(Note: This post contains spoilers for the Sept. 11 episode of “Castle Rock.”)
The final episode of “Castle Rock” runs two stories in parallel: the present action that has the Kid trying to convince Henry to help him, and the past, in which we finally see (some of) what happened to Henry when he was 12.
We’ve been getting tidbits of this story all season, partially because Henry doesn’t seem to remember all of it, and partially because he refuses to tell anyone what really happened. The broad strokes that everyone in Castle Rock knows are these: One day, Henry Deaver (André Holland, with his younger counterpart played by Caleel Harris) went into the woods with his adopted father, Reverend Matthew Deaver (Adam Rothenberg).
Later, Matthew was found at the base of a cliff, badly hurt from a fall and near death, and Henry had disappeared. Search parties looked for Henry for the next six days. Meanwhile, Matthew hung on and seemed like he might even recover while being nursed at home over the next few days, but then abruptly died in his bed, seemingly succumbing to his injuries.
When Henry was found six days after he disappeared out on the frozen Castle Lake, he hadn’t been hurt, nor had he suffered any ill effects from the cold. It seemed that he had been inside and well-cared for during those six days. Because nothing seemed to be wrong with him, the people of Castle Rock started to speculate that Henry had pushed Matthew and gone to hide out somewhere, faking his disappearance.
Whether Henry, as a boy, actually tried to kill his father has been an open question all season, and something that clearly plagues Henry. The final episode, “Romans,” answers the question definitively by showing us what happened to Henry and Matthew that day. The pair went out into the woods to hear the sound that Matthew called the Voice of God and that others have called “the schisma.” There, Matthew told Henry that he meant to kill Ruth Deaver (Sissy Spacek), his wife and Henry’s adopted mother.
Matthew tells Henry that he knows about Ruth’s affair with Sheriff Pangborn (Scott Glenn, with his younger version played by Jeffrey Pierce). That transgression, and her encouraging Henry to lie about hearing the schisma in order to protect himself from the increasingly erratic Matthew, are sins that Matthew uses to justify his plan to get rid of her. The name of the episode is a reference to Matthew’s biblical reasoning for killing Ruth. He quotes Romans 6:23: “The wages of sin is death.”
When Henry hears this, he realizes what he’s dealing with when it comes to his father, and runs away from him in the snowy wilderness. In a great callback to “The Shining,” Stephen King’s story about a father trying to kill his son, Henry runs out to the cliff above Castle Lake, then carefully steps back through his own footprints so he can trick Matthew. He hides in the woods and waits for his father to follow his prints to the cliff. When Matthew does, Henry pushes him over the side.
We know that Matthew survived the fall, though, and we also know that it wasn’t Henry who ultimately killed his dad. Henry’s former friend and neighbor in Castle Rock, Molly Strand (Melanie Lynskey, with Cassady McClincy playing the character as a child), told Henry that she actually killed Matthew in his bed after his fall.
Molly told Henry that she could sense the fact that Henry wanted Matthew dead, and that’s what made her do it for him. In fact, she said, it was as if Henry completed the act of murder through her.
In the end, Henry’s act was to protect his mother from his frightening, ever-more deranged father. Henry even asked the Kid what would have happened in the other world — and the Kid (Bill Skarsgård) agreed that Matthew would have murdered Ruth, but in the Kid’s version of Castle Rock, Ruth and Pangborn took the Kid and left town.
Whether Henry believes the Kid, or believes that he was justified in what he did to Matthew, is another story. After all, as Matthew said, the devil tells people what they want to hear.
14 Stephen King TV Adaptations Ranked, Including 'Castle Rock' (Photos)
Stephen King has seen a resurgence of adaptations as of late. In 2016, there was "11.22.63" on Hulu, 2017 saw "The Mist" on Spike and 2018 has given rise to "Castle Rock," an original story that takes place within the King multiverse. In honor of the iconic horror author's new TV adaptations, let's look back at all the King works (original screenplays not included) that have made their way to television ... sometimes with horrifying results.
14. "The Langoliers" (1995)
It's mostly known nowadays for its disappointing and hilarious visual effects ... and it's also mostly boring. But the story of people who realize they are the only ones left on a plane from which most of the other passengers have vanished is almost worth watching for -- specifically for that end reveal.
ABC
13. "Carrie" (2002) You'd think with a screenplay by Bryan Fuller (!) that this TV movie -- which was intended as a backdoor pilot for a "Carrie" series -- would've been worthwhile. Unfortunately, it lacked what made the film version of King's book such a classic, going for low-key, quiet performances instead of the insane, over-the-top setup of the original.
