Attention Potterheads: If you want to watch Tom Felton and Natalia Tena’s new YouTube Premium series, “Origin,” for the “Harry Potter” franchise reunion, that’s fine by Felton.
But, just know, the actor is going to call you out for playing fast and loose with the “reunion” phrasing here. After all, Draco Malfoy and Nymphadora Tonks (played by Felton and Tena, respectively, in the films) never once met on screen — meaning that “Origin” actually marks Felton and Tena’s first time working together.
“Oh, I embrace it,” Felton told TheWrap when asked if he’s OK with fans who are tuning in for what we’ve now clarified is not a reunion. ” Any reason that anyone wants to watch it is fine by me. No, Nat and I were actually having a bit of a laugh about this the other day. And Nat and I have never worked together before. We never saw each other once while shooting ‘Harry Potter.’ (laughs) But, so as much as it is a reunion to other people, this is our first time.”
Felton says that he and Tena are “more than happy to have the freakout,” just make sure you come and enjoy the rest of the show.
Created by Mika Watkins, the show’s 10-episode first season follows a group of outsiders who find themselves abandoned on a ship bound for a distant land. Now they must work together for survival, but quickly realize that one of them is far from who they claim to be.
Felton — who says he’s never seen “Star Wars” or “Star Trek” and was really “freaked out” by ‘The Matrix” — says “Origin” “definitely qualifies as a sci-fi thriller.”
“Structurally it’s similar to ‘Lost.’ And kind of like a film franchise as far as what’s going on on the ship,” Felton says. “But essentially its about 10 passengers who have been sent to another planet, who volunteered to be programmed and are waking up prematurely, not on the planet, but still stuck inside and abandoned by all other passengers and crew.”
Felton is playing Logan, who he deems a “troubled young man.”
“I think he’s given up really on humans and relationships and any sort of real love,” Felton says. “And you don’t know why yet, but his backstory will reveal that. And you’ll see he has very little faith in humans at all. I think he’s leaving behind a pretty s—-y life back at home. And this is his last attempt to try and find a new start, really. To find a start because he can. He has a foul mouth. He’s very clever. But he’s a sweetheart. Deep down he’s a sweetheart.
“I think audiences will be very surprised by his backstory, as far as why and who he encountered to get him to go on this vessel,” Felton added. “That’s half of the question as well, ‘Would I do this? Is this something I’d actually do?’ Because it seems very close to home. It doesn’t seem that far in the future really.”
“Origin” stars Felton and Tena, alongside newcomer Sen Mitsuji. Watkins writes and executive produces, with Paul W.S. Anderson (“Resident Evil: The Final Chapter,” “AVP: Alien vs. Predator”) directing the first two episodes.
“Origin” drops on YouTube Premium on Nov. 14.
All 9 JK Rowling Movie Adaptations Ranked From Worst to Best (Photos)
With the new Harry Potter prequel "Fantastic Beasts and Where to Find Them" set to expand the wizarding world's mythos, take a moment to gaze into the Pensieve and remind yourself of the series so far.
9. Harry Potter and the Sorcerer's Stone (2001)
The franchise didn't put its best foot forward, but Chris Columbus' "Sorcerer's Stone" -- which both detractors and admirers point to as being more faithful to its source material than any other Harry Potter movie, hence the protracted running time -- was only a momentary stumble. In hindsight, it's also something of a relief: The series gets so dark that starting off on a syrupy-sweet note feels like a small gift.
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8. Harry Potter and the Deathly Hallows — Part 1 (2010)
Almost every Harry Potter film works better as part of a series than it does on its own, "Deathly Hallows — Part 1" especially. The first half of the finale has some of the franchise's most moving moments -- Hedwig, he hardly knew ye; you were a good elf, Dobby — but it simply doesn't function as a standalone film. It's also responsible for the unfortunate trend of splitting books into two or more movies, which has since been mimicked by "Twilight," "The Hunger Games" and "The Hobbit."
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7. Harry Potter and the Order of the Phoenix (2007)
In some senses, "Order of the Phoenix" is a victim of its own success: Much of it revolves around Dolores Umbridge (Imelda Staunton), who's far and away the most hateable character in the franchise. David Yates, who directed the last four Harry Potter movies, occasionally lags on his way to the third act of his first outing. But that finale gives perhaps the most moving, complete sense of the life-and-death stakes of Harry and Voldemort's conflict.
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6. Fantastic Beasts and Where to Find Them (2016)
The spinoff remains true to the spirit of its source material while also differentiating itself. Though we still don't know much about either our new hero, Eddie Redmayne's Newt Scamander, the film itself marks a welcome return to an immersive fictional world. Set in a time (the 1920s) and place (America) that Harry Potter never explored, "Fantastic Beasts" is worth seeking out.
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5. Harry Potter and the Chamber of Secrets (2002)
What's sometimes forgotten about the sentimental first two films is that, unlike later entries, they feel like complete stories. "Chamber of Secrets" suffers from some of the same problems as its predecessor, but it also has the advantage of a more compelling, puzzle-like story. Voldemort takes on many forms throughout the series, and here, as a 16-year-old preserved in memory, he shows his most human face.
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4. Harry Potter and the Goblet of Fire (2005)
The true turning point in the series, "Goblet of Fire" makes good on the promise of "Sorcerer's Stone" that the innocent are the first victims. There were always signs that this is a darker world than it initially appears to be, but until the fourth book (and Mike Newell's film) the forces of evil are held at bay. Once loosed, things change forever.
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3. Harry Potter and the Deathly Hallows — Part 2 (2011)
That coda (which, to be fair, is lifted directly from the book) needs to go, and it makes little sense that a two-part film based on one book can't find the time to give three significant characters onscreen deaths. Even so, the final film expands the series' narrative frame and ties its threads together with true elegance — especially regarding Alan Rickman's Snape, who emerges here as Rowling's best, most tragic character.
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2. Harry Potter and the Half-Blood Prince (2009)
The dynamic between Harry and Dumbledore finally moves to the fore in "Half-Blood Prince," a movie that enriches its own present-tense narrative by looking into the past and showing how it came to be. Tonally similar to the other late entries but narratively superior, it manages to come across as a self-contained work.
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1. Harry Potter and the Prisoner of Azkaban (2004)
Positioned between the sentimental entries directed by Chris Columbus and the bleaker chapters that followed, "Prisoner of Azkaban" achieves a near-perfect balance between light and dark, good and evil. It helps that the source material is so strong -- the arrival of Remus Lupin, Sirius Black, and the Patronus charm are all highlights -- as does the fact that Alfonso Cuarón graced the series with his singular vision before directing "Children of Men" and "Gravity." It's the entire Harry Potter phenomenon in microcosm: coming of age but not yet fully grown, dark but not despairing, and a needed reminder that, even in trying times, a sense of wonderment is as powerful as any spell.
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How does ”Fantastic Beasts and Where to Find Them“ stack up to the rest of the Harry Potter onscreen saga?
With the new Harry Potter prequel "Fantastic Beasts and Where to Find Them" set to expand the wizarding world's mythos, take a moment to gaze into the Pensieve and remind yourself of the series so far.
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