(Spoiler alert: Do not read ahead unless you have seen Thursday’s season finale of “Will & Grace.)
“Will & Grace” just aired its second Season 1 finale. Wait, it’s clear we’re referencing the final episode of the freshman installment of NBC’s revival, right? OK, good.
Thursday’s season-closer ended with a real jaw-dropper: Will’s (Eric McCormack) mother and Grace’s (Debra Messing) father hooked up and announced they are getting married, all in one episode. Which means the two BFFs are about to become brother and sister. Yeah. Ew.
Oh, and Jack (Sean Hayes) got engaged to his new boyfriend he literally just met on a trip to Ibiza, Spain, while Karen (Megan Mullally) ended her long-running affair with her lover (Alec Baldwin) to put her marriage first.
But TheWrap decided to focus on the Will and Grace ick factor here in particular when asking Max Mutchnick and David Kohan — the co-creators and showrunners of NBC’s old/new hit — about the cliffhanger for “It’s a Family Affair.” (Yes, that was the actual name of this episode.)
“The idea was that they had both sort of come to this point in their lives where they were very sanguine about where they were and what their life was,” Kohan said. “And Grace had made her peace about being single, being content with her lot. And Will recognized the folly of trying to really quickly rush into a relationship under the wire. And they had both gotten to the point where, ‘Hey things are good.’ And then suddenly circumstances conspire to show them maybe they shouldn’t be so sure of themselves.”
Those circumstances are Grace’s widower father Martin Adler (Robert Klein) and Will’s widow mother Marilyn Truman (Blythe Danner) making with a very fast engagement soon after sleeping together for the first time. And they actually say they are tying the knot because they don’t want to end up like their children, who are co-dependent and alone. Ouch.
So Will and Grace are left with the awkward realization that, not only will they become siblings, but the choices they have made are what led their parents to this decision.
“They are accused of being too incestuous,” Kohan said. “And what happens now that they are literally incestuous? That’s the big question we land on.”
“Will & Grace” was picked up for Season 2 before the revival premiered at the start of the 2017-2018 TV season, and the Peacock recently granted it a third season and upped the episode count for the sophomore installment.
But just because Kohan and Mutchnick have been given a long timeline to work with, that doesn’t mean they are filling it out.
“Things happen during the course of a season that I mean, yeah we might have an idea or we might have in the back of our minds something that we want two years down the road,” Kohan said. “But we also know that things happen during the course of a season. Relationships are made or moments sort of coalesce around something that we didn’t foresee, that move the show in a different direction. So to be married to a certain way to go or a certain way to end it — it’s written in pencil.”
“One of the things that we’re so lucky to have on the show is a room full of very brilliant writers that we collaborate with every week,” Mutchnick added. “And so getting all of those opinions in when story camp starts is going to pave the way to the first episode of Season 2 — or 10, depending on what you want to call it.”
Kohan said they have a “few things” in the works now, but “everything is on the table.” “Because any place that you land is viable if you get it there authentically and if you get it there entertainingly,” he added. “So where we want to end up is up for debate.”
“If we get through it one year at a time, it’s better that way,” Mutchnick added. “And what Season 3 gives us is almost an emotional cushion.”
'Roseanne' and 10 Other TV Shows and Movies That Retroactively Changed Their Continuity (Photos)
Sometimes shows and movies write themselves into a corner -- hard. That's not a problem if the series or franchise is pulling the plug for good. But with so many revivals and sequels happening today (not to mention programs that get picked up for an additional season after airing a "fauxnale") it's becoming more common to totally retcon (retroactive continuity) plot points to make things work. Here are some famous examples of writers turning back the clock, calling it "all a dream" and just literally pretending like nothing happened.
1. "Will & Grace" -- The 2006 series finale didn't leave a ton of room for a revival, what with Will (Eric McCormakc) and Grace (Debra Messing) having grown apart over a couple decades, gotten married and only reuniting in the final moments while dropping their children off at college. So, when NBC decided to bring the beloved sitcom back this fall, it was clear that ending would need to go. And it did within a matter of minutes in the premiere when Karen (Megan Mullally) explains away all that drama as a dream she had. The kids never existed, the partners were out (due to divorces) and everything was back to the status quo. Classic.
2. "Roseanne" -- First Dan (John Goodman) survived a heart attack in the final season, then it was revealed in the series finale that he'd actually died, but lived on in a novel the titular character wrote. Now, with the revival set for this spring (and the announcement it's including Goodman) we know they are going to need to retcon their retcon. Did that make sense?
3. "Buffy the Vampire Slayer" -- Joss Whedon wants to pretend his first attempt to bring Buffy to life never happened -- and so do most fans. When Whedon got the chance to execute his vision properly with the "Buffy the Vampire Slayer" series after bailing on the movie of the same name (based on his screenplay), he basically ignored any part of the film he hadn't agreed with. Good call.
4. "Newhart" -- This show was literally, entirely a dream. In the last two minutes of the final episode, Bob Newhart -- who’d play Dick Loudon, a Vermont innkeeper, for eight seasons -- wakes up in a strangely familiar bedroom. “Honey, wake up, you won’t believe the dream I just had,” he says to Suzanne Pleshette, who played his wife, Emily, on the '70s sitcom "The Bob Newhart Show." So that entire wacky show was retconned into never existing and just being a dream of Newhart's on his previous series. Yeah.
5. "Star Trek" -- Iconic villains-turned allies the Klingons debuted in 1966 as, due to makeup effects limitations, basically guys with tans and goatees. However, in 1979's "Star Trek: The Motion Picture," set 5 years after the original series, they received the forehead ridges they're known for. No one commented on the change in subsequent films and it was taken for granted audiences were supposed to pretend they were always like that. Until 1996, when "Deep Space Nine,' set 100 years later, confirmed that old school Klingons really did look different during the Original Series era (the explanation was provided in 2005 by "Star Trek: Enterprise.") But now comes 2017's "Star Trek: Discovery," set just 10 years before the events of the original series. This time, the Klingons look nothing like the original or forehead ridge versions with -- you guessed it -- no explanation given.
6. "St. Elsewhere" -- The staff of St. Eligius Hospital in Boston only exist in the mind of an autistic boy who imagined the NBC drama took place in his snow globe. No, seriously.
7. "Dallas" -- Bobby Ewing (Patrick Duffy) was literally DEAD on this show for an entire season before he was brought back in a very bizarre way. His wife finds him in the shower and suddenly realizes that whole chunk of series was a dream. The was more than a little trippy for fans of the primetime CBS soap.
CBS
8. "Prison Break" -- Apparently, anything is possible on this Fox series. Even bringing people back to life who have electrocuted or been decapitated -- on screen. But, you know, the CIA gets involved, papier-mâché heads. It's all good.
9. "Charmed" -- In the seventh season finale of this long-running WB series about a trio of magical sisters, the girls "killed" themselves off so they could escape their duties as the Charmed Ones. Because the show picked up an unexpected eighth season in the eleventh hour, the writers were forced to find a way to bring them back to the craft. Their solution? Have Homeland Security take responsibility for the cover-up. Works for us!
10. "X-Men: Days of Future Past" -- Remember how Professor Charles Xavier and Magneto died in "X-Men: The Last Stand"? Oh, you do? Why? Cause they didn't. Boom!
11. "Deadpool" -- Honestly, the entire Ryan Reynolds-led superhero series can be considered a retcon. Same actor from "X-Men Origins: Wolverine"? Check. Same character from that universe? Bingo. But they 100 percent pretend his introduction in the 2009 flick never happened.
Will and Grace didn’t have kids and Dan didn’t die — basically everything you knew is a lie
Sometimes shows and movies write themselves into a corner -- hard. That's not a problem if the series or franchise is pulling the plug for good. But with so many revivals and sequels happening today (not to mention programs that get picked up for an additional season after airing a "fauxnale") it's becoming more common to totally retcon (retroactive continuity) plot points to make things work. Here are some famous examples of writers turning back the clock, calling it "all a dream" and just literally pretending like nothing happened.