Wrap Magazine
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How ‘Hunters’ Director Alfonso Gomez-Rejon Found a Personal Connection in Story of Nazi Hunters
TheWrap Emmy magazine: “I identified with the bigger theme of people who are marginalized searching for justice or a voice in the world, fighting for their existence,” says the Mexican-American director
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How Diego Luna Overcame His Hesitation to Play a Drug Dealer on ‘Narcos: Mexico’
TheWrap Emmy magazine: “Characters like Félix Gallardo are really important to understand why El Chapo exists today, but I wanted to make sure we could go into the gray areas that we normally miss,” Luna says
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‘What We Do in the Shadows’ Star Harvey Guillén on His Latinx Superhero Transformation in Season 2 Finale
TheWrap Emmy magazine: “It’s a great moment for people to see that sometimes someone you don’t expect can change people’s lives and be a hero,” star of the FX show says
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2020 Emmys Race by the Numbers, From Categories to Voters to Contenders
We have all the statistics on this year’s race
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Awards
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D’Arcy Carden Hates to Say Goodbye to Janet in ‘The Good Place’: ‘I Miss Her Forever’
TheWrap Emmy magazine: “She was a joy in every iteration: Good Janet, Bad Janet, everything in between,” says the actress who played an all-knowing assistant in the afterlife
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Gugu Mbatha-Raw on ‘The Morning Show’ Sexual Assault Story: ‘Women Don’t Want to See Themselves as Victims’
TheWrap Emmy magazine: “There is a lot of shame in questioning how much you brought the situation on yourself,” says the actress of her character’s state of mind in the series
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How Natalie Dormer Kept Her 4 Different Roles Straight in ‘Penny Dreadful: City of Angels’
TheWrap Emmy magazine: “Ordinarily I would stay in an American accent entire time — but in this job is there was no point in that, because I was jumping around so much,” the British actress says
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‘Westworld’ Star Tessa Thompson on the Possibility of Becoming Season 4’s ‘Super Villain’ (Video)
TheWrap Emmy magazine: “The most compelling villains, they come from a real, heartfelt place of trauma and that’s what makes them so scary,” HBO star says
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Emmy Underdogs to Remember, From Elle Fanning to Zoë Kravitz to ‘Zoey’s Extraordinary Playlist’ (Photos)
TheWrap Emmy magazine: As Emmy voting begins, TheWrap staff suggests TV Academy members check out these people and shows who deserve a spot on the nominating ballot
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‘Insecure’ Creator Issa Rae on Comedy in a Time of Crisis: ‘We Are More Than Our Trauma’
TheWrap Emmy magazine: “We don’t really get a lot of television shows that promote Black beauty, Black art, without having to have our burden be front and center all the time,” exec producer Prentice Penny says
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How Niecy Nash Connected With a Baby Kidnapper for ‘Stolen by My Mother’
TheWrap Emmy magazine: “The thing you can never judge is someone else’s pain,” says the three-time Emmy-nominated actress
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How Racism’s Legacy Shaped André Holland’s Performance in Damien Chazelle’s ‘The Eddy’ (Video)
TheWrap Emmy magazine: “I think that trauma has a lot to do with how much he will allow himself to feel and to express,” Holland says of the jazz musician he plays
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Why Joey Soloway Didn’t Walk Away From ‘Transparent’ After the Jeffrey Tambor Scandal
TheWrap Emmy magazine: “It really felt like, we have to do this on our terms — not on Jeffrey’s terms, not on MeToo’s terms, not on ‘Transparent’ fans’ terms,” says the showrunner formerly known as Jill Soloway
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Awards
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‘Normal People’ Stars Were Frustrated With Their Characters Too: ‘You Just Want to Shake Them!’ (Video)
TheWrap Emmy magazine: “You want to go, ‘Your incapacity to speak is going to result in you having a very unhappy year in your life!’” says Paul Mescal, who stars with Daisy Edgar-Jones in the limited series
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What the ‘Unbreakable Kimmy Schmidt’ Interactive Movie Learned From ‘Black Mirror: Bandersnatch’
TheWrap Emmy magazine: Co-creator Robert Carlock says one scene from series finale is so “deeply hidden” fans have to look at code to find it
