Women’s Best Chance of Getting Hired for Movie Work: Start With Female Director

New study finds women made up 52 percent of writers on films with female directors; on male-directed films, it’s only 8 percent

Oscar-winning director Kathryn Bigelow/Getty Images

As the debate about gender equality in Hollywood continues to heat up, a new study released Tuesday shows that in 2014, films with female directors employed substantially higher percentages of women in key behind-the-scenes roles than those directed by men.

The findings by Martha M. Lauzen, Executive Director at the Center for the Study of Women in Television and Film at San Diego University, found similar results when women accounted for at least one-third of executive producers and producers.

“Women and the Big Picture: Behind-the-Scenes Employment on the Top 700 Films of 2014” is the first study to track women’s employment on the top 700 theatrically released films (omitting foreign films) in a single year.

On films with female directors, women made up 52 percent of writers, as opposed to films with all male directors, where women were only eight percent of writers.

“The findings suggest that women directors, executive producers, and producers may serve an important gateway function in the employment of other women in key behind-the-scenes roles,” Lauzen said.

The study also determined that women comprised 20 percent of all directors, writers, producers, executive producers, editors and cinematographers working on the top 700 domestic grossing domestic films.

They accounted for 27 percent of producers, 21 percent of executive producers, 18 percent of editors, 13 percent of directors, 13 percent of writers, and 9 percent of cinematographers.

When compared with figures for the top 250 films, the percentages of women directors and cinematographers almost double, Lauzen noted, as these are the most male-identified roles.

She said the findings indicate that hiring decisions for these positions may be most susceptible to mainstream film industry biases and expectations about what directors and cinematographers should look like demographically.

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