NBC
12. "Bag of Bones" (2011) A&E tried to bring back the grand old tradition of Stephen King miniseries adaptations in 2011 with a new take on "Bag of Bones," but the Pierce Brosnan-led two-parter just ended up being mostly forgettable.
11. "Nightmares & Dreamscapes: From the Stories of Stephen King" (2006) The eight-part miniseries adapted short stories from some of King's collections. It features some incredible actors and performances from William Hurt and William H. Macy and is a solid adaptation of the ones in question. However, none of the stories are standouts to begin with, even if most of them are above average in quality, so the miniseries suffered the same fate.
TNT
10. "The Tommyknockers" (1993) It's not all that creepy, but it's almost a perfect culmination of King tropes: from secret aliens, to psychic powers, to small town life gone awry. That all kind of leads to a basic script, which is elevated by performances from a great cast featuring Jimmy Smits and Robert Carradine.
ABC
9. "The Mist" (2017) While it only borrows themes and premise from the King novella, "The Mist" does work to create the same foggy and unknown atmosphere (pun intended). The idea of a town engulfed in a deadly mist is a fun one, but the show dragging out its mysteries made it tough to hold viewer interest, and Spike TV canceled it after one season.
Spike
8. "The Stand" (1994) It's not easy to adapt one of King's most beloved and sprawling novels that tackles the very essence of good vs. evil, but ABC mostly succeeded in their four-night event. "The Stand" is great at building an apocalyptic world and is full of interesting characters, although there's so much of this miniseries that it drags a bit in the middle.
7. "Under the Dome" (2013-2015) CBS' adaptation of King's novel about a town that suddenly finds itself under a giant glass dome started off well enough. But as the seasons went on, the show got weirder and seemingly without direction. You'd be hard-pressed to find anyone who cared about why Chester's Mill ended up under a dome or if its residents would ever escape, by the end.
CBS
6. "The Shining" (1997) ABC's miniseries adaptation of King's novel should be considered brave at the very least, with comparisons to Stanley Kubrick's iconic movie all but inevitable. This is a more faithful adaptation of King's actual novel, though, and different enough to step out of the first movie's shadow. While the made-for-TV effects lessen the frights of some of the book's better scenes, this version goes for straight-up supernatural scares, a different tack than the growing dread of the Kubrick version.
ABC
5. "Dead Zone" (2002-2007) The episodic crime procedural starring Anthony Michael Hall ran for six seasons on USA. It expands greatly on the novel and its original adaptation with Christopher Walken, and really starts to pick up steam when it breaks free of being a series of stories about solving crimes by being psychic, and goes after the book's plot of trying to stop a madman future president from starting the apocalypse. It might even have more resonance today than in the aughts.
USA
4. "Castle Rock" (2018)
The first season of "Castle Rock" has been a bit frustrating in its slow build, but it does one thing very well: it captures the creepiness of King and the unsettling atmosphere he brings to his small Maine towns. The show is part adaptation and part original story, and while it hammers a lot of King tropes a bit too hard, its strong cast is great at conveying how disturbing Castle Rock can be.
Hulu
3. "11.22.63" (2016) JJ Abrams and Hulu mounted a mostly straightforward adaptation of King's alternate history time-travel tale involving the assassination of JFK. The story has some great ideas, like the effects of time travel on the traveler, but probably could have stood to take a few more risks and make more use of its time travel capabilities.
Hulu
2. "Haven" (2010-2015) Syfy's sci-fi drama didn't have much to do with the King novella "The Colorado Kid" beyond introducing a character of the same name, but fans fell anyway for the tale of Audrey Parker and her attempts to help the unwittingly super-powered residents of Haven, Maine. The show ran for five seasons and Haven became a reference and setting in future King stories.
Syfy
1. "It" (1990) That's right, arguably one of the most quintessential Stephen King adaptations was actually on TV, running as a two-parter. It's a bit on the hokey side, with a TV-safe version of Pennywise the Clown (played by Tim Curry at peak creepiness) basically yelling "boo" at the kids and doing little else. Still, "IT" is an adaptation that solidly captures the feel of the novel, and cheap special effects aside, there's a reason Pennywise and clowns in general frighten so many people nowadays.
The iconic horror author has made his way to TV multiple times, sometimes with horrifying results
Stephen King has seen a resurgence of adaptations as of late. In 2016, there was "11.22.63" on Hulu, 2017 saw "The Mist" on Spike and 2018 has given rise to "Castle Rock," an original story that takes place within the King multiverse. In honor of the iconic horror author's new TV adaptations, let's look back at all the King works (original screenplays not included) that have made their way to television ... sometimes with horrifying results.