‘Almost Love’ Film Review: Gay Couple Works Out Issues in Overpopulated, Underwritten Comedy
Too many characters with not enough depth populate this NYC comedy, but Patricia Clarkson’s all-too-brief cameo steals the show
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‘Scream, Queen!’ Film Review: How Mark Patton Battled HIV, Hollywood Homophobia, and Freddy Krueger
“My Nightmare on Elm Street” documentary tracks the actor’s legacy as horror’s first male “final girl”
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‘The Times of Bill Cunningham’ Film Review: Documentary on Famous Photographer Lacks Focus
There’s a lot in the life of the legendary “fashion historian” that this choppy film seems unwilling or unable to explore
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‘After Parkland’ Film Review: Documentary Follows Activists Forged in Tragedy
This examination of the aftermath of a school shooting sometimes takes too broad a view, but the film remains poignant
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‘The Turning’ Film Review: Mackenzie Davis Grapples With Ghosts and an Unflattering Hairdo
This lackluster adaptation of “The Turn of the Screw” isn’t going to make anyone forget earlier, better versions
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‘Cunningham’ Film Review: 3D Dance Documentary Celebrates Revolutionary Choreographer
Not every performance piece in Alla Kovgan’s film works on the big screen, but the ones that do make this a must-see for dance enthusiasts
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‘Gay Chorus Deep South’ Film Review: Traveling Choirs Shake Up Southern Gentility With Direct Confrontation
Performers from San Francisco and Oakland invade the Bible Belt with the hope of changing hearts and minds with song
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‘The Cotton Club Encore’ Film Review: Francis Ford Coppola’s Butchered Masterpiece Gets Its Redemption
New York Film Festival 2019: With the restoration of Gregory Hines’ complete performance, this legendary flop now stands among a master director’s greatest films
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‘Bully. Coward. Victim. The Story of Roy Cohn’ Film Review: 2019’s Second Cohn Documentary Flails in Too Many Directions
New York Film Festival 2019: Director Ivy Meeropol, granddaughter of Julius and Ethel Rosenberg, tries to cram in an excess of information, allowing her subject to elude her
