‘Ozark,’ ‘House of Cards’ and ‘When They See Us’ Stars Share Worst Moments on Set (Video)
Emmy-nominated supporting actors Julia Garner, Michael Kelly and Marsha Stephanie Blake sat down with TheWrap for a Q&A
Margeaux Sippell | August 14, 2019 @ 1:15 PM
Last Updated: September 23, 2019 @ 6:10 PM
Mice, landline telephones and sex scenes — these are a few of Julia Garner, Marsha Stephanie Blake and Michael Kelly’s least favorite things.
The Emmy-nominated supporting actors from Netflix series “Ozark,” “When They See Us” and “House of Cards,” respectively, sat for a Q&A session with TheWrap at the Landmark Theater in Los Angeles Tuesday, and talked about their Emmy-nominated work — as well as some amusing stories behind their most dreaded moments on set.
“In Season 1, there’s one scene where I put a mouse in the water,” Garner, who plays Ruth on “Ozark,” said with a groan. “Ugh, God! I hate rodents, so I don’t like mice and rats. Just the tails — I didn’t know how scared I was.”
There was a “mouse-wrangler” on set, she added, who told her to think of the tails “like spaghetti,” or “like touching a phone cord.”
“I’m like, ‘This is not like a phone cord.’ I tried picking it up, and then I’m like, ‘I gotta go wash my hands.’ I was hyperventilating, it was so bad. And then they needed a hand double,” she laughed. “Every time I watch that scene I’m like, ‘Oh, wow.'”
But for Kelly, who played Doug Stamper on “House of Cards,” the absolute worst scenes to shoot are “any of my sex scenes,” he said.
“There is nothing like having to put on that thong thing and walk around the crew and stand in front of teamsters with this frickin’ nude colored thong,” he said. “It wasn’t even nice shades or colors. It was a beige thong. It just, it’s like a sock. So anytime I had to get naked, those were definitely my least favorite.”
Blake, the only one of the three who plays a real person — the late Linda McCray, mother to Anton McCray of the Central Park Five case — said her least favorite scene to film for Ava DuVernay’s “When They See Us” only lasted for about three seconds on screen, but took her a frustrating amount of takes to get right.
“There’s this scene when I’m laying on a bed, and I get a phone call and I have papers in front of me, but I’m laying down but I have to reach for the phone, answer the phone, and then casually sort of pretend like this is something I do all the time,” she said. “We don’t have those phones anymore. It’s attached to a cord (laughs)… It felt so awkward. Ava was like, ‘You clearly have never done any paperwork in bed while laying down.’ And I’m like, ‘Not laying down!'”
“It took forever. When I saw it on screen, I could see my discomfort. You probably couldn’t, but I definitely — even talking about it now, I feel uncomfortable. So that was my least favorite scene,” she said.
Each actor also took a moment to look back on the most emotionally taxing scenes to film. For Kelly, it was his character’s last appearance in the series, and the last time he himself would ever step foot in the “House of Cards” oval office. You can watch that clip above.
“[Doug Stamper] goes on a roller coaster ride in that scene, and I had to cry at a certain point. Gary Jay, our camera operator, was probably one of the closest people to me on set, and I’d run out of all the different things you use as an actor — all the different substitutions and ways to make you cry — and I couldn’t cry in this one take,” Kelly remembered. “I was like ‘Gary, can I give you a hug?’ and he was like ‘Come here, buddy.’ He gave me a big hug. And I was just like [pretends to cry], ‘Go!'” he joked. “I used him three or four times. All I had to do was touch him, hug him, and it would bring me to that emotional place that was easier to tap into. It was really heavy, that last day.”
Garner’s most challenging scene in “Ozark” left her feeling “like I was going to throw up,” she said.
“I just remember it like yesterday. It was the scene with Wyatt, my cousin, who’s played by Charlie Tahan, who’s an amazing actor, but I basically tell him what happens to his father,” she said. “That whole season, Ruth was going to sleep with a lie, and waking up in the morning with a lie, and she was just living with a lie and it was eating her up inside. By the time that scene hit, it just felt like word vomit. I remember genuinely feeling like I was gonna throw up, doing that scene. I was so nervous. I had knots in my stomach.”
For Blake, it was the very first scene they shot for “When They See Us” — one that immediately gave her a sense of what the real families of the Exonerated Five went through.
“I don’t know if Ava [DuVernay] did it on purpose. I mean, it got us so close as a family so quickly,” Blake said. “They had us shoot in this abandoned jail in Staten Island. Everything about it was oppressive, and all I could think of was, the real people were in these precincts for how long? And we were there for maybe 12 hours that day… at one point Ava kept checking in with us, cause she could see that Michael and I were weeping the entire time… We kept having to do it over and over again, and I was like ‘I’m fine, I’m fine,’ and she was like ‘You’re not fine.'”
“It was weird because I felt like it was a right feeling for that scene, so as an actor you kind of want to preserve the discomfort. But there is a point where you have to take care of yourself,” she said.
The Evolution of Eugenio Derbez, from 'La Familia P. Luche' to 'Dora and the Lost City of Gold' (Photos)
In the early '90s, there was an up-and-coming comedian who could morph in and out of characters at the drop of a dime. If you looked at the U.S. box office, you might say i’m talking about “Ace Ventura” and “The Mask” star Jim Carrey. But in Latin America, the man with the elastic face and an unlimited reservoir of charisma was Eugenio Derbez, who in 1993 got his first variety sketch show and rose to fame with Spanish speaking audiences. Derbez is now starring in “Dora and the Lost City of Gold,” Paramount’s adaptation of the Nickelodeon children’s show. How did Derbez go from sketch comedy to American movie star? TheWrap has tracked his evolution below.
"Al Derecho y Al Derbez" (1993-1995)
Derbez created many of his recurring alter egos in his first sketch comedy show. 'Al Derecho y Al Derbez' introduced us to the kooky philosophy professor Armando Hoyos, who loves wordplay and unusually large eye glasses, and the immature devil Diablito. The Diablito sketch was similar to "America's Funniest Home Videos" in that Derbez, with red face paint and a sinister grin, watches clips of people fail. But here, Diablito is in a control room supposedly watching a live stream of the real world, always one button push away from making someone fall or miss a goal in a soccer game.
"Mujer, Casos de la Vida Real" (1997)
Derbez appeared in the episode "Donde Esta Mi Hija?" (or "Where is My Daughter?" in English) in this Mexican anthology series that reenacted real life events. 'Mujer, casos de la vida real' was a staple of daytime television, running for 21 years until its final episode in 2007. Derbez later in his career would spend an entire episode of his sketch show "Derbez En Cuando" parodying "Casos." Derbez dressed as the famed host Silvia Pinal, and later in the episode he would actually sit down with Pinal herself.
"Mulan" (1998) and "Shrek" (2001)
Derbez's quick and high pitched rants led him to play the Spanish version of Eddie Murphy not once but twice. Derbez voiced Mushu the dragon in "Mulan" and Donkey from "Shrek" (both Murphy in the U.S.) in the Spanish dubbed versions of the family-friendly flicks. Derbez would go on to dub Donkey in each "Shrek" sequel.
"La Familia P. Luche" (2002-2012)
Similar to the "Blues Brothers" and "McGruber" on "Saturday Night Live," Derbez took one of his more popular sketches and expanded it into its own universe. "La Familia P. Luche" follows a dysfunctional family who happens to wear plush-looking clothing (P. Luche plays off the spanish word for plush, "peluche"). The P. Luche family came back to bicker and skirmish several times after its initial run from 2002-04, including in 2007 and again in 2012.
"Under the Same Moon" (2007)
Derbez's most well known dramatic role came when he played an illegal immigrant worker Enrique who helps a young boy Carlitos reunite with his mother Rosario. While Enrique doesn't originally embrace Carlitos, toward the end of the film Enrique ends up sacrificing himself at the hands of police to let Carlitos run free.
"Jack and Jill" (2011)
Derbez started testing the waters in American movies in a role as Felipe in this Adam Sandler comedy. While "Jack and Jill" performed modestly at the box office, poor critical reception of the film may have led Derbez to hold from moving to the states until 2015.
"Instructions Not Included" (2013)
This dramedy directed and starring Derbez follows a single playboy who has his child dropped off at his door step out of nowhere. The film would be a hit for Derbez, bringing in $100 million at the box office.
"How to be a Latin Lover" (2017)
Maximo ("Derbez") is a gigolo who spends his life living off the riches of the older women he seduces. "How to be a Latin Lover" was bolstered by its supporting cast that included Salma Hayek, Kristen Bell, Raquel Welch and Rob Lowe.
"Overboard" (2018)
Derbez returns to the playboy role in "Overboard," where his character Leonardo Montenegro is tricked into thinking he's the husband of someone who cleans the yacht he's on, a single mother played by Anna Faris ("Scary Movie," "The House Bunny"). "Overboard" was a gender-reversed remake of the 1987 movie with Kurt Russell and Goldie Hawn.
"Dora and the Lost City of Gold" (2019)
Derbez gets to play a villainous jungle guide who initially helps the lead explorer Dora, played by Isabel Moner. Derbez also co-produced the film, which grossed $17 million opening weekend. TheWrap senior advisor Anne Vasquez said the film "goes beyond numbers to capture multiculturalism without treating it as a foreign object."
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Derbez began his career in sketch comedy in Mexico, later moving to the United States for roles in ”Overboard“ and ”Dora“
In the early '90s, there was an up-and-coming comedian who could morph in and out of characters at the drop of a dime. If you looked at the U.S. box office, you might say i’m talking about “Ace Ventura” and “The Mask” star Jim Carrey. But in Latin America, the man with the elastic face and an unlimited reservoir of charisma was Eugenio Derbez, who in 1993 got his first variety sketch show and rose to fame with Spanish speaking audiences. Derbez is now starring in “Dora and the Lost City of Gold,” Paramount’s adaptation of the Nickelodeon children’s show. How did Derbez go from sketch comedy to American movie star? TheWrap has tracked his evolution below.