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Ariana DeBose Calls ‘West Side Story’ an ‘Incredibly Healing Project’ as an Afro-Latina
By Missy Schwartz | March 14, 2022 @ 11:12 PMTheWrap Magazine: ”When I was growing up, I was one of the only people who looked like me,“ the Oscar nominee says
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Why Kirsten Dunst Couldn’t Have Delivered Her ‘Power of the Dog’ Performance Until Now
By Steve Pond | Photographed By Austin Hargrave | March 14, 2022 @ 11:52 AMTheWrap magazine: ”The older I get, the less I care about what anybody thinks,“ Dunst says
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How Animators Made a Mountain Talk for ‘The Summit of the Gods’
By Carlos Aguilar | January 26, 2022 @ 12:37 PMTheWrap magazine: ”The higher we go, the less dialogue we have,“ says director Patrick Imbert of his mountaineering tale
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How Andrew Garfield Went From Jonathan Larson to Jim Bakker to Spider-Man in One Crazy Year
By Steve Pond | January 21, 2022 @ 11:45 AMTheWrap magazine: ”It was a very mystical, profound thing, a kind of storytelling ritual of grief and even gratitude,“ says Garfield of his role in ”tick, tick…BOOM!“
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Guillermo del Toro on ‘Nightmare Alley’: No Monsters, No Problem
By Steve Pond | January 21, 2022 @ 6:53 AMTheWrap magazine: ”In my movies, the real monster is man, and it was about time to try it without any fantastical elements,“ says the director
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How Oscar Voters Could Make the Best Picture Category Even Weirder This Year
By Steve Pond | January 21, 2022 @ 6:30 AMExpanding the category to 10 nominees could increase variety, but only if voters take advantage of the opportunity they’ve been given
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‘My Sunny Maad': Making an Animated Film That Doesn’t Feel Like Animation
By Steve Pond | January 20, 2022 @ 11:30 AMTheWrap magazine: “I wanted to make a film where people would forget it’s animated,” says Czech director Michaela Pavlatova
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Pedro Almodovar and Penelope Cruz on Pain, Friendship and Sexy Mothers
By Steve Pond | January 20, 2022 @ 8:56 AMTheWrap magazine: “When Penélope arrived in the Spanish cinema, let’s just say that housewives and mothers became much more attractive,” says Almodovar
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How ‘Belle’ Created a Great Animated Scene by Holding a Single Shot (Video)
By Drew Taylor | January 19, 2022 @ 12:10 PMTheWrap magazine: Director Mamoru Hosoda breaks down the movie’s most unforgettable sequence
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How ‘Passing’ Star Tessa Thompson Explored the Many Layers of Identity
By Missy Schwartz | Photographs by Matt Sayles | January 19, 2022 @ 10:00 AMTheWrap Magazine: She’s been in franchises from ”Creed“ to ”Thor,“ but Tessa Thompson found herself in new territory with her latest film
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‘Passing’ Star Tessa Thompson Covers TheWrap Magazine (Exclusive Photo Gallery)
By Photographed by Matt Sayles for TheWrap | January 19, 2022 @ 9:55 AMThe actress glams up for exclusive portraits for TheWrap
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‘Encanto': How ‘Dos Oruguitas’ Was Brought to Life
By Drew Taylor | January 19, 2022 @ 6:59 AMTheWrap magazine: The filmmakers behind the Disney hit say the touching number was originally part of the prologue
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‘The Morning Show’ Design Problem: Go Around the World Without Leaving L.A.
By Steve Pond | January 18, 2022 @ 7:47 AMTheWrap magazine: Production designer Nelson Coates had to stage scenes set in China, New York, New Orleans and Italy, all in Southern California
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How a Bathroom Break Was a Key to the Design of ‘The Green Knight’
By Steve Pond | January 17, 2022 @ 12:26 PMTheWrap magazine: Designer Jade Healy says she’s thankful for what the film’s D.P. found when he took a leak in the woods
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The Hardest Costume Design Challenge on ‘Cyrano’ Had Nothing to Do With the Lead Character
By Steve Pond | January 17, 2022 @ 10:16 AMTheWrap magazine: ”They are the aliens of the 1700s,“ says costume designer Massimo Cantini Parrini of the characters that caused him ”a great deal of suffering“