“Daredevil” actor Peter Shinkoda on Sunday accused former Marvel Television head Jeph Loeb of making anti-Asian comments in the writer’s room of the Netflix series.
During a panel put on by #SaveDaredevilCon, Shinkoda — who played crime boss Nobu Yoshioka in nine episodes — revealed that Loeb had instructed writers to scrap plans for a storyline that would delve deeper into Nobu’s relationship with Madame Gao (Wai Ching Ho).
“Jeph Loeb told the writers room not to write for Nobu and Gao — and this was reiterated many times by many of the writers and showrunners — that [he said] ‘Nobody cares about Chinese people and Asian people. There were three previous Marvel movies, a trilogy called Blade that was made where Wesley Snipes killed 200 Asians each movie. Nobody gives a s— so don’t write about Nobu and Gao,'” Shinkoda said. “And they were forced to put their storyline down and drop it.'”
The actor said he was reluctant to expose Loeb but that he’s “not into really protecting certain things anymore.” He also spoke very highly of the writers who had “planned for months to write and implement” the storyline to be included in the series.
“I have [been] privy to that storyline. They explained it to me and they were very apologetic that they couldn’t follow through with it, but their hands were tied. It was a very interesting storyline about having to go there under the guise of some kind of a transplant, and there were medical reasons, and a lot of paperwork and bureaucracy was fudged so that Nobu could get into the country and carry out his Black Sky plans,” he continued.
Reps for Marvel Studios did not immediately respond to TheWrap’s request for comment. Reps for Loeb could not be reached Monday.
“Daredevil” was canceled along with the rest of Netflix’s Marvel TV slate in 2018. In October 2019, Loeb exited as head of Marvel TV, which was moved under Marvel Studios and chief creative officer Kevin Feige.
Shinkoda also tweeted that he and his co-star Wai Ching Ho were not invited to the “Daredevil” Season 2 premiere. He appeared in three Season 2 episodes, including the finale.
“Wai was insulted…and that pissed me off A LOT. We found out about the event as it live-streamed. ‘They’ were sorry we were ‘overlooked,'” he wrote.
Ray Fisher, who plays Cyborg on the “Justice League,” tweeted in support of Shinkoda. Earlier this month, Fisher called out Joss Whedon for “gross, abusive, unprofessional” behavior on the set of the 2017 film.
Watch Shinkoda tell the story in the panel below. His remarks start at the 9 minute and 30-second mark.
10 Stars Who Just Need an Emmy to EGOT, From Elton John to Stephen Sondheim (Photos)
The EGOT -- an acronym for Emmy, Grammy, Oscar, Tony -- is among the greatest and most elusive honors in entertainment. These stars are (or were) close to achieving it.
Elton John, composer and musician (1947-) Grammy: Best Pop Performance by a Duo or Group, "That's What Friends Are For" (1986); Best Instrumental Composition, "Basque" (1991); Best Male Pop Vocal Performance, "Can You Feel the Love Tonight" (1994); Best Male Pop Vocal Performance, "Candle in the Wind" (1997); Best Show Album, "Aida" (2000) Oscar: Best Original Son, "Can You Feel the Love Tonight" from "The Lion King" (1994) Tony: Best Score, "Aida" (2000)
Stephen Sondheim, composer and lyricist (1930-) Grammy: Best Show Album, "Company" (1970); Best Show Album, "A Little Night Music" (1973); Song of the Year, "Send in the Clowns" (1975); Best Show Album, "Sweeney Todd" (1979); Best Show Album, "Sunday in the Park With George" (1984); Best Cast Show Album, "Into the Woods" (1988); Best Show Album, "Passion" (1994); Oscar: Best Original Song, "Sooner Or Later (I Always Get My Man)" from "Dick Tracy" (1990) Tony: Best Musical, "A Funny Thing Happened on the Way to the Forum," (1963); Best Score and Best Lyrics, "Company" (1971); Best Score, "Follies" (1972); Best Score, "A Little Night Music" (1973); Best Score, "Sweeney Todd" (1979); Best Score, "Into the Woods" (1988); Best Score, "Passion" (1994)
Joel Grey, actor (1932 - )
Grammy (2): Best Musical Theater Album, "Cabaret" (1968) and "Chicago" (1998)
Oscar: Supporting Actor, "Cabaret" (1972)
Tony: Featured Actor in a Musical, "Cabaret" (1967)
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Benj Pasek and Justin Paul, composers (both 1985 - ) Grammy: Best Musical Theater Album, "Dear Evan Hansen" (2018) Oscar: Best Original Song, "La La Land" (2017) Tony: Best Original Score, "Dear Evan Hansen" (2017)
Henry Fonda, actor (1905-82) Grammy: Best Spoken Word Album, "Great Documents" (1977) Oscar: Best Actor, "On Golden Pond" (1981) Tony: Best Actor, "Mister Roberts" (1948); Best Actor, "Clarence Darrow" (1975)
Oscar Hammerstein II, lyricist and producer (1895-1960) Grammy: Best Original Cast Album, "The Sound of Music" (1960) Oscar: Best Original Song, "The Last Time I Saw Paris" from "Lady Be Good" (1941); "It Might As Well Be Spring" from "State Fair" (1945) Tony: Three awards for "South Pacific" (1950); Best Musical, "The King and I" (1952); Best Musical, "The Sound of Music" (1960)
Alan Jay Lerner, lyricist and writer (1918-86) Grammy: Best Original Cast Album, "On a Clear Day" (1965) Oscar: Best Original Screenplay, "An American in Paris" (1951); Best Adapted Screenplay and Best Original Song, "Gigi" (1958) Tony: Best Musical, "My Fair Lady" (1957); Best Original Score, "Gigi" (1974)
Frank Loesser, composer (1910-69) Grammy: Best Cast Album, "How to Succeed..." (1961) Oscar: Best Song, "Baby, It's Cold Outside" from "Neptune's Daughter" (1949) Tony: Best Musical, "Guys and Dolls" (1951); Best Musical, "How to Succeed..." (1962)
Jule Styne, composer and songwriter (1905-94) Grammy: Best Cast Album, "Funny Girl" (1964) Oscar: Best Song, "Three Coins in the Fountain" (1954) Tony: Best Musical and Best Score, "Hallelujah Baby" (1968)
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A select group of entertainers can round out their trophy cases with a competitive win from the Television Academy
The EGOT -- an acronym for Emmy, Grammy, Oscar, Tony -- is among the greatest and most elusive honors in entertainment. These stars are (or were) close to achieving it.
