“Watchmen” creator Alan Moore calls the impact of superheroes on popular culture “both tremendously embarrassing and not a little worrying.”
In a resurfaced 2017 interview with Brazilian outlet Folha de São Paulo that was published in English for the first time Monday on the Alan Moore World blog, the legendary comic book writer went as far as to say that an argument can be made that D.W. Griffith’s landmark – and controversial for its depiction of black men as ignorant and sexually aggressive — silent film “Birth of a Nation” is a superhero film.
Moore believes that superheroes today “seem to be serving some kind of different function, and fulfilling different needs” that go beyond their original intention of “stimulating the imaginations of their 12 or 13-year-old audience.”
“The superheroes themselves – largely written and drawn by creators who have never stood up for their own rights against the companies that employ them, much less the rights of a Jack Kirby or Jerry Siegel or Joe Schuster – would seem to be largely employed as cowardice compensators, perhaps a bit like the handgun on the nightstand,” he said in the interview.
“I would also remark that save for a smattering of non-white characters (and non-white creators) these books and these iconic characters are still very much white supremacist dreams of the master race. In fact, I think that a good argument can be made for D.W. Griffith’s ‘Birth of a Nation’ as the first American superhero movie, and the point of origin for all those capes and masks.”
Moore wrote “Watchmen” in 1986, with Dave Gibbons as the artist and John Higgins as colorist. Alongside Frank Miller’s 1986 comics-series “The Dark Knight Returns,” “Watchmen” is often credited with introducing a more serious, nuanced adult take on super-heroism.
The HBO show follows a group of superheroes that falls apart when one of its members is murdered just as the world is on the brink of World War III. While some investigate the murder, they unravel a deep and global conspiracy. It takes place in an alternate timeline where costumed heroes have changed significant events in history.
Moore wrote the comics to reflect the cultural anxieties surrounding the Cold War and to deconstruct the do-gooder mythology surrounding superheroes. Since “Watchmen,” superhero comics have become more complex and darker, and multiple writers have attempted similar deconstructions.
14 TV Shows You Forgot Were Based on Comics (Photos)
Netflix's Marvel series and The CW's DC series get all the attention, but not every comic book adaptation on TV is a super-powered part of a multi-show universe.
"Dark Matter" (Syfy) The "Dark Matter" TV series came years after the debut of the Dark Horse comic book that it's based on, but creators Joseph Mallozzi and Paul Mullie originally conceived of the series -- about six individuals who wake up on a starship together with their memories wiped -- as a TV show before it was redeveloped as a comic in 2012.
Syfy
"Wynonna Earp" (Syfy) Syfy has a number of science fiction series based on lesser known comic book titles, including the fan-favorite "Wynonna Earp," starring Melanie Scrofano as the demon-fighting descendent of legendary lawman Wyatt Earp.
Syfy
"Outcast" (Cinemax) After the massive success of AMC's "The Walking Dead," creator Robert Kirkman went on to adapt his supernatural horror comic series "Outcast" for television. The adaptation, starring Patrick Fugit as the titular outcast, debuted on Cinemax in 2016.
Cinemax
"iZombie" (The CW) The CW's "Arrowverse" gets all the attention for being the network's hugely successful adaptation of several iconic DC Comics series, but the network also has the crime dramedy "iZombie" from "Veronica Mars" creator Rob Thomas on its slate. The show is a very loose adaptation of the comic book series of the same name from DC's Vertigo imprint.
The CW
"Lucifer" (Fox) Lead character Lucifer Morningstar, the "Lord of Hell" who abdicates his throne to move to Los Angeles, was created by Neil Gaiman for the Vertigo series "The Sandman" in 1980. The character landed his own TV show in 2016 when Fox debuted "Lucifer," starring Tom Ellis.
Fox
"Preacher" (AMC) Given the runaway success of "The Walking Dead," it was natural that AMC would turn to a different comic book adaptation as its follow-up. Starring Dominic Cooper as a Texas preacher, 2016's "Preacher," based on the Vertigo comic book series, was developed by Sam Catlin, Evan Goldberg and Seth Rogen.
AMC
"Human Target" (Fox) The DC Comics character Christopher Chance has been twice adapted for television, once in 1992 on ABC and then in 2010 on Fox, with Mark Valley playing the assassin-turned-security consultant. Both iterations were fairly short-lived, with ABC's version lasting seven episodes and Fox's take faring slightly better, at two seasons.
Fox
"Tales From the Crypt" (HBO) HBO's famous horror anthology series "Tales From the Crypt" was actually a loose adaptation of several EC Comics horror franchises. Many of the show's tales were adapted from EC's three horror magazines, "Tales from the Crypt," "The Vault of Horror" and "The Haunt of Fear."
HBO
"The Middleman" (ABC Family) Javier Grillo-Marxuach's Viper Comics series "The Middleman," about a secret agency that fights evil, was originally intended to be a TV series, but was later developed as a comic. In 2008, Grillo-Marxuach's original vision was realized when "The Middleman" ran for 13 episodes as an ABC Family series.
ABC Family
"Harsh Realm" (Fox) Following "The X-Files," Chris Carter adapted the comic book "Harsh Realm" by James D. Hudnall and Andrew Paquette for an extremely short-lived Fox series. The show, about a group of humans trapped in a virtual reality simulation, ran for just three episodes before it was yanked from the schedule and banished to sister network FX.
Fox
"Sabrina the Teenage Witch" (ABC) Long before Archie himself would hit the small screen on "Riverdale," the Archie Comics series "Sabrina the Teenage Witch" was adapted into a hit ABC sitcom starring Melissa Joan Hart. The legacy of that long-running show has led to much speculation about whether the character might one day show up on the new CW adaptation of her sister comic.
ABC
“Snowpiercer” (TNT) The series version of “Snowpiercer” is billed as a reboot of Bong Joon-Ho’s critically acclaimed 2013 film, but both projects are based on the 1982 French graphic novel “Le Transperceneige” by by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette.
TNT
"Raising Dion" (Netflix) Adapted from the 2015 comic book by Dennis Liu, “Raising Dion” is one part superhero origin story and one part family drama, starring Alisha Wainwright as a widowed mother trying to raise a superpowered 7-year-old.
Netflix
“The End of the F***ing World” (Netflix) Starring Alex Lawther as a self-diagnosed potential psychopath and Jessica Barden as the classmate he decides to murder, the first season of “The End of the F***ing World” draws from Charles Forsman’s 2013 graphic novel of the same name.
Netflix
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It turns out they aren’t all about superheroes
Netflix's Marvel series and The CW's DC series get all the attention, but not every comic book adaptation on TV is a super-powered part of a multi-show universe.