Oscars
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Meet Julia Butters, the 10-Year-Old Scene Stealer From ‘Once Upon a Time … in Hollywood’
TheWrap Oscar magazine: “I had no idea who Quentin (Tarantino) was, so I didn’t know it was going to be a big movie,” actress says
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How Jonathan Majors Went From Sundance Hit ‘Last Black Man in San Francisco’ to a Spike Lee Joint
Yale drama school grad has seen his career rise quickly since starring in “The Last Black Man in San Francisco”
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How Gershwin Superfan Elisabeth Moss Became a Punk Singer in ‘Her Smell’
TheWrap Oscar magazine: “I have great pictures of me in my ‘Handmaid’s Tale’ costume playing a guitar,” says Moss of her preparation for the Alex Ross Perry drama
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10 Things I’m Thankful for This Oscar Season, From a Shorter Timetable to Joe Pesci
From an uncertain race to great comebacks to major studios, here are some things to celebrate as Oscar season pauses (barely) for Thanksgiving
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Awards
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Watch Out, Oscars – ‘1917’ Is Here, and It’s the Real Deal
Sam Mendes’ World War I epic looked like a strong Oscar contender as it wowed voters and press in a series of screenings in Los Angeles and New York
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Pharrell Williams Wrote a Song About a Music Legend He’d Never Even Met for ‘The Black Godfather’
TheWrap Oscar magazine: “All these people that he opened doors for talked about his immense power, his business acumen and the energy he brought to a room,” Williams says of Clarence Avant
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Why ‘Harriet’ Star Cynthia Erivo Insisted on Writing a Song for the Film Too
TheWrap Oscar magazine: “I was probably a pain to most people because I was so specific about what I wanted to hear and what I wanted to do,” says the British actor, singer and songwriter
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How ‘Frozen II’ Songwriters Stopped Thinking About ‘Let It Go’ to Write Songs for the Sequel
TheWrap Oscar magazine: “There’s drinking involved,” says Kristen Anderson-Lopez of the way she and her husband Robert dealt with the pressure of following that smash hit
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Diane Warren, ‘The Susan Lucci of the Oscars,’ Is Back in the Race Again
TheWrap Oscar magazine: And initially, she says, she really didn’t want Chrissy Metz to perform her new song “I’m Standing With You” from “Breakthrough”
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Why Jackson Browne Overcame His Reluctance to Write Movie Songs for ‘5B’
TheWrap Oscar magazine: “I found it easier than I thought,” Browne admits of the song he co-wrote for the documentary about the early says of the AIDS epidemic
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How Mary Steenburgen Used Her ‘Actor Superpowers’ to Write a Song for ‘Wild Rose’
TheWrap Oscar magazine: “I can’t play guitar, but I can get ahold of scripts,” says the actress who has turned to songwriting in the last decade
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Clint Eastwood’s ‘Richard Jewell’ Auditions for the Oscars at AFI Fest Premiere
The world premiere of Eastwood’s drama about the 1996 Olympic bombing in Atlanta won raves in some circles, but the film could face significant obstacles with awards voters
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How the Chinese Animation Industry Stepped Up With Oscar Entry ‘Ne Zha’
TheWrap Oscar magazine: “Since we chose this profession, we cannot allow the animation industry to fail in China,” says director Yu Yang
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Awkwafina on the Personal Tragedy That Connected Her to ‘The Farewell’
TheWrap Oscar magazine: “I was flabbergasted at how much I related to the material and how that ties into my personal life,” the actress says
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How Moroccan Drama ‘Adam’ Exposes the Unequal Treatment of Women in Life and Death
TheWrap Oscar magazine: Director Maryam Touzani says the story of a young woman pregnant out of wedlock is based on a true story “that marked me very deeply — I kept her inside me for 15 years”
