (1967)
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Benj Pasek and Justin Paul, composers (both 1985 - )
Grammy: Best Musical Theater Album, "Dear Evan Hansen" (2018)
Oscar: Best Original Song, "La La Land" (2017)
Tony: Best Original Score, "Dear Evan Hansen" (2017) -
Henry Fonda, actor (1905-82)
Grammy: Best Spoken Word Album, "Great Documents" (1977)
Oscar: Best Actor, "On Golden Pond" (1981)
Tony: Best Actor, "Mister Roberts" (1948); Best Actor, "Clarence Darrow" (1975) -
Oscar Hammerstein II, lyricist and producer (1895-1960)
Grammy: Best Original Cast Album, "The Sound of Music" (1960)
Oscar: Best Original Song, "The Last Time I Saw Paris" from "Lady Be Good" (1941); "It Might As Well Be Spring" from "State Fair" (1945)
Tony: Three awards for "South Pacific" (1950); Best Musical, "The King and I" (1952); Best Musical, "The Sound of Music" (1960) -
Alan Jay Lerner, lyricist and writer (1918-86)
Grammy: Best Original Cast Album, "On a Clear Day" (1965)
Oscar: Best Original Screenplay, "An American in Paris" (1951); Best Adapted Screenplay and Best Original Song, "Gigi" (1958)
Tony: Best Musical, "My Fair Lady" (1957); Best Original Score, "Gigi" (1974) -
Frank Loesser, composer (1910-69)
Grammy: Best Cast Album, "How to Succeed..." (1961)
Oscar: Best Song, "Baby, It's Cold Outside" from "Neptune's Daughter" (1949)
Tony: Best Musical, "Guys and Dolls" (1951); Best Musical, "How to Succeed..." (1962) -
Jule Styne, composer and songwriter (1905-94)
Grammy: Best Cast Album, "Funny Girl" (1964)
Oscar: Best Song, "Three Coins in the Fountain" (1954)
Tony: Best Musical and Best Score, "Hallelujah Baby" (1968)
A select group of entertainers can round out their trophy cases with a competitive win from the Television Academy
The EGOT -- an acronym for Emmy, Grammy, Oscar, Tony -- is among the greatest and most elusive honors in entertainment. These stars are (or were) close to achieving it.
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