Universal’s “Glass” is doing its job of reviving the box office, with M. Night Shyamalan’s latest film making $16 million on Friday, and is currently projected for a 4-day total of $48 million from 3,841 screens on Martin Luther King Jr. weekend.
While that’s below the $50 million projections set by Universal and well below the $52-65 million projection set by trackers, “Glass” is still on course to post one of the top three highest MLK weekend openings in box office history. The all-time best opening is the $107.2 million set in 2015 by “American Sniper,” an outlier as that film went on to gross $350 million domestic. No. 2 on the list belongs to Universal’s “Ride Along,” which had a 4-day opening of $48.6 million in 2015.
Opening night audiences didn’t quite reject “Glass” as much as some critics predicted. While the film has a Rotten Tomatoes score of just 35 percent, audiences gave the film a B on CinemaScore. By comparison, Shyamalan’s last film, “Split,” had a 76 percent RT score and a B+ on CinemaScore. With little competition in the next three weeks, “Glass” will have a chance to leg out into February having already made back its $20 million production budget.
In second place this weekend is STX’s “The Upside,” which is holding well and is now poised to join the “Bad Moms” films as one of STX’s highest grossing films ever. The film added $4.1 million on its second Friday and is expected to drop just 28 percent from its $20.5 million opening with a $14.7 million 3-day/$17.7 4-day weekend total. That would push its domestic cume to $46 million.
In third is WB’s “Aquaman,” which will cross the $300 million domestic mark in its fifth weekend with a 4-day total of $12.3 million. Completing the top five are two Sony films, “A Dog’s Way Home” and “Spider-Man: Into the Spider-Verse,” both of which are expected to finish the weekend with a $10-11 million total. “A Dog’s Way Home” is estimated to push its cume to $24.8 million after two weekends, while “Spider-Verse” will see its cume reach $161 million after six weekends.
Outside the top five, Funimation released the shounen anime film “Dragon Ball Super: Broly” on 470 screens, and is projected to make $9.4 million over four days. Meanwhile, Fox’s “Bohemian Rhapsody” will cross $200 million domestic after 12 weekends in theaters, adding $2.7 million this weekend from 1,177 screens.
All 9 M Night Shyamalan Movie Twists Ranked, From 'Sixth Sense' to 'Split' (Photos)
Ever since “The Sixth Sense,” M. Night Shyamalan has been known for spooky, dramatic movies with giant, mind-blowing twists in their plots. Here’s the definitive list, from worst to best, of the twists that do their stories justice and which ones merely unravel them.
9. The Happening (2008)
Shyamalan starts off strong, building a movie in which supernatural-seeming events are driving people to commit suicide. Then the twist: Trees did it, using a toxin carried by wind. This is one step removed from the Lorax being revealed as a serial killer.
8. Signs (2002)
Everything in Mel Gibson's character's life, including the tragic and really horrific death of his wife, has been part of God's extremely intricate and unnecessarily mean plan. That plan: restore Mel's faith and save his family by placing glasses of water around the house so Joaquin Phoenix could hit them with a bat. Because the aliens are allergic to water.
7. Lady in the Water (2006)
Paul Giamatti discovers a strange fairy-tale-like nymph-woman (a "narf," actually) in his apartment building's pool. He concludes everyone in the building has a role in the fairy tale. Then the twist: All the roles are wrong! Everyone unlocks their potential by realizing the stupid roles they're actually destined to play, and saves the day.
6. The Village (2004)
A group of 19th-century townsfolk bury anything that's red and hide from mysterious monsters that plague their town. Except the village elders have been pretending to be the monsters to keep everyone in the town, since they all actually live in a modern theme park. Oh, and the monster that's been terrorizing everyone is just a lovestruck developmentally disabled guy.
5. Devil (2010)
Five people get trapped in an elevator and reveal how awful they are as they are attacked, one by one, when the lights go out. The twist: One of them is literally the Devil, in the biblical sense. And it's the middle-aged woman everyone thought was dead. Shyamalan didn't direct this one, but he wrote the story.
4. Split (2017)
A man (James McAvoy) suffers from a split personality: Some of the personalities are evil, and some can actually manifest physical differences, like strength. Then, the twist: The movie is set in the same universe as a previous Shyamalan film, "Unbreakable," making it a supervillain origin story and setting up a clash with Bruce Willis' character from that movie (at some later time in another film)!
3. The Visit (2015)
Two kids go on an extended visit with their grandparents, but there's definitely something not right about the grandmother, who seems like a different, much more dangerous person at night. Turns out these aren't the grandparents at all, but two murderous escaped mental patients. While predictable, the twist plays well because "The Visit" is more tongue-in-cheek than the typical Shyamalan joint.
2. The Sixth Sense (1999)
The Shyamalan classic follows a psychiatrist (Bruce Willis) who treats a boy (Haley Joel Osment) who says he can see dead people who need his help to let go of their lives. But the psychiatrist is dead! Shyamalan gives just enough hints to make audiences scream "Of course!" once they realize Bruce Willis has been a ghost the whole time.
1. Unbreakable (2000)
Bruce Willis' character survives a train crash because he's actually an "unbreakable" mutant. In the end, a man with very brittle bones (Samuel L. Jackson) caused the derailment and lots of other deadly accidents in an attempt to find Willis and give his own life meaning -- as a supervillain convinced his comic-like opposite had to exist. The twist perfectly redefines the story at the last second, forcing you to rethink everything you just watched.
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How does the twist in Shyamalan’s latest film stack up to the rest of his twisty oeuvre? (WARNING: Major spoilers ahead)
Ever since “The Sixth Sense,” M. Night Shyamalan has been known for spooky, dramatic movies with giant, mind-blowing twists in their plots. Here’s the definitive list, from worst to best, of the twists that do their stories justice and which ones merely unravel them.
