Wrap Magazine (Awards)
-
How Some Film Schools Are Getting More ‘Woke’ – and Why Professors Find It ‘Kind of Wonderful’
TheWrap magazine: Administrators from top film schools weigh in on how to teach films with problematic legacies like “Gone With the Wind”
-
TheWrap’s Top 50 Film Schools for 2023
TheWrap magazine: Whether you thrive on NYC energy, SoCal sunshine or pretty much anything in between, there is a film school for you
-
How Iconic Indie Producer Christine Vachon ‘Brought the Industry Into the Classroom’
TheWrap magazine: A conversation with the producer of “Carol” and “Past Lives” on film schools, first-time directors and the state of cinema and education
-
Dominique Fishback Says ‘Swarm’ Had Her Doing Things ‘That I’ve Never Done Before’
TheWrap Magazine: The first-time Emmy nominee didn’t know what to expect playing a Black, female serial killer on the Prime Video limited series
-
Riley Keough Reveals What Made Her Stay on ‘Daisy Jones,’ Even When She Wanted to Quit
TheWrap magazine: “I think something in me knew that it would be a healing experience,” the Emmy-nominated actress says
-
Why ‘Ms. Marvel’ Composer Laura Karpman Spearheaded South Asian Music’s Entrée Into the MCU
TheWrap magazine: “It’s good to make [South Asian music] a part of the Avengers, a part of the world of Captain Marvel or the Guardians of the Galaxy,” the Emmy-winning musician says
-
Kumail Nanjiani and Annaleigh Ashford Find Levity in the Darkness of ‘Welcome to Chippendales’
TheWrap magazine: The costars snagged two of the five surprise nominations for Hulu’s limited series about the founder of the famous male strip club
-
‘Dahmer – Monster: The Jeffrey Dahmer Story’ Cements Niecy Nash-Betts as a Drama Star
TheWrap magazine: Following her nomination, the actress talks about spotlighting the “overlooked and underserved” Glenda Cleveland with Ryan Murphy’s Netflix series
-
For ‘Andor’ Star Diego Luna, Being a Producer Was a Dealbreaker: ‘I Want to Be There When My Opinion Matters’
TheWrap magazine: “There’s no project I’ve been part of where I feel the team cares so much about what we’re doing,” the actor/producer said
-
How ‘Queen Charlotte’ Costumes Pulled Inspiration From the Met Gala
TheWrap magazine: Lyn Paolo and Laura Frecon drew from fashion’s annual gala of extravagance to create the looks for Netflix’s “Bridgerton” spinoff
-
Why Kathryn Hahn’s ‘Tiny Beautiful Things’ Role ‘Really Did Feel Like an Act of Service’
TheWrap magazine: The actress describes how the messiness of her Emmy-nominated role drew her to the Hulu adaptation
-
Why ‘Daisy Jones & the Six’ Included Songs by Industry Legends Like Barry Manilow and Patti Smith
TheWrap magazine: “We wanted to show that there were so many different genres of music in the ’70s,” music supervisor Frankie Pine says
-
‘Bad Sisters’ Director Shares the Key to Finding Its Tone: ‘It’s a Drama With Jokes’
TheWrap magazine: “Five Irish sisters who plot to murder their brother-in-law… What’s not to love?” Dearbhla Walsh tells TheWrap
-
Melanie Lynskey Doesn’t Care About ‘The Last of Us’ Fan Backlash to Her Character: She ‘Wasn’t in the F–king Game’
TheWrap magazine: Double-nominated for her turns on “Yellowjackets” and “The Last of Us,” the likably candid New Zealand actress has no problem tackling less-endearing characters
