Why New Warner Bros. CEO Ann Sarnoff Could Be Just What Hollywood Needs

“She’s got one of those rare executive brains that understand the content and creatives, as well as the business,” former Nickelodeon president Geraldine Laybourne says

Warner Bros. may have found just what it was looking for in Ann Sarnoff, industry insiders tell TheWrap.

In what came as a surprise to those unfamiliar with Sarnoff, WarnerMedia announced on Monday that it had named Sarnoff as the new head of its film and TV studio — a post left vacant by the exit of former chairman and CEO Kevin Tsujihara in March.

Sarnoff’s roots may not be firmly planted in Hollywood, but industry insiders are high on her executive experience and believe her background gives her what it will likely take to lead Warner Bros., which at roughly 100 years old is one of the largest and most storied production operations that spans film, TV, digital, gaming and consumer products. 

Sarnoff’s history in transactional business experience, including her work at PayPal and BritBox, seems to be a highlight for industry insiders.

Ross Gerber, CEO of media investment firm Gerber Kawasaki, said that Sarnoff has exactly the kind of experience a CEO of a studio needs in today’s industry, especially as parent company WarnerMedia works to jump into the world of streaming with the launch of its direct-to-consumer service. 

Not only does Sarnoff have a command of the content side from her days working with Viacom and most recently BBC America, but she understands the technology, as well as the granular aspects of overseeing and operating a subscription-based streaming platform.

“She’s that perfect combination of content, digital and transactional,” Gerber said. “She’s probably the most qualified person who hasn’t been a CEO… She should have already been a CEO, honestly. This is a great move. I was concerned at first because [Tsujihara] was doing a good job, but all things considered, I think they’re actually better off now.”

While at BBC Americas, Sarnoff oversaw Los Angeles productions, linear and digital program sales and co-productions, home entertainment, and licensing. She also led efforts to amplify BBC Studios’ global brands “Doctor Who,” “Top Gear,” and the natural history brand “BBC Earth.”

In addition, she serves as chairman of the board for BritBox, a joint venture of BBC Studios and ITV plc, focusing on streaming British TV.

Gerber also pointed to Sarnoff’s husband, Richard Sarnoff, who serves as chairman of media, entertainment and education for global investment firm KKR’s private equity platform in the Americas.

Richard Sarnoff’s great-uncle was former RCA chairman David Sarnoff, who was instrumental in developing the first commercial radio station. The Harvard Business School Alumni bulletin in 2005 dubbed Ann and Richard Sarnoff a power couple.

“She’s basically entertainment business royalty,” Gerber said. 

Sarnoff appears to have the confidence of Hollywood insiders and executives, though all will be looking to her ability to lead a massive enterprise while overseeing a cultural turnaround, which will be paramount considering the circumstances under which she is taking over.

Industry insiders acknowledge the tough road ahead but believe Sarnoff can pull it off. 

Tsujihara left in March in the midst of an investigation into his behavior, specifically regarding a past sexual relationship with actress Charlotte Kirk and whether the actress was given roles in Warner Bros. films because of it.

“Ann leads with strong values and is fully prepared to take on this next challenge in her career,” National Basketball Association Commissioner Adam Silver said in an email. The two crossed paths when Sarnoff was COO for the Women’s National Basketball Association.

“She is the ideal person to lead Warner Bros. at a time when the industry is rapidly changing,” Silver continued.

Geraldine Laybourne, a driving force behind the creation and growth of Nickelodeon in the ’80s and ’90s, worked with Sarnoff at the network when Sarnoff served as executive vice president of consumer products and business development.

In the early days of Nickelodeon, executives had to be flexible, Laybourne said.

“I don’t think there’s a lot that scares her,” she said. “Hollywood could use more executives like her. She’s got one of those rare executive brains that understand the content and creatives, as well as the business.”

Trey Williams

Trey Williams

Film Reporter covering the biz • trey.williams@thewrap.com • Twitter: @trey3williams



Oops! This is for WrapPRO members only, please sign up or login to view. Oops! This is for WrapPRO members only, please choose a plan to continue.

Join WrapPRO for Exclusive Content, Full Video Access, Premium Events, and More!
For Only $1/Day Members Access:
Icon
In-Depth Coverage
  • Up to 10 exclusive members-only stories a week
  • Awards Editor Steve Pond’s weekly take on awards season
  • TV Editor Tony Maglio’s in-depth TV ratings column
  • Entertainment industry analysis and deep-dive features
  • Daily WrapPRO newsletter covering the latest industry news
Icon
Exclusive Video
  • Access to full length Members-Only Video archive
  • Video of notable sessions from TheWrap Events (TheGrill, Power Women Summit)
Icon
Vip Access
  • Priority seating for TheWrap's Screening Series with stars and filmmakers (up to 30 min prior to film start time)
  • Access to "chill spots" at select industry events Sundance, TIFF, Newfronts and more
  • Access to exclusive invite-only events
Icon
Resources
  • DataBank showcasing key stats and streaming video trends in the OTT market
  • In-depth entertainment industry research and whitepapers