How I Did It
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‘Star Trek: Strange New Worlds’ Star and Songwriters Break Down the Emotional Heart of That Musical Episode | How I Did It
“We’re bonded in a way that I don’t know many other ‘Trek’ families are, truthfully,” actress Celia Rose Gooding says
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In ‘Tokyo Vice,’ Historical and Cultural Accuracy Drove the Show’s Portrayal of 1990s Japan | How I Did It
“When I see the Japanese audience responding enthusiastically to the show, then I feel like we’ve really done our job,” EP and director Alan Poul says
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‘Lessons in Chemistry’ Team Had to Craft 3 Different Decades of Sets, Hair and Makeup: ‘It Was Always About Realism’ | How I Did It
“The prep for the overall show was huge,” hair department head Teressa Hill says in TheWrap’s video series
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‘Killers of the Flower Moon’ Design Team Felt a ‘Personal Challenge’ to Tell the Osage’s Story Correctly | How I Did It
Production designer Jack Fisk and costume designer Jacqueline West unpack their authentic approach to the Oscar-nominated Apple film
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‘Barbie’ Designers Created a Dream House That Was an ‘Idealized Version of a Remembered Past’ | How I Did It
“We weren’t recreating a dream house, we were making our dream house,” Sarah Greenwood says
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‘Society of the Snow’ Director J.A. Bayona and His Team of Artisans on Their Unique Approach to Telling the Emotional Story | How I Did It
Composer Michael Giacchino, a longtime friend of Bayona, scored a scene the morning after screening an early cut of the Netflix film
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‘The Color Purple’ Filmmaking Team on the Delicate Balance of Musical Sequences and Dramatic Scenes | How I Did It
“You don’t feel like you’re stopping a dialogue scene and starting a music scene,’” says editor Jon Poll
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Dua Lipa Approached Writing ‘Dance the Night’ as If She Was Scoring the Scene | How I Did It
“It’s very different when you’re writing to picture,” Lipa tells TheWrap of her approach to the “Barbie” dance anthem
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‘Invisible’ Visual Effects in ‘Killers of the Flower Moon’ Were Vital to the Film’s Storytelling | How I Did It
Visual effects supervisor Pablo Helman reveals the bounty of CG effects that go unnoticed in Martin Scorsese’s epic
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‘Perry Mason’ Season 2 Production and Costume Designers Crafted 1930s LA Noir for the HBO Series | How I Did It
“The one mandate that we had from everybody was, let’s make this as real as we possibly can”
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‘May December’ Director Todd Haynes Breaks Down the Film’s Use of Mirrors to Reinforce Key Themes | How I Did It
Presented by Netflix, the filmmaker, cinematographer and writer of the drama explain how they captured visual tension between characters
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The ‘Schmigadoon!’ Team Upped the Musical Number Ante in Every Way for Season 2 | How I Did It Presented by Apple TV+
Emmy-nominated cinematographer Jon Joffin and choreographer Christopher Gattelli take TheWrap behind the scenes
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How the ‘Dahmer – Monster’ Crafts Team Stayed Authentic Without Glamorizing the Killer | How I Did It Sponsored by Netflix
The show’s Emmy-nominated editor, re-recording mixer, department head of hair and head of makeup unpack the making of “Dahmer”
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‘Love & Death’ Star Elizabeth Olsen Breaks Down Post-Murder Sequence | How I Did It Presented by HBO | Max
Olsen and director/EP Lesli Linka Glatter explain why they wanted to tell a story about “the cracks in the American Dream”
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Gary Oldman Embraced the ‘Liberating’ Nature of ‘Slow Horses’ Role: ‘What You See Is What You Get’ | Wrap Video
Oldman and writer/EP Will Smith unpack the unexpected humor of the spy series in TheWrap’s “How I Did It,” sponsored by Apple TV+
