Report From Toronto
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Dante’s Old-School 3D Fun
With “The Hole,” Dante brings an added dimensionality to his conventional live action feature.
By
Eric Kohn -
Werner Herzog Explains Himself
Why would a veteran of the German New Wave bother with a gritty New York City noir that had limited appeal in the first place?
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Eric Kohn -
Firth, Ford Talk ‘Single Man’
“It took me a while to figure out why anyone would want to see a Tom Ford movie.”
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Eric Kohn -
Weinsteins Get ‘A Single Man’ (updated)
Hot Venice, Toronto title will be released by the end of 2009.
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Kino Nears Deal for ‘Dogtooth’
The gripping, fable-like drama received scant attention at Cannes — I’m happy to report that it now may come soon to a theater near you.
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Eric Kohn -
Moore’s ‘Capitalism’ Not a ‘Love Story,’ a Call for Revolt
“Capitalism is an evil. You have to eliminate it and replace it with something.”
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Michael Cera Does Something Different
“I don’t like to think about career arc. It feels like you’re trying to control something you have no real control over.”
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Eric Kohn -
Michael Moore: Newspapers ‘Slit Their Own Throats’
Filmmaker says greed killed papers, not the Internet.
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Acquisitions Update: No Deals, but Buyer Interest
Thus far no major acquisitions have been announced at the festival, in tune with the more subdued economic reality in independent film. But there are movies in play, here’s what we’re hearing: * By Sunday, George Romero’s horror flick "Survival of the Dead,"which premiered on Saturday night, had one firm offer. Toronto is a favored spot…
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Toronto Giving Off Intense Oscar-Season Heat
When Oprah starts rolling up her sleeves, you know it’s getting serious.
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Farrell’s Transformation Marks ‘Triage’
The actor lost 40 pounds to play a character whose memories from abroad mar his life in Dublin.
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Eric Kohn -
Reitman, Clooney Take on the Economy in ‘Up in the Air’
“The heartbreaking part of losing their jobs is finding people in the middle of their lives searching for purpose.’”
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‘Daybreakers’ a Wonderful Blood-Sucking Midnight Entry
Film offers a reprimand to the current market standard for vampire lore.
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Eric Kohn -
Smart Money is on the Hunt for Deals in Toronto
Graham Taylor sounds off on opportunities in indie film’s changed landscape
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Gilliam’s ‘Parnassus’: Truth vs. Legend
“I don’t want to end up like Stanley Kubrick. You can’t control it all. At a certain point, the thing’s gotta survive on its own.”
By
Eric Kohn