Male film critics still greatly outnumber women in the field, which adversely impacts exposure and recognition female-driven films and/or those directed by women receive, according to a new study.
The study, conducted by San Diego State University’s Center for the Study of Women in TV and Film, found that across every type of media outlet, male film critics outnumber female critics by approximately 2 to 1 — men comprised 68 percent of the reviewers during spring 2018, while women made up 32 percent.
“These gender imbalances matter because they impact the visibility of films with female protagonists and/or women directors, as well as the nature of reviews,” said Martha Lauzen, executive director of the Center for the Study of Women in TV and Film, in a statement. “Something as simple as the mention of a director’s name in a review, and labeling that individual as a ‘master’ of the filmmaking craft can help shape the narrative surrounding that director”
According to the study, during the period analyzed men wrote 71 percent of all reviews, while women accounted for 29 percent.
The study found that with films directed by women, female critics were more likely than men to mention the name of the director, and to use exclusively positive comments when talking about her skills, work, and vision. Women reviewers, on average, also awarded higher ratings than men to films with female protagonists.
In contrast, male writers are more likely than females to use exclusively complimentary words and phrases when talking about male directors.
The study looked at 4,111 reviews written by 341 critics writing for print, broadcast, and online outlets whose work was included on review aggregator Rotten Tomatoes during the spring 2018.
Not to be overlooked, 83 percent of the female critics the study found were white, 14 percent were minorities, and 3 percent had unknown racial or ethnic identity. The disparity among male critics is similar with 82 percent of all male critics being white, 9 percent minorities and the other 9 percent having unknown racial or ethnic identity.
9 Women Who Have Directed Movies With $100 Million Budgets (Photos)
Only nine women directors, so far, have ever been given a budget north of $100 million. Even fewer have done so without also having a male co-director or on projects that aren't animated. That needs to change, and with "Captain Marvel" opening this weekend, hopefully that changes soon.
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Kathryn Bigelow • "K:19 - The Widowmaker" (2002) - $100 Million
Before she became the first (and only) woman to win the Oscar for Best Director, Kathryn Bigelow was the first woman director to land a $100 million budget for her 2002 submarine thriller "K-19: The Widowmaker."
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Jennifer Yuh Nelson • "Kung Fu Panda 2" (2011) - $150 Million
Jennifer Yuh Nelson directed the $150 million sequel to "Kung Fu Panda." She came back for the third film as well with a similar budget, but would then be paired with male director Alessandro Carloni.
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Lana and Lilly Wachowski • "Cloud Atlas" (2012) -$128.5 Million and "Jupiter Ascending" (2016) - $176 Million
Lana Wachowski came out publicly as a transgender woman in 2012 while discussing the creative process behind "Cloud Atlas." She would then co-direct "Jupiter Ascending" in 2015, with Lilly also coming out as trans woman in 2016.
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Jennifer Lee with Chris Buck • "Frozen" (2013) - $150 Million
Jennifer Lee's "Frozen" won two Oscars and was a pop cultural smash, and she'll direct the sequel as well along with Chris Buck.
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Patty Jenkins • "Wonder Woman" (2017) - $149 Million
Patty Jenkins was only the third woman to direct a $100 million budgeted movie solo. "Wonder Woman" went on to make $412 million at the domestic box office. She's signed on to direct the sequel "Wonder Woman 1984" due out in 2020.
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Ava DuVernay • "A Wrinkle in Time" (2018) - $103 Million
Disney's "A Wrinkle in Time" is an ambitious fantasy that should hopefully inspire a new generation of filmmakers and young kids. But the exotic, colorful family film only made $132 million at the worldwide box office.
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Anna Boden with Ryan Fleck • "Captain Marvel" (2019)
Marvel's first female-fronted property enlisted Anna Boden along with Ryan Fleck, best known for their indie "Mississippi Grind." Its Thursday box office preview made it the fifth highest opening for any MCU film, putting it on pace for a huge first weekend.
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Niki Caro • "Mulan" (2020)
Niki Caro's live action adaptation of the animated hit "Mulan" was supposed to come out later this year, but was recently pushed back to 2020.
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Kathryn Bigelow, Patty Jenkins and Ava DuVernay are among the few
Only nine women directors, so far, have ever been given a budget north of $100 million. Even fewer have done so without also having a male co-director or on projects that aren't animated. That needs to change, and with "Captain Marvel" opening this weekend, hopefully that changes soon.