Why Julie Taymor’s ‘The Glorias’ Struggled to Get Hollywood Financing
“It was still this mentality for projects that are women-oriented that, ‘Eh, I don’t know if I want to spend that kind of money,'” director says at a WrapWomen webinar
J. Clara Chan | December 1, 2020 @ 3:47 PM
Last Updated: December 2, 2020 @ 3:44 PM
“The Glorias,” the biopic celebrating the life and work of activist Gloria Steinem, struggled to get financing from Hollywood because of negative stereotypes surrounding women-oriented projects, according to director, producer and writer Julie Taymor.
“Even with Gloria Steinem’s best-seller, with Julianne Moore attached, with myself, with Gloria being executive producer, it’s perceived as a film for women,” Taymor said at a Tuesday webinar hosted by WrapWomen. “It was still this mentality for projects that are women-oriented that, ‘Eh, I don’t know if I want to spend that kind of money.’
“We got our money not-for-profit from two philanthropists who never give money to movies. … They knew Gloria, she knew them. We went up, we met with them, they gave us the money,” Taymor continued, declining to name the philanthropists because they didn’t want to take credit. “We didn’t get the money out of Hollywood.”
It’s not just Hollywood. On Broadway, though progress has been made, the lack of representation for women creatives continues to be overt.
“I think it’s always been hard for women directors. They’re getting more and more, they’re getting asked to do Broadway. I was the first woman to receive a Tony for a musical on Broadway,” Taymor said. “Has it gotten better? Yeah. But not a lot.”
BroadwayHD founder and producer Bonnie Comley noted that while the majority of Broadway ticket-buyers are women, the creators of the shows on Broadway don’t reflect the same demographic breakdown.
“If we look at the last full season, which was the 2018-2019 season, you had 41 theaters, you had two women directors, three female composers, I think one woman lyricist, and that’s it,” Comley said. “We’re just not there yet with having gender equality, at all.”
Carol Kaplan, an entertainment attorney at Loeb & Loeb, did note that there is a younger generation of producers seeking to bring underrepresented voices to Broadway, as well as not-for-profits that have been backing productions that “don’t fit any of the boxes” for commercial theater and finding a way to bring them to the stage.
“The talent is there,” Comley said. “It’s not a pipeline issue.”
Broadway's 12 Top-Grossing Non-Musical Plays of All Time, From 'War Horse' to 'Harry Potter' (Photos)
Broadway isn't just for musicals. Here are the all-time top-grossing straight plays on the Great White Way, according to grosses compiled by the Broadway League up to March 8, 2020. (These figures aren't adjusted for inflation, so recent hits at current sky-high ticket prices have a definite advantage.)
12. "700 Sundays" (2004-05; 2013-14)
Total gross: $32,029,177
Billy Crystal's autobiographical one-man show found favor in two separate runs on Broadway nearly a decade apart.
Photo: Carol Rosegg
11. "Betrayal" (2019)
Total gross: $32,621,468
Tom Hiddleston, Charlie Cox and Zawe Ashton packed 'em in for the fourth Broadway production of Harold Pinter's time-bending drama.
10. "August: Osage County" (2007-09)
Total gross: $32,835,606
Tracy Letts' Pulitzer-winning drama became a huge hit on stage without any big stars -- and then a 2013 movie starring with Meryl Streep and Julia Roberts.
9. "Proof" (2000-03)
Total gross: $32,896,994
David Auburn's drama about a woman with a troubled legacy of both mental illness and genius-level math skills earned multiple Tony Awards, including for star Mary-Louise Parker.
8. "The Play That Goes Wrong" (2017-19)
Total gross: $34,341,708
This farce about an amateur theater company's mishap-prone production of a mystery play is another London import that found popularity on this side of the Atlantic.
7. "God of Carnage" (2009-10)
Total gross: $37,345,584
Yasmina Reza's barnstorming dramedy about two dueling couples earned the Tony for Best Drama -- as well as nominations for James Gandolfini, Jeff Daniels, Marcia Gay Harden and Hope Davis.
6. "It's Only a Play" (2014-15)
Total gross: $37,500,966
Terrence McNally's backstage comedy was a huge hit thanks to the Broadway reteaming of Matthew Broderick and Nathan Lane, stars of the Tony-winning musical "The Producers" a decade before.
5. "Angels in America" (2018 revival)
Total gross: $40,937,028
The 2018 revival of Tony Kushner's two-part epic won three Tony Awards, including for co-stars Andrew Garfield and Nathan Lane.
4. "The Curious Incident of the Dog in the Night-Time" (2014-16)
Total gross: $68,321,435
Another London import, Simon Stephens' adaptation of Mark Haddon's YA novel follows an autistic boy on a quest for the killer of his neighbor's dog.
Photo: Joan Marcus
3. "War Horse" (2011-13)
Total gross: $74,975,253
Michael Morpurgo's YA novel about a British boy's search for his horse in World War I inspired both this epic play, complete with life-size puppets, and Steven Spielberg's 2011 film.
2. "To Kill a Mockingbird" (2018 - )
Total gross: $120,211,443* (as of March 8, 2020)
Aaron Sorkin's adaptation of the beloved Harper Lee novel may have been snubbed by Tony nominators for Best Play, but it has been drawing crowds since opening in December 2018.
1. "Harry Potter and the Cursed Child, Parts One and Two" (2018 - )
Total gross: $174,056,581* (as of March 8, 2020)
The stage sequel to J.K. Rowling's saga about the now-grown boy wizard has extra advantages -- since it's a two-night (and two-ticket) epic that plays in a musical-sized auditorium to diehard Potterheads.
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You don’t need an orchestra — or songs — to draw audiences
Broadway isn't just for musicals. Here are the all-time top-grossing straight plays on the Great White Way, according to grosses compiled by the Broadway League up to March 8, 2020. (These figures aren't adjusted for inflation, so recent hits at current sky-high ticket prices have a definite advantage.)