Reviews
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‘3 Body Problem’ Review: Netflix’s Lofty Sci-Fi Series From ‘Game of Thrones’ Showrunners Gets Off to a Lukewarm Start
David Benioff, D.B. Weiss and “True Blood” writer Alexander Woo team up to turn Cixin Liu’s dense novel into watercooler TV
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‘Road House’ Review: Jake Gyllenhaal Hits Hard in Rambunctious Reimagining of an ’80s Classic
Doug Liman’s update on the Patrick Swayze action thriller boasts a UFC theme that doesn’t hold back the punches
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‘Doubt’ Broadway Review: Liev Schreiber and Amy Ryan Battle for the Soul of the Church
John Patrick Shanley’s play receives a knockout revival
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‘Imaginary’ Review: Jeff Wadlow’s Horror Pastiche Dreams Up Some Solid Scares
There may be nothing revelatory in Blumhouse’s latest horror flick, but it’s serviceable for the genre
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‘Cabrini’ Review: Angel Studios’ Uneven, Indifferent Biopic of a Determined Woman
Alejandro Monteverde’s follow-up to “Sound of Freedom” lacks depth despite Cristiana Dell’Anna’s strong performance as the first American Catholic saint
By
Zofia Wijaszka -
‘Ricky Stanicky’ Review: John Cena Can’t Save Peter Farrelly’s Insipid Imaginary Friend Comedy
The film also stars Zac Efron, Andrew Santino and Jermaine Fowler
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‘Kung Fu Panda 4’ Review: New Sequel Lacks the Flavor of Previous Po Adventures
The DreamWorks Animation film never packs the same punch as its predecessors
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‘Brooklyn Laundry’ Off Broadway Review: Cecily Strong Gets Stuck in the Spin Cycle
John Patrick Shanley’s new comedy leaves the “SNL” and “Schmigadoon!” star all wet
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‘The Ally’ Off Broadway Review: The Israel-Palestine Debate Leaves Josh Radnor Reeling
The “How I Met Your Mother” star sustains blow after blow in Itamar Moses’ great new play
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‘The Regime’ Review: Kate Winslet Commands as Sweet-Talking but Cruel Dictator in HBO Limited Series
The deeply dark, cynical satirical drama evokes real-life atrocities for jokes, terror and pathos — often all at once
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‘The Gentlemen’ Review: Netflix Lets Guy Ritchie Go Wild With TV Adaptation of His Own Crime Thriller
The director’s first television project feels like a creative resurgence, but lacks a clear destination
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‘Jelly’s Last Jam’ Off Broadway Review: How Jazz Was Born, or Was it?
Jelly Roll Morton gets the anti-hagiography treatment
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‘Avatar: The Last Airbender’ Review: Netflix Triumphs With Ambitious Live-Action Remake
Ian Ousley, Kiawentiio and Gordon Cormier lead the epic saga based on the beloved animated series
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‘Spaceman’ Review: Adam Sandler’s Sci-Fi Drama Delivers a Destination Worth the Journey
“Chernobyl” director Johan Renck crafts a Netflix film that’s as much of an oddity as it is an odyssey
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Simon Thompson -
‘Drive-Away Dolls’ Review: Ethan Coen’s Heist Film Is a Dated Misfire
Margaret Qualley and Geraldine Viswanathan fail to hold together a script that revels in the extreme