TheWrap Magazine
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36 of the Biggest Directors at Cannes 2024: Oliver Stone, Yorgos Lanthimos and More | Exclusive Photos
Here are the filmmakers lighting up this year’s festival, photographed around the world from L.A. to Buenos Aires to Tokyo
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Cannes Market Preview: Buyers Want Great Films in an Industry in Flux
Buyers look forward to a buzzy Cannes market despite Hollywood contraction and post-strike woes
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How the Supreme Court Spurred the Oscar-Nominated Short ‘Red, White and Blue’
TheWrap magazine: Director Nazrin Choudhury says she wrote the abortion-themed film in “two or three hours” after the court overturned Roe v. Wade
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‘Godzilla Minus One’ Director Says His Pets Inspired the Big Monster: ‘I Love My Cats So Much’
TheWrap magazine: Japan’s Takashi Yamazaki says that when his wife watched the film, she told him, “That’s our cat!”
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How ‘Killers of the Flower Moon’ Singer Scott George Became the First Osage Oscar Nominee for Original Song
TheWrap magazine: His stirring climactic song “Wahzhazhe (A Song for My People)” was a surprise nomination for Martin Scorsese’s epic
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America Ferrera Reflects on Her Journey From Disney Channel to ‘Barbie’ to the Oscars
TheWrap magazine: The actress tells TheWrap that her 17-year-old self would say “What the hell took so long?”
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3 Oscar Nominations in 4 Years? That’s Short Work for Ben Proudfoot
TheWrap magazine: “The Last Repair Shop,” which the filmmaker made with Kris Bowers, is his third documentary short nom
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How ‘American Fiction’ Composer Laura Karpman’s Fight for Diversity Led to Her First Oscar Nomination
TheWrap magazine: “I have benefited from my own advocacy, but that was never the intent,” she says
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How ‘Napoleon Dynamite’ Filmmakers Jared and Jerusha Hess Got the Oscars’ Attention by Pivoting to Animation
TheWrap magazine: The married duo received their first nomination for the moving 13-minute short “Ninety-Five Senses”
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How ‘Robot Dreams’ Nabbed a Surprise Oscar Nomination for Director Pablo Berger
TheWrap magazine: The filmmaker says he hopes the Spanish film’s nod for Best Animated Feature will encourage more people to see it
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Why History-Making Oscar Nominee Neil Corbould Has 3 Choices of Seatmates at This Year’s Show
TheWrap magazine: The three-peat visual effects nominee says, “I probably won’t win, because that would be the irony of it”
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Does the 2024 Oscars Represent History’s Most Inclusive Lineup of Best Picture Nominees?
TheWrap magazine: Despite the much-discussed “Barbie” snubs, there appears to be an awful lot to celebrate
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‘Zone of Interest’ Producer Says Filming at Auschwitz Took a Toll
TheWrap magazine: “It was, without doubt, the most challenging film I’ve ever produced,” James Wilson says
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‘Godzilla Minus One’ Director ‘Flattered and Honored’ by Historic Oscar Nomination: ‘It Means So Much’
TheWrap magazine: Takashi Yamazaki is the first director nominated for Best Visual Effects since Stanley Kubrick in 1969
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‘Killers of the Flower Moon’ Costume Designer Tells the Stories Behind the Clothes
TheWrap magazine: Jacqueline West breaks down the film’s blankets, military coats, top hats and more
