The filmmakers behind the new documentary “Floyd Norman: An Animated Life” credit a chance encounter with Disney’s first African-American animator for sparking the project.
“I met Floyd at San Diego Comic-Con, which as you can see is like this Woodstock for nerds,” co-director Erik Sharkey told TheWrap’s Sharon Waxman at a Q&A Tuesday as part of TheWrap Screening Series. “I was there promoting a documentary about a poster artist named Drew Struzan, who did a lot of the ‘Star Wars’ and ‘Indiana Jones’ posters. He actually did this poster right here for our film.”
Sharkey and his co-director, Michael Fiore realized they could explore the evolution of Disney cartoons through Norman, who worked on such classics as “Sleeping Beauty” and “101 Dalmatians” before being handpicked by Walt Disney himself to join the story team on “The Jungle Book.”
“We very early on realized he was the Forrest Gump of animation,” Fiore said, noting that Norman was hired as the first African-American at Disney in 1956. “We thought we were telling the history of animation told through the life of Floyd Norman but along the way we started to realize there was a lot of layers.”
“When I started talking to Floyd, he just had these amazing stories and just had this incredible rich history in animation, but the thing that really floored me was when he casually said, ‘When I worked with Walt Disney on “The Jungle Book”‘ — he said it so casually and you don’t hear that every day,” Sharkey said.
After Walt Disney’s death in 1966, Norman left Disney to found Vignette Films, where he developed the original “Fat Albert” TV special and produced segments for “Sesame Street.”
He would later work at Hanna-Barbera on many classic cartoons, including”Scooby Doo.”
After Hanna-Barbera, Floyd’s talents took him to Pixar to work on “Toy Story 2” and “Monsters Inc.”
On Norman’s 65th birthday in 2000, Disney forced Floyd to retire. Refusing to leave his “home,” Floyd has “hijacked” a cubicle at Disney Publishing, unpaid, for the past 16 years, picking up freelance work when he can.
At 81, he continues to have an impact as both an artist and a mentor. Norman plans to “die at the drawing board.”
Watch “Floyd Norman: An Animated Life” trailer below.
15 Most Beloved Disney/Pixar Animated Shorts, Ranked (Videos)
Both Disney and Pixar have left a mark on animation that no other studios can match, and for both, their origins can be traced to animated shorts. Pixar has accompanied all of its feature films since its second feature film ("A Bug's Life") with opening shorts, and Disney has recently followed suit with shorts that range from groundbreaking experiments to revitalization of their most classic characters.
15.) "Tin Toy" (1988) -- This is the short that saved Pixar from financial ruin, became the first CGI film to win an Oscar, and led to Disney making a deal with Pixar to create "Toy Story." The baby that chases after our toy hero was stuck in the Uncanny Valley when the film first came out and looks even worse in the years since. Still, it went a long way to showing the world the sort of storytelling that could be made with computer animation.
14.) "Lorenzo" (2004) -- Designed for a "Fantasia" film that never got completed, "Lorenzo" features a spoiled fat cat who makes a big mistake when he mocks a black cat for not having a tail. The black cat hexes the tubby feline, causing his tail to come alive and wrap him into a dance scene set to an Argentinean tango.
13.) "One Man Band" (2006) -- A whimsical tale with Pixar's most creative use of music. Two street performers play multiple instruments simultaneously in an attempt to win the money of a young girl who wants to see a show.
12.) "Geri's Game" (1997) -- Pixar put its short film projects on hold during the 90s to focus on building profits with feature films and commercials. They returned to the format in a big way with an Oscar-winning short featuring an old man playing chess against himself. It's notable for being the first Pixar project with a human main character after years of toys and insects in the lead.
11.) "For The Birds" (2001) -- Pixar's third Oscar-winning short featured a large, gangly bird trying to befriend a bunch of snobby little birds that wanted nothing to do with him. To animate the film, Pixar developed a new animation tool to allow for the birds to have feathers that moved individually.
10.) "Sanjay's Super Team" (2015) -- A deeply personal Pixar short made by director Sanjay Patel to show the internal conflict he felt as a kid between his family's Hindu traditions and the pull of modern Western culture. The cartoon features Sanjay as a kid imagining Hindu deities as superheroes much like the ones he watches on Saturday morning.
9.) "The Little Matchgirl" (2006) -- Here's a rarity: a Disney film that doesn't have a happy ending. Set to a string quartet piece by Alexander Borodin and based on a Hans Christian Andersen tale, the story depicts a girl stuck in the cold streets of Moscow at Christmas.
8.) "How To Hook Up Your Home Theater" (2007) -- In the 40s and 50s, Goofy became a prominent member of Disney's stable with the "Everyman" shorts, a series of cartoons where he would clumsily struggle to do things like play baseball and do a waltz while a droll announcer provided instructions. Disney brought back the format with a topic every sports fan can sympathize with: setting up an HDTV and surround sound in your living room.
7.) "Runaway Brain" (1997) -- A common complaint about Mickey Mouse is that in modern times he has become more of a corporate mascot than a cartoon character. The Disney shorts restore him to greatness, particularly this macabre tale in which a mad scientist switches Mickey's brain with that of a monster named Julius, leading to the creepy sight of Mickey's face turning into a sharp-toothed visage.
6.) "The Blue Umbrella" (2013) -- A dramatic change in Pixar's visual style. The story of two umbrellas befriending each other is what one expects from the studio. What's unexpected is the realistic city the story is set in, swapping out Pixar's usual cartoon style with an attention to detail you'd see in "Batman: Arkham Knight."
5.) "Get a Horse!" (2013) -- A hilarious and powerful retrospective on the evolution of Disney animation. What starts as a throwback to Mickey Mouse's 1928 roots quickly transforms into a fourth-wall breaking blend of 2D and 3D animation. The cartoon also reuses archival audio of Walt Disney for Mickey's voice.
4.) "Piper" (2016) -- The newest and most detailed Pixar short to date, starring a baby sandpiper bird who overcomes his fear of the waves to forage for clams on the beach. The shore is rendered with the same attention to detail as "The Blue Umbrella," culminating in an underwater scene where you can see every grain of sand.
3.) "Paperman" (2012) -- The most visually striking work Disney has produced this decade. This short features a cubicle worker trying to get the attention of a woman in the next building over with paper planes. Presented in black and white with a blend of computer and traditional animation, it was the first Disney short to win an Oscar since 1969.
2.) "Day and Night" (2010) -- Two 2D animated characters symbolizing day and night squabble over which of them is better. In addition to having one clever sight gag after another, the short provides commentary on prejudice and fear of the unknown without its characters saying a single word.
1.) "Destino" (2003) -- Disney has made nothing like this before and likely never will again. In 1945, Walt Disney began a collaboration with Salvador Dali that was shuttered due to financial struggles. Over fifty years later, Walt's nephew, Roy E. Disney, commissioned the company's French animation studio to make a short based on Dali's perplexing storyboards. The result is a cryptic but beautiful short that brings Dali's paintings to life.
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From Mickey Mouse to “Paperman,” “Tin Toy” to “Piper,” Disney and Pixar have created animated gems with their recent shorts
Both Disney and Pixar have left a mark on animation that no other studios can match, and for both, their origins can be traced to animated shorts. Pixar has accompanied all of its feature films since its second feature film ("A Bug's Life") with opening shorts, and Disney has recently followed suit with shorts that range from groundbreaking experiments to revitalization of their most classic characters.
