TheWrap Oscar magazine: “Any time I tried to write music that commented on what was happening, it didn’t make the movie as exciting,” the 14-time Oscar-nominated composer says
TheWrap Oscar magazine: “I kept thinking to myself, ‘I have no idea how this is going to work,'” Smith says
TheWrap Oscar magazine: “The studio said, ‘Impossible — how are you going to do this?'” Gassner said of the enormously complicated design and shoot
TheWrap Oscar magazine: “It’s a single shot, but does that force us to just follow them down a trench all the time?” Deakins says
TheWrap Oscar Magazine: “If I think that this scene would be better edited, then I’ve written it wrong and staged it wrong,'” director says
TheWrap Oscar magazine: “What’s great is that it’s a happy ending, but then all of a sudden it’s not,” producer Scott Rudin told the filmmakers
TheWrap Oscar magazine: “I’ve got a rule: All the films that I’ve done, I’ve been scared of,” the British actress says of her wildly different roles
TheWrap Oscar magazine: “I misjudged my distance, but it was worth it,” the actor says
TheWrap Oscar magazine: “The code name for this movie internally was ‘Peep,'” Josh Cooley says
