Wrap Magazine (Awards)
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‘The Boys’ Star Aya Cash Took Inspiration From YouTube, TikTok and Steve Bannon to Play Superpowered Nazi Stormfront
TheWrap awards magazine: “You never join a cult — you join something you think is good. I think that’s the trick of Stormfront”
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‘Bridgerton’ Stars Phoebe Dynevor and Nicola Coughlan on Daphne and Penelope’s Evolutions in Season 2
TheWrap awards magazine: Dynevor and Coughlan’s characters will have more complicated lives when we return to Regency-era England
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‘Woke’: Lamorne Morris Teases Keef’s Post-Arrest Season 2 Journey in the Media Spotlight
TheWrap awards magazine: “Now we’re seeing where a person goes when they get that attention,” Hulu star says
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Ralph Macchio on the Secret to Making Badass ’80s Fight Scenes in 2021
TheWrap awards magazine: “Cobra Kai” star and executive producer touts the “musical” element to editing — and sometimes not editing — Netflix show’s karate battles
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Jana Schmieding on Her ‘Rutherford Falls’ Breakthrough: ‘It Took Another Native Woman to See My Value’
TheWrap magazine: “Most of the time, indigenous folks on television or in film are relegated to what we call ‘feathers and leather,’” says the Native writer and actress
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How Renee Elise Goldsberry Embraced Her Inner Diva for ‘Girls5Eva’
TheWrap magazine: “Every moment of my life, I can relate to the part of Wickie that craves stardom and the fulfillment of her dream,” says the “Hamilton” actress
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How ‘Silence of the Lambs’ Inspired Elisabeth Moss’ Directing in ‘Handmaid’s Tale’
TheWrap awards magazine: “The top of Episode 9 is a complete rip-off of Barry Jenkins and Jonathan Demme,” Moss says
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How Comedy and Drama Series Races Stack Up as Emmy Nomination Voting Begins
TheWrap magazine: Lots of past nominees are ineligible this year — but the categories are still jammed with contenders
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TV’s Breakout Comedy Stars on Pandemic Humor and Cancel Culture
TheWrap magazine: Hannah Einbinder, Maya Erskine, Charlotte Nicdao and Punam Patel talk about entertaining viewers — and themselves — during a difficult time
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‘Sylvie’s Love’ Director Found Silver Lining in Film’s Pandemic Release: ‘It Wound Up Being the Thing That People Needed’
TheWrap awards magazine: “You never know what the zeitgeist is going to be at the time,” director Eugene Ashe reflected
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How John Boyega Tackled Racism Playing a Metro Police Officer in ‘Small Axe’ and Marching For Black Lives Matter
TheWrap awards magazine: “It was a very organic, emotional moment for me,” the “Red, White and Blue” actor said about protesting
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Was Kenny Leon’s Job Directing ‘Mahalia’ a Good Assignment or Divine Inspiration?
TheWrap magazine: The veteran director isn’t sure, but he’d been listening to Jackson’s music every single day before he got the call to direct the Lifetime movie
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How Krysta Rodriguez Learned to ‘Pump Up the Liza’ for ‘Halston’
TheWrap magazine: “When I got the script, I thought, this is either something that changes my life or breaks my heart,” says the actress of portraying Liza Minnelli
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How Daveed Diggs Found Common Ground Between Frederick Douglass and Modern Rappers
TheWrap awards magazine: ‘We have a similar understanding of what it’s like to mine your past for your fame in the present,” Diggs says of his role as abolitionist Douglass in “The Good Lord Bird”
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Why Evan Peters Relished His ‘More Grounded’ Role in ‘Mare of Easttown’
TheWrap awards magazine: The “American Horror Story” vet talks to the TheWrap about his unusually heartfelt role in the HBO miniseries
