Matthew Creith is a movie and TV critic based in Denver, Colorado. He’s a member of the Critics Choice Association and GALECA: The Society of LGBTQ Entertainment Critics. He can be found on Twitter: @matthew_creith or Instagram: matineewithmatt. He graduated with a BA in Media, Theory and Criticism from California State University, Northridge. Since then, he’s covered a wide range of movies and TV shows, as well as film festivals like SXSW and TIFF.

Matthew Creith
Experience:
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‘Monster: The Ed Gein Story’ Review: Charlie Hunnam Impresses, but Serial Killer Story Gets Bogged Down in Shock Value
The third installment of Ryan Murphy and Ian Brennan’s Netflix series goes heavy on “Psycho” and “Texas Chain Saw Massacre”
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‘Love+War’ Review: Harsh Realities of War and Family Center an Enlightening Documentary
TIFF 2025: “Free Solo” directors Elizabeth Chai Vasarhely and Jimmy Chin’s latest presents the two worlds that make up photojournalist Lynsey Addario’s existence
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‘Nuremberg’ Review: Rami Malek and Russell Crowe Lead Thrilling Nazi Courtroom Drama
TIFF 2025: Writer-director James Vanderbilt trades in horror comedies for a historical account of the lengths it took to bring war criminals to justice
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‘Eternity’ Review: Miles Teller, Elizabeth Olsen and Callum Turner Are Stuck in a Hysterical, Poignant Other-Worldly Threesome
TIFF 2025: An ensemble of actors makes life after death feel grounded and affecting in this fantasy rom-com
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‘Good Fortune’ Review: Keanu Reeves Is Fantastically Funny in Aziz Ansari’s Body Swap Comedy With an Angelic Twist
TIFF 2025: Seth Rogen and Reeves elevate a comedy based on an eat-the-rich trope that hardly feels rewarding
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‘California Schemin’ Review: James McAvoy Directs a Whimsical Story Based on a True Lie
TIFF 2025: Samuel Bottomley and Séamus McLean Ross recreate a fake early aughts Scottish rap duo, taking a shot at fame and the music industry
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TIFF Admitted Pulling Oct. 7 Documentary Was a ‘Mistake,’ Director Barry Avrich Says | Video
TIFF 2025: In a conversation with TheWrap at the Glenn Gould theater, the director addressed the controversy over his documentary about a retired general saving his family from the Hamas attack
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‘Steve’ Review: Cillian Murphy’s Netflix Drama Is a Difficult Watch With Strong Performances
TIFF 2025: Director Tim Mielants exposes the pitfalls of a reform school system in 1990s Britain
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‘The Eyes of Ghana’ Review: Ben Proudfoot’s Documentary Charts Forgotten Legacy of African Cinema
TIFF 2025: The documentary from “The Last Repair Shop” team has a new subject, Chris Hesse, who proves that nothing can stay hidden forever
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‘Good Boy’ Review: Stephen Graham Teaches Anson Boon a Lesson in Strange Captivity Thriller
TIFF 2025: The latest genre-bender from director Jan Komasa gives “A Clockwork Orange” a modern twist
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‘Saipan’ Review: Steve Coogan and Éanna Hardwicke Trade Barbs During a Sports-Themed Power Trip
TIFF 2025: The real-life Saipan incident that upended Ireland’s chance at glory at the 2002 World Cup is examined by co-directors Glenn Leyburn and Lisa Barros D’Sa
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‘The Rainmaker’ Review: John Slattery and Lana Parrilla Stand Out in USA Network’s Basic Legal Drama
Milo Callaghan and Madison Iseman complement the main cast of this TV adaptation of John Grisham’s novel
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‘Boy George & Culture Club’ Review: Director Alison Ellwood Dives Into British Pop’s Most Controversial 1980s Band
Tribeca 2025: A behind-the-music look at Boy George’s quest for personal freedom alongside his former bandmates sets the scene for a pop-rock journey
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‘Ginny & Georgia’ Season 3 Review: Netflix YA Drama Takes a Dark but Necessary Turn
Brianne Howey and Antonia Gentry keep the generational trauma alive in the name of poetic justice
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‘Black Mirror’ Season 7 Review: Excellent Cast and Dazzling Sequels Fuel Rich New Batch of Episodes
Will Poulter, Rashida Jones, Chris O’Dowd and Cristin Milioti lead an all-star season that doubles down on Charlie Brooker’s trademark delicious weirdness