Showtime is developing a limited series about the life of entertainer and activist Lena Horne, with Horne’s granddaughter Jenny Lumet writing and executive producing.
Lumet will write the first few episodes with her longtime producing partner, Alex Kurtzman. The series will be produced by CBS TV Studios and Kurtzman’s Secret Hideout. Heather Kadin will serve as an executive producer as well.
“Bringing my grandmother’s story to the screen required a multi-generational effort,” said Lumet. “Grandma passed her stories to my mother, who now passes them to me, so I may pass them to the children of our family. Lena’s story is so intimate and at the same time, it’s the story of America – America at its most honest, most musical, most tragic and most joyous. It’s crucial now. Especially now. She was the love of my life.”
The series is titled, “Blackbird: Lena Horne America,” after Horne’s favorite poem, “Thirteen Ways of Looking at a Blackbird.”
Per Showtime, the series “will span 60 years of her life, from dancing at the Cotton Club when she was 16, through World War II and stardom of the MGM years, McCarthyism, the civil rights movement and her triumphant return to Broadway. The series will encompass her deepest relationships: Paul Robeson, Count Basie, Duke Ellington, Joe Louis, Billie Holiday, Hattie McDaniel, Ava Gardner and Orson Welles, to name a few. A direct descendant of slaves and their enslavers, Horne had to navigate stardom during Jim Crow. She laid herself down and made herself a bridge for everyone who came after her, and finally achieved her own liberation to become one of America’s greatest legends.”
Lumet is currently the executive producer and co-creator of the upcoming CBS drama series “Clarice,” a sequel to “Silence of the Lambs,” and serves as co-creator and showrunner of the upcoming CBS All Access series “The Man Who Fell to Earth.”
23 White Actors Miscast in Nonwhite Roles, From Mickey Rooney to Emma Stone (Photos)
Hollywood just doesn't seem to learn from its mistakes as it continues to cast white actors in nonwhite roles again and again. And again.
Paramount Pictures, Warner Bros., Roger Ebert, Beatrice Aguirre Zuniga
More caricature than character, Rooney starred as the buck-toothed, Japanese Mr. Yunioshi in the 1961 film, which has faced volumes of criticism since.
The "Jailhouse Rock" singer played a Native American rodeo rider in the 1968 comedy Western. Along with this miscasting, many also criticized the film's use of stereotypes and offensive humor.
Movieclips Classic Trailers
Peter Sellers in "The Party" (1968)
The English actor wore brown face for his role as Hrundi V. Bakshi, an Indian actor, in the comedy film. "The Party" was also called out for its racist humor and perpetuating South Asian stereotypes.
Schneider seems to play a different ethnicity in every Adam Sandler movie. In "The Waterboy" he was the "You can do it!" guy, in "Big Daddy," he was a Middle-Eastern deliveryman, and in "50 First Dates," he plays a native Hawaiian. Badly.
In the 2007 drama film, Jolie plays Mariane Pearl, a real-life journalist of Afro-Chinese-Cuban descent, though the actress herself is of mixed-European descent.
The movie follows a group of math students who come up with a card-counting strategy to win big in Vegas. While the movie had a predominantly white cast, the real-life MIT students were Asian American.
Sony
Jake Gyllenhaal in "Prince of Persia: The Sands of Time" (2010) Gyllenhaal plays a Middle Eastern prince in the film, which many called "insulting" and "the perfect example of whitewashing."
Johnny Depp played a Native American in Disney's film, which sparked outrage among fans and critics despite the actor's claims that his great-grandmother had mostly Cherokee blood.
Scarlett Johansson, who consistently takes on roles for nonwhite actors, plays the Japanese lead in this lackluster film. Nevertheless, this miscasting sparked a larger conversation on Hollywood's whitewashing of Asian roles.
Paramount Pictures
1 of 24
Rooney as Japanese? Stone as Chinese/Swedish/Hawaiian? TheWrap looks at history of racially misguided castings
Hollywood just doesn't seem to learn from its mistakes as it continues to cast white actors in nonwhite roles again and again. And again.