Wrap Magazine
-
Billy Idol Wrote a Song About Himself and It Made Him Cry
TheWrap magazine: “I can really see the landscape of my life, and that’s what we were trying to evoke in the song,” says Idol of the tune written for the documentary “Billy Idol Should Be Dead”
-
How Maryam Touzani Took Her Grief and Found Life and Sexiness in ‘Calle Málaga’
TheWrap magazine: “I unconsciously felt the need to transform the pain I was feeling into a celebration of life,” says the Moroccan writer-director
-
‘2000 Meters to Andriivka’ Director on the Dangers of Our Time: ‘It Has Never Been Easier to Produce a Lie’
TheWrap magazine: “Whatever crime against humanity we’re talking about, it’s always based on a lie,” says Oscar-winning Ukrainian director Mstyslav Chernov
-
Why Oscar-Nominated Director Abandoned Another Movie to Make ‘The Voice of Hind Rajab’
TheWrap magazine: “I had to ask myself questions about what it means to be a filmmaker,” says Kaouther Ben Hania
-
Can Storks Be Political? Award-Winning Doc ‘The Tale of Silyan’ Says Yes
TheWrap magazine: “It was a great discovery for me to find the connection between the political situation and the environmental situation,” says director Tamara Kotevska
-
How the Dardenne Brothers Managed ‘Young Mothers,’ a Movie Full of Babies
TheWrap magazine: “If the baby had to have his bottle or his mom’s breast, everybody waited,” says Jean-Pierre Dardenne
-
Raoul Peck Says His Timely George Orwell Doc Is About More Than Just Trump’s ‘Stupidities and Absurdities’
TheWrap magazine: The “Orwell: 2+2=5” filmmaker emphasizes the lesson’s told are bigger than just one leader and that the tools for controlling people “never change”
-
How ‘One Battle After Another’ Production Designer Found the Perfect Tree Trunk Outhouse for Leonardo DiCaprio
TheWrap magazine: Oscar nominee Florencia Martin scouted locations in deserts, forests and cities for Paul Thomas Anderson’s modern epic
-
Nia DaCosta’s Recipe for ‘Hedda’: Mix Ibsen With Race, Sexuality and a Big Party
TheWrap magazine: “Some of my favorite films are set at a party that gets out of hand,” the writer-director says
-
Bringing ‘Frankenstein’ to Life: How Did Guillermo del Toro’s Crafts Team Do It?
TheWrap magazine: The film’s cinematographer, production and costume designers, composer and makeup artist on creating a new kind of monster (but don’t call him that)
-
Here’s Why ‘A House of Dynamite’ Is So Damn Tense
TheWrap magazine: Editor Kirk Baxter, sound designer Paul N.J. Ottosson and composer Volker Bertelmann explain how they gave Kathryn Bigelow’s film its breathless drive
-
Why the Climax of ‘Hamnet’ Uses Composer Max Richter’s Greatest Hit Instead of New Music
TheWrap magazine: “Are you sure?” the composer said when Chloé Zhao told him she was using the ubiquitous “On the Nature of Daylight”
-
Kathy Bates’ Road to Her Record-Setting ‘Matlock’ Nomination: ‘I Had No Expectations’
TheWrap magazine: To Bates, her show’s creator, Jennie Snyder Urman, is “the goose that laid the golden egg”
-
Exhaustion and Elation: The Story of ‘Adolescence’ as Told by Its Women
TheWrap magazine: Emmy nominees Erin Doherty and Christine Tremarco detail an experience that took a physical and emotional toll
