Joss Whedon-Produced Comedy ‘Pippa Smith: Grown-Up Detective’ Scrapped at Freeform (Exclusive)

Project had been in development since June 2018

Joss Whedon
Photo by Rodin Eckenroth/Getty Images

Freeform has decided not to move forward with the dark comedy series “Pippa Smith: Grown-Up Detective” from executive producer Joss Whedon, TheWrap has learned exclusively.

Representatives for Freeform did not immediately respond to TheWrap’s request for comment on when and why the show, which had been in development at the Disney-owned cable channel since June 2018, had been scrapped. A rep for Whedon had no comment.

According to an individual familiar with the project, Whedon did not have a direct or substantial role in developing the half-hour series, which was created by comedians Siobhan Thompson and Rebecca Drysdale. The show was to center on Pippa Smith, a twentysomething who played a former kid sleuth on TV, “as she deals with relationships, addiction and being too dang old for the detecting game.” Pippa would solve a new case in every episode, “while unraveling a larger mystery and attempting to navigate her messy personal life.”

Drysdale and Thompson wrote the script for “Pippa Smith,” which Whedon was going to executive produce with Drysdale, with Thompson serving as co-executive producer. Drew Buckley, Jillian Vogel and Sam Reich were also executive producers.

Whedon has had a turbulent year. Last Friday, WarnerMedia said it had concluded its investigation into accusations by actor Ray Fisher of inappropriate conduct during the production of 2017’s “Justice League,” which Whedon took over directing after filmmaker Zack Snyder stepped down. The company said “remedial action” was taken, but declined to clarify what that meant.

Fisher, who played Cyborg in “Justice League,” had publicly accused Whedon of “gross, abusive, unprofessional” behavior on set back in July, and said Whedon’s behavior was enabled by then-DC Entertainment president Geoff Johns and by Jon Berg, the studio’s former co-president of production. Berg left the company in December 2017 as part of a “restructuring,” while Johns stepped down seven months later. (Whedon has not publicly addressed Fisher’s accusations — except in a statement to EW denying the actor’s secondhand claim that Whedon had tried to digitally alter the skin tone of a nonwhite actor.)

And last month, the WarnerMedia-owned HBO revealed Whedon had exited his sci-fi drama “The Nevers,” for which he was set to write, direct and serve as showrunner.

“We have parted ways with Joss Whedon. We remain excited about the future of ‘The Nevers’ and look forward to its premiere in the summer of 2021,” HBO said in a statement. The show was picked up straight-to-series in 2018 and was set to be the “Buffy the Vampire Slayer” creator’s first TV project since “Dollhouse,” which ran on Fox from 2009-2010.

“This year of unprecedented challenges has impacted my life and perspective in ways I could never have imagined, and while developing and producing ‘The Nevers’ has been a joyful experience, I realize that the level of commitment required moving forward, combined with the physical challenges of making such a huge show during a global pandemic, is more than I can handle without the work beginning to suffer,” Whedon said in a statement at the time. “I am genuinely exhausted, and am stepping back to martial my energy towards my own life, which is also at the brink of exciting change. I am deeply proud of the work we have done; I’m grateful to all my extraordinary cast and collaborators, and to HBO for the opportunity to shape yet another strange world. ‘The Nevers’ is a true labor of love, but after two-plus years of labor, love is about all I have to offer. It will never fade.”


Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.