Chase Hutchinson is a film and TV critic for TheWrap and has written for the publication since 2024. He is a member of the Seattle Film Critics Society (SFCS).
Experience:
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‘Fuori’ Review: A Goliarda Sapienza Biopic That Fails to Do Her Justice
Cannes 2025: The story of this iconic Italian actress and writer deserves to be told with more depth than this
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‘Alpha’ Review: Julia Ducournau’s Mournful Horror Drama Cuts Through Body and Soul
Cannes 2025: The director of “Raw” and “Titane” is back with a knockout that defies expectations
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‘Urchin’ Review: Harris Dickinson’s Directorial Debut Is a Devastating, Delicate Drama
Cannes 2025: Frank Dillane gives the best performance of the festival thus far in Dickinson’s addiction story
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‘Nouvelle Vague’ Director Richard Linklater Dumps On Trump Tariff Threat, Gushes Over Godard: ‘He Had Such An Interesting Brain’
Cannes 2025: Linklater isn’t worried about Trump’s proposed tariffs on movies that don’t shoot in the U.S.: “That guy changes his mind like 50 times in one day”
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‘Die, My Love’ Star Jennifer Lawrence Says She Was Heartbroken By Postpartum Story: ‘It’s Extremely Isolating’
Cannes 2025: The actress said “extreme anxiety and extreme depression is isolating no matter where you are” at a Cannes press conference
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‘Die, My Love’ Review: Robert Pattinson and Jennifer Lawrence Are Outstanding in Haunting Domestic Horror
Cannes 2025: Lynne Ramsay’s adaptation of the novel by Ariana Harwicz is frequently astounding
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‘Dangerous Animals’ Review: Jai Courtney Is a Joyous Maniac in ‘Jaws’-Meets-‘Psycho’ Horror Film
Cannes 2025: We’re gonna need to get off this serial killer’s boat
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‘A Useful Ghost’ Review: Davika Hoorne Is a Spectacular Supernatural Vacuum in Bold Drama
Cannes 2025: Writer/director Ratchapoom Boonbunchachoke’s feature debut is a wondrous festival discovery that’ll stick with you
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‘The Chronology of Water’ Review: Kristen Stewart’s Expansive, Evocative Work of Cinematic Poetry
Cannes 2025: Imogen Poots gives a career-best performance in this bold adaptation of Lidia Yuknavitch’s 2011 memoir
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‘Left-Handed Girl’ Review: Shih-Ching Tsou and Sean Baker Make a Bittersweet Family Dramedy
Cannes 2025: This winning feature proves Shih-Ching Tsou is a talented filmmaker in her own right
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‘Death Does Not Exist’ Review: Stunning but Slippery Animated Feature Confronts Love in the Shadow of Death
Cannes 2025: Félix Dufour-Laperrière’s film is an intentionally murky meditation on mortality and survivor’s guilt
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‘Friendship’ Review: Tim Robinson and Paul Rudd Are a Riot in the Year’s Best Comedy
The “I Think You Should Leave” star cements his status as a modern comedy genius with writer/director Andrew DeYoung
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‘The Legend of Ochi’ Review: A24 Fantasy Adventure Is Lovingly Crafted Yet Oddly Inert
Isaiah Saxon’s feature directorial debut looks the part, but lacks an emotional punch
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‘The Last of Us’ Season 2 Review: Humanity Shatters as HBO Drama Examines Cycles of Violence to Devastating Effect
Pedro Pascal and Bella Ramsey shine as the show cuts deeper into character and makes critical changes from the video game
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‘Hell of a Summer’ Review: Finn Wolfhard’s Directorial Debut Is Occasionally Amusing but Mostly Empty
The “Stranger Things” star co-directs a film that’s one part “Friday the 13th,” another “Wet Hot American Summer”
