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Reviews

  • ‘Orphan’ Review: László Nemes’ Period Epic Is Slow as Molasses

    Venice Film Festival: The 1957-set film from the “Son of Saul” filmmaker takes place in the wake of Budapest’s uprising against the Communist regime

    By

    Ben Croll
    September 5, 2025 @ 1:21 PM
    Movies
    1:21 PM
    ‘Orphan’ Review: László Nemes’ Period Epic Is Slow as Molasses
  • ‘Good Boy’ Review: Stephen Graham Teaches Anson Boon a Lesson in Strange Captivity Thriller 

    TIFF 2025: The latest genre-bender from director Jan Komasa gives “A Clockwork Orange” a modern twist

    By

    Matthew Creith
    September 5, 2025 @ 11:00 AM
    Movies
    11:00 AM
    ‘Good Boy’ Review: Stephen Graham Teaches Anson Boon a Lesson in Strange Captivity Thriller 
  • ‘Maddie’s Secret’ Review: John Early’s Excellent Directorial Debut Is a Comedy for Our Moment

    TIFF 2025: Early writes, directs and stars in this sincere skewering of TV movies of old

    By

    Chase Hutchinson
    September 5, 2025 @ 9:40 AM
    Movies
    9:40 AM
    ‘Maddie’s Secret’ Review: John Early’s Excellent Directorial Debut Is a Comedy for Our Moment
  • ‘Saipan’ Review: Steve Coogan and Éanna Hardwicke Trade Barbs During a Sports-Themed Power Trip

    TIFF 2025: The real-life Saipan incident that upended Ireland’s chance at glory at the 2002 World Cup is examined by co-directors Glenn Leyburn and Lisa Barros D’Sa

    By

    Matthew Creith
    September 5, 2025 @ 7:10 AM
    Reviews
    7:10 AM
    ‘Saipan’ Review: Steve Coogan and Éanna Hardwicke Trade Barbs During a Sports-Themed Power Trip
  • ‘Mile End Kicks’ Review: Barbie Ferreira and Chandler Levack Make Movie Magic Together

    TIFF: Levack’s fantastic second feature cements her status as an essential voice

    By

    Chase Hutchinson
    September 4, 2025 @ 7:38 PM
    Movies
    7:38 PM
    ‘Mile End Kicks’ Review: Barbie Ferreira and Chandler Levack Make Movie Magic Together
  • ‘John Candy: I Like Me’ Review: Colin Hanks’ Affectionate Documentary Opens Toronto Film Festival

    Toronto Film Festival: A crowd-pleasing festival kicks off with a generous and goodhearted doc about a crowd-pleasing Canadian icon

    By

    Steve Pond
    September 4, 2025 @ 7:17 PM
    Report From Toronto
    7:17 PM
    ‘John Candy: I Like Me’ Review: Colin Hanks’ Affectionate Documentary Opens Toronto Film Festival
  • ‘The Lowdown’ Review: Sterlin Harjo’s Gripping Mystery Thriller Brings ‘Twin Peaks’ Vibes to Tulsa

    The FX drama starring Ethan Hawke is a compelling search for the truth of the “Breaking Bad” and “Game of Thrones” caliber

    By

    Priscilla Blossom
    September 4, 2025 @ 6:30 PM
    TV
    6:30 PM
    ‘The Lowdown’ Review: Sterlin Harjo’s Gripping Mystery Thriller Brings ‘Twin Peaks’ Vibes to Tulsa
  • ‘Charlie Harper’ Review: Boy Meets Girl, Boy Loses Girl, Audience Feels His Pain

    TIFF: Debut directors Mac Eldrige and Tom Dean make a gently appealing romance that isn’t exactly unexpected

    By

    Elizabeth Weitzman
    September 4, 2025 @ 3:00 PM
    Movies
    3:00 PM
    ‘Charlie Harper’ Review: Boy Meets Girl, Boy Loses Girl, Audience Feels His Pain
  • ‘In the Hand of Dante’ Review: Oscar Isaac’s Julian Schnabel Collab Is Too Self-Serious to Be Taken Seriously

    Venice Film Festival: The Oscar-nominated filmmaker debuts a bizarre saga of crime and reincarnation

    By

    William Bibbiani
    September 3, 2025 @ 1:00 PM
    Movies
    1:00 PM
    ‘In the Hand of Dante’ Review: Oscar Isaac’s Julian Schnabel Collab Is Too Self-Serious to Be Taken Seriously
  • ‘The Stranger’ Review: François Ozon Deepens the Psychology of Camus’ Antihero

    Venice Film Festival: This adaptation of the landmark novel expands on its source material while still ringing true

    By

    Ben Croll
    September 3, 2025 @ 12:10 PM
    Report From Venice
    12:10 PM
    ‘The Stranger’ Review: François Ozon Deepens the Psychology of Camus’ Antihero
  • ‘Remake’ Review: Ross McElwee’s Beautifully Constructed Doc Pays Moving Tribute to His Son

    Venice Film Festival: The filmmaker’s incorporation of his late son’s own footage elevates this beautiful, tragic movie from powerful to profound

    By

    Elizabeth Weitzman
    September 3, 2025 @ 11:55 AM
    Report From Venice
    11:55 AM
    ‘Remake’ Review: Ross McElwee’s Beautifully Constructed Doc Pays Moving Tribute to His Son
  • ‘The Conjuring: Last Rites’ Review: A Hit Horror Franchise Gives Up the Ghost

    The final “Conjuring” movie starring the Warrens is a generic haunted house story with a half-satisfying finale

    By

    William Bibbiani
    September 3, 2025 @ 9:00 AM
    Movies
    9:00 AM
    ‘The Conjuring: Last Rites’ Review: A Hit Horror Franchise Gives Up the Ghost
  • ‘The Paper’ Review: Peacock’s Excellent ‘The Office’ Spinoff Is a Love Letter to Journalism

    Domnhall Gleeson and Sabrina Impacciatore headline this mockumentary with watchable characters and plenty of potential

    By

    Amber Dowling
    September 3, 2025 @ 8:30 AM
    TV
    8:30 AM
    ‘The Paper’ Review: Peacock’s Excellent ‘The Office’ Spinoff Is a Love Letter to Journalism
  • ‘The Voice of Hind Rajab’ Review: Devastating Drama Recreates the Final Hours of a Child’s Life in Gaza

    Venice Film Festival: The press screening for Kaouther Ben Hania’s film was met with thunderous applause and full-body sobs

    By

    Ben Croll
    September 3, 2025 @ 7:30 AM
    Movies
    7:30 AM
    ‘The Voice of Hind Rajab’ Review: Devastating Drama Recreates the Final Hours of a Child’s Life in Gaza
  • ‘Wednesday’ Season 2, Part 2 Review: Netflix Hit’s Central Friendship Shines Amid Lackluster Plot

    Still, there’s more than just Lady Gaga to look forward to in these last four episodes

    By

    Michel Ghanem
    September 3, 2025 @ 12:01 AM
    Reviews
    12:01 AM
    ‘Wednesday’ Season 2, Part 2 Review: Netflix Hit’s Central Friendship Shines Amid Lackluster Plot
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