Cannes Report
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Francis Ford Coppola Hasn’t Seen Those ‘Megalopolis’ Reviews Yet
Cannes 2024: “I’m told it went over very well,” says the legendary director of his wild and divisive epic
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Emma Stone Bombarded With Sex Scenes Questions in Uneasy ‘Kinds of Kindness’ Press Conference
Cannes 2024: Despite having the entire cast on hand, most questions during the presser were directed at the Oscar winner about sex in the film
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‘The Shameless’ Is a Devastating Tale of Female Survival in India
Cannes 2024: Two searing performances anchor this tale of love and survival
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French Actress and #MeToo Activist Judith Godrèche Slams Harvey Weinstein Conviction Reversal as an ‘Absolute Nightmare’ | Video
The former child star speaks with TheWrap at Cannes about her A24 short film “Moi Aussi”
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‘Three Kilometres to the End of the World’ Review: Emanuel Parvu Examines Reactionary Conservatism From the Inside
Cannes 2024: The actor-turned-director peers into an insular Romanian community in the aftermath of a hate crime
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‘Oh, Canada’ Review: Paul Schrader Gets the Better of Himself in Richard Gere Reunion
Cannes 2024: The “First Reformed” filmmaker’s latest is a head-scratcher – and not in a good way
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‘An Unfinished Film’ Review: This Pandemic Portrait of Moviemaking, Loss and Community Is Crushing
Cannes 2024: Lou Ye’s latest film is one of the few about the pandemic to get it right
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Cannes Day 3: Francis Ford Coppola’s ‘Megalopolis’ Mystifies, ‘Bird’ Beguiles
Reactions to the Palme d’Or contenders, plus “Last Breath” gets picked up
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‘Kinds of Kindness’ Review: Yorgos Lanthimos Brings Back Emma Stone and Willem Dafoe for a Surreal Creep-Fest
Cannes 2024: “The Favourite” and “Poor Things” were fun, but this trio of dark and disturbing stories is old-style Lanthimos
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‘Megalopolis’ Director Francis Ford Coppola Slams Studio System at Cannes: ‘The Studios Are in Great Debt’
The filmmaker and his cast also defended Coppola’s grand vision and touched on Donald Trump during the divisive film’s press conference
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‘Meeting With Pol Pot’ Is a Lesson in Genocide
Cannes 2024: It’s a great time to revisit the story of a left-wing regime that in its savage pursuit of a just society instead murdered a quarter of its people
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‘Megalopolis’ Review: Francis Ford Coppola’s Epic Sprawl Is Grandiose and Goofy
Cannes 2024: This is a project of operatic pronouncements, didactic repetitions and mad artistic ambitions – quite a few realized, just as many not
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Meryl Streep Explains Why Her Love Scene With Robert Redford Was Her Favorite: ‘I Didn’t Want It to End’
“It’s a sex scene in a way, because it’s so intimate,” the acting legend shares of her iconic “Out of Africa” shampoo sequence
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‘On Becoming a Guinea Fowl’ Review: African Story Slips Between Fable and Hard Reality
Cannes 2024: Rungano Nyoni’s follow-up to “I Am Not a Witch” is timely, but it also exists completely out of time
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Cannes Day 2: ‘Furiosa’ Turns the Croisette Into the Wasteland
Plus: “Megalopolis” goes IMAX and a “Silent Hill” sequel